Prinnie Collection

Princess Amelia of Brunswick and Her Daughter Princess Charlotte, 1919. Artist: George Hayter
Princess Amelia of Brunswick and Her Daughter Princess Charlotte, 1919. Caroline Amelia Elizabeth of Brunswick-Wolfenbuttel (1768-1821), best known as Caroline of Brunswick

George IV, (c1911). Creator: Unknown
George IV, (c1911). King George IV of Great Britain and Ireland. From a painting by Sir Thomas Lawrence. P.R.A. In the National Portrait Gallery'

The Comet of 1811, 1811. Creator: Unknown
The Comet of 1811, 1811. The Prince Regent's head, set in a star which is the head of the comet. In the comet's tail: Francis Rawdon-Hastings

The Battle R-L, published June 3, 1816. Creator: William Heath
The Battle R[oya]L, published June 3, 1816. Tug of war over a pair of breeches. [The Prince Regent:] Pull away my boy pull away, my Rib wanted to wear mine by they would not Fit her, hold fast Mc!!

Everyone His Hobby, plate 1, published April 24, 1819. Creator: William Heath
Everyone His Hobby, plate 1, published April 24, 1819. Caricatures of men riding hobby horses (a forerunner of the bicycle) designed to reflect their profession

A Frontispiece to the New Red Book, published June 13, 1816. Creator: William Heath
A Frontispiece to the New Red Book, published June 13, 1816. John Bull: Well you have got it all, Pray what do you all do for it'; Napoleon

George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. Creator: Unknown
George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Viewing the Exhibition of the Royal Academy, 1787, 1886. Creator: Unknown
Viewing the Exhibition of the Royal Academy, 1787, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

The Mysterious Fair One, published May, 1819. Creator: Isaac Robert Cruikshank
The Mysterious Fair One, published May, 1819

Beauties of Grease [altered to] Greece — or — Luxuries of the Kremlin. Vide Brighton Vagaries... c
Beauties of Grease [altered to] Greece -- or -- Luxuries of the Kremlin. Vide Brighton Vagaries. A Kitchen Frolic. c. 1819

The Dandy Tailor, Planing a New Hungry Dress, published May 15, 1819. Creator: Isaac Robert Cruikshank
The Dandy Tailor, Planing a New Hungry Dress, published May 15, 1819

Royal Kitchen Stuff!, 1819. Creator: Isaac Robert Cruikshank
Royal Kitchen Stuff!, 1819

Miss Endeavouring to Excite a Glow with Her Dutch Play Thing, published July 1, 1814. Creator: Isaac Robert Cruikshank
Miss Endeavouring to Excite a Glow with Her Dutch Play Thing, published July 1, 1814

A Ward of Chancery, published by S.W. Fores (etching)
NCO193113 A Ward of Chancery, published by S.W. Fores (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George)

The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)
NCO193109 The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

George Canning, c1810, (c1884). Creator: Unknown
George Canning, c1810, (c1884). George Canning (1770-1827) British Tory educated at Eton College and Christ Church, Oxford

Mrs. Robinson (Perdita), 1781, (c1915). Artist: Thomas Gainsborough
Mrs. Robinson (Perdita), 1781, (c1915). Mary Robinson (c1757-1800), English actress and writer. The painting is part of the Wallace Collection, London

Mrs. Fitzherbert, 1786. Creator: J Cook
Mrs. Fitzherbert, 1786

The General Toast: Honor and Honesty, Love and Loyalty, Fitz and Good Company, ... October 20, 1786. Creator: Anon
The General Toast: Honor and Honesty, Love and Loyalty, Fitz and Good Company, October 20, 1786

A Trip to Brighton a Hundred Years Ago; Saloon in the Prince of Waless Marine Pavilion, c1788, 1 Creator: Unknown
A Trip to Brighton a Hundred Years Ago; Saloon in the Prince of Waless Marine Pavilion, c1788, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

The Duke of Wellington describing the Field of Waterloo to King George IV (1762-1830
HSP198113 The Duke of Wellington describing the Field of Waterloo to King George IV (1762-1830) 1844 (oil on canvas) by Haydon, Benjamin Robert (1786-1846); Royal Hospital Chelsea, London

Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgan
NCO193111 Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgans Reconcilement to the Fairy Princess, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793
NCO193110 The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray

The Grand Signior retiring, pub. 1796 (hand coloured engraving)
3035672 The Grand Signior retiring, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George)

The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)
NCO193152 The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO193123 Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Enchantments lately seen upon the Mountains of Wales or Shon-ap Morgan
3035673 Enchantments lately seen upon the Mountains of Wales or Shon-ap Morgans Reconcilement to the Fairy Princess, pub. 1796 (hand coloured engraving) by Gillray

George IV as Prince of Wales, 1781. Creator: Gainsborough Dupont
George IV as Prince of Wales, 1781

Pair of Flintlock Pistols of the Prince of Wales, later George IV (1762-1830), British
Pair of Flintlock Pistols of the Prince of Wales, later George IV (1762-1830), with Case and Accessories, British, London, hallmarked for 1787-88

A King Fisher on the Banks of the Thames, 1827. Creator: Monogrammist JVS
A King Fisher on the Banks of the Thames, 1827

The Wedding Night, May 20, 1797. Creator: Isaac Cruikshank
The Wedding Night, May 20, 1797

The Prince of Whales or the Fisherman at Anchor, May 1, 1812. Creator: George Cruikshank
The Prince of Whales or the Fisherman at Anchor, May 1, 1812. George, Prince of Wales as a sea monster with Spencer Perceval, Isabella, Marchioness of Hertford and Maria Fitzherbert

King Henry IV, ca. 1827. Creator: William Heath
King Henry IV, ca. 1827

The Royal Allied Oak and Self-Created Mushroom Kings, May 29, 1815

Imperial Botany - or a Peep at Josephines Collection of English Exoticks, vide the Champion Jany 30, 1814, March 1, 1814. Attributed to Charles Williams. Also attributed to George Cruikshank

The Saloon, Brighton Pavilion, ca. 1826. Creator: Augustus Charles Pugin
The Saloon, Brighton Pavilion, ca. 1826

The Modern Egbert, or The King of Kings, January 8, 1789. January 8, 1789
The Modern Egbert, or The King of Kings, January 8, 1789

The Irish Ambassadors Extraordinary, A Gallante Show, March 7, 1789. March 7, 1789
The Irish Ambassadors Extraordinary, A Gallante Show, March 7, 1789

Suitable Restrictions, January 28, 1789. January 28, 1789. Creator: Thomas Rowlandson
Suitable Restrictions, January 28, 1789

A Sweating for Opposition by Dr. W-llis Dominisweaty and Co. March 6, 1789

The Times, December 1788. December 1788. Creator: Thomas Rowlandson
The Times, December 1788

Jockeyship, November 31, 1785. November 31, 1785. Creator: Thomas Rowlandson
Jockeyship, November 31, 1785

A Touch on the Times, December 29, 1788. December 29, 1788. Creator: Thomas Rowlandson
A Touch on the Times, December 29, 1788

Jockeyship, July 1, 1802. July 1, 1802. Creator: Thomas Rowlandson
Jockeyship, July 1, 1802

The Golden Apple, or the Modern Paris, March 2, 1785. March 2, 1785
The Golden Apple, or the Modern Paris, March 2, 1785

Procession to The Hustings After A Successful Canvass, April 30, 1784. April 30, 1784
Procession to The Hustings After A Successful Canvass, April 30, 1784

Secret Influence Directing The New P-l-t [Parliament], May 18, 1784. May 18, 1784
Secret Influence Directing The New P-l-t [Parliament], May 18, 1784

Courtship in High Life, December 15, 1785. December 15, 1785. Creator: Thomas Rowlandson
Courtship in High Life, December 15, 1785

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"Prinnie: A Glimpse into the Royal World of Princess Amelia and Her Daughter, Princess Charlotte" Step back in time to the enchanting era of 1919 as we delve into the captivating world of "Prinnie. " This collection of historical artworks offers a fascinating insight into the lives and times of some prominent figures from British history. One such masterpiece is George Hayter's exquisite portrait titled "Princess Amelia of Brunswick and Her Daughter Princess Charlotte. " The painting beautifully captures the regal elegance and maternal bond between these two influential women. Their grace and poise are evident, reflecting their esteemed position within society. Moving on to another intriguing piece, we encounter George Canning depicted around 1810. Although its creator remains unknown, this artwork provides a glimpse into Canning's political career during that period. His astute gaze hints at his determination to make an impact on British politics. Thomas Gainsborough's masterpiece "Mrs. Robinson (Perdita)" transports us further back in time to 1781. This captivating portrait showcases Mrs. Robinson's beauty and charm, immortalizing her as one of the most celebrated actresses and courtesans of her time. Journeying through history, we stumble upon J Cook's depiction of Mrs. Fitzherbert from 1786. This artwork sheds light on King George IV's secret marriage to Maria Fitzherbert – a scandalous union that defied societal norms but held immense significance for both parties involved. "The General Toast: Honor and Honesty, Love and Loyalty" takes us back to October 20th, 1786 – a momentous occasion captured by an anonymous artist. The vibrant scene depicts revelers raising their glasses in celebration while embodying values cherished by society during that era. Transported now to Brighton in c1788 with an unknown creator’s work titled "A Trip to Brighton a Hundred Years Ago; Saloon in the Prince of Wales's Marine Pavilion.