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Prints Collection (page 12)

"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history

Background imagePrints Collection: The Executive (etching)

The Executive (etching)
6198423 The Executive (etching) by Grieve, Alec (1864-1933); 35x53 cm; The McManus, Dundee, UK; (add.info.: Alec Grieve (1864-1933) after Henry Harwood (1803-1868)); Dundee Art Galleries and Museums

Background imagePrints Collection: Illustration of Ammonitida from 'Kunstformen der Natur'1904 (litho)

Illustration of Ammonitida from "Kunstformen der Natur"1904 (litho)
3432992 Illustration of Ammonitida from " Kunstformen der Natur" 1904 (litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info)

Background imagePrints Collection: Illustration of Amphoridea from 'Kunstformen der Natur'1904 (litho)

Illustration of Amphoridea from "Kunstformen der Natur"1904 (litho)
3432985 Illustration of Amphoridea from " Kunstformen der Natur" 1904 (litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info)

Background imagePrints Collection: Collection of Teleostei from Kunstformen der Natur, 1899 (colour litho)

Collection of Teleostei from Kunstformen der Natur, 1899 (colour litho)
746702 Collection of Teleostei from Kunstformen der Natur, 1899 (colour litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info)

Background imagePrints Collection: Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho)

Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho)
746699 Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info.: Siphonophorae or Siphonophora)

Background imagePrints Collection: The Steerage, 1907; 1911 (photogravure)

The Steerage, 1907; 1911 (photogravure)
991522 The Steerage, 1907; 1911 (photogravure) by Stieglitz, Alfred (1864-1946); Private Collection; (add.info.: The Steerage)

Background imagePrints Collection: A Map of New Zealand, 1931 (colour litho)

A Map of New Zealand, 1931 (colour litho)
1198398 A Map of New Zealand, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Background imagePrints Collection: Poster advertising Graubunden, Switzerland, 1924 (colour litho)

Poster advertising Graubunden, Switzerland, 1924 (colour litho)
1197952 Poster advertising Graubunden, Switzerland, 1924 (colour litho) by Giacometti, Augusto (1877-1947); 126x89 cm; Private Collection; (add.info.: Giacometti)

Background imagePrints Collection: Le Cavalier Blanc, 1912 (colour etching)

Le Cavalier Blanc, 1912 (colour etching)
1195041 Le Cavalier Blanc, 1912 (colour etching) by Barbier, Georges (1882-1932); 42x34.5 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Summer Music, (reproduction, printed in colours)

Summer Music, (reproduction, printed in colours)
1195021 Summer Music, (reproduction, printed in colours) by Icart, Louis (1888-1950); 34x42 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: On the Quay, (etching and aquatint, printed in colours)

On the Quay, (etching and aquatint, printed in colours)
1195019 On the Quay, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 33x15 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Golden Veil, (etching and aquatint, printed in colours)

Golden Veil, (etching and aquatint, printed in colours)
1195015 Golden Veil, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 38x48 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)

Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)
1195011 Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Music Hall, 1930 (colour etching)

Music Hall, 1930 (colour etching)
1194953 Music Hall, 1930 (colour etching) by Icart, Louis (1888-1950); 76x56 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Exactitude, 1932 (colour lithograph)

Exactitude, 1932 (colour lithograph)
1197897 Exactitude, 1932 (colour lithograph) by Fix-Masseau, Pierre Felix (1869-1937); 99x61 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Poster advertising a dog show in Venice, 1936 (colour litho)

Poster advertising a dog show in Venice, 1936 (colour litho)
1197826 Poster advertising a dog show in Venice, 1936 (colour litho) by De Maria, Astolfo (1891-1946); 101x70 cm; Private Collection; (add.info.: De Maria)

Background imagePrints Collection: Fair Model, 1937 (colour etching and aquatint)

Fair Model, 1937 (colour etching and aquatint)
991062 Fair Model, 1937 (colour etching and aquatint) by Icart, Louis (1888-1950); 54.5x34.6 cm; Private Collection; (add.info.: Fair Model. Louis Icart (1888-1950). Colour etching and aquatint

Background imagePrints Collection: Four Dears, 1929 (colour etching and aquatint)

Four Dears, 1929 (colour etching and aquatint)
991057 Four Dears, 1929 (colour etching and aquatint) by Icart, Louis (1888-1950); 76x62.5 cm; Private Collection; (add.info.: Four Dears. Louis Icart (1888-1950). Colour etching and aquatint

Background imagePrints Collection: Arrival, c. 1941 (etching and drypoint)

Arrival, c. 1941 (etching and drypoint)
991016 Arrival, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44x31 cm; Private Collection; (add.info.: Arrival. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Background imagePrints Collection: Departure, c. 1941 (etching and drypoint)

Departure, c. 1941 (etching and drypoint)
991015 Departure, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44.5x31 cm; Private Collection; (add.info.: Departure. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Background imagePrints Collection: La Poeme, (drypoint and aquatint)

La Poeme, (drypoint and aquatint)
990997 La Poeme, (drypoint and aquatint) by Icart, Louis (1888-1950); 45.2x54.5 cm; Private Collection; (add.info.: La Poeme. Louis Icart (1888-1950). Drypoint and aquatint. 45.2 x 54.5cm

Background imagePrints Collection: On the Beach, (drypoint and aquatint)

On the Beach, (drypoint and aquatint)
990995 On the Beach, (drypoint and aquatint) by Icart, Louis (1888-1950); 26x39.2 cm; Private Collection; (add.info.: On the Beach. Louis Icart (1888-1950). Etching with aquatint. 26 x 39.2cm

Background imagePrints Collection: Nude woman in front of King Pausole, 1930 (coloured print)

Nude woman in front of King Pausole, 1930 (coloured print)
990967 Nude woman in front of King Pausole, 1930 (coloured print) by Brunelleschi, Umberto (1879-1949); Private Collection; (add.info.: Nude woman in front of King Pausole)

Background imagePrints Collection: Map of Asia, c. 1696 (hand-coloured engraving)

Map of Asia, c. 1696 (hand-coloured engraving)
986317 Map of Asia, c.1696 (hand-coloured engraving) by Danckerts, Cornelis III (1664-1717); 59x96 cm; Private Collection; (add.info.: Map of Asia. Cornelis Danckerts III (1664-1717)

Background imagePrints Collection: Common Gallinule (Moorhen)(Male, female and young), c. 1841 (hand-coloured engraving)

Common Gallinule (Moorhen)(Male, female and young), c. 1841 (hand-coloured engraving)
986250 Common Gallinule (Moorhen)(Male, female and young), c.1841 (hand-coloured engraving) by Shield, George (1804-80) (after); 50.5x61.5 cm; Private Collection; (add.info)

Background imagePrints Collection: Red Amaryllis, 1839 (watercolour drawing)

Red Amaryllis, 1839 (watercolour drawing)
986035 Red Amaryllis, 1839 (watercolour drawing) by Rosenberg, Mary Elizabeth (1820-1914); 44.5x34.5 cm; Private Collection; (add.info.: Plate 6, (Red Amaryllis)

Background imagePrints Collection: Tour the Empire at Wembley, 1920 (lithograph in colours)

Tour the Empire at Wembley, 1920 (lithograph in colours)
1766925 Tour the Empire at Wembley, 1920 (lithograph in colours) by Newbould, Frank (1887-1951); 89x114 cm; Private Collection; (add.info.: Tour the Empire at Wembley. Frank Newbould (1887-1950)

Background imagePrints Collection: Illustration of Der Zauberlehrling, from Goethes Werke, 1882 (wood engraving)

Illustration of Der Zauberlehrling, from Goethes Werke, 1882 (wood engraving)
5914891 Illustration of Der Zauberlehrling, from Goethes Werke, 1882 (wood engraving) by Barth, Ferdinand (1842-92); Private Collection

Background imagePrints Collection: A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph)

A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph)
1198193 A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph) by Nash, Paul (1889-1946); 25x33 cm; Private Collection; Photo © Christies Images

Background imagePrints Collection: Design with insect motif, 1930s (colour litho)

Design with insect motif, 1930s (colour litho)
STC439600 Design with insect motif, 1930s (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; The Stapleton Collection

Background imagePrints Collection: View of Dundee from the River, 1836 (engraving)

View of Dundee from the River, 1836 (engraving)
6200001 View of Dundee from the River, 1836 (engraving) by Fenton, James (1797-1853); 31.4x45.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imagePrints Collection: Greenmarket, Dundee, 1914 (etching)

Greenmarket, Dundee, 1914 (etching)
6199996 Greenmarket, Dundee, 1914 (etching) by Foggie, David (1878-1948); 18.7x26.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imagePrints Collection: Strathmartine Lodging, 20th century (etching)

Strathmartine Lodging, 20th century (etching)
6199989 Strathmartine Lodging, 20th century (etching) by Foggie, David (1878-1948); 49x35 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imagePrints Collection: Taymouth Castle, 19th century (engraving)

Taymouth Castle, 19th century (engraving)
6199613 Taymouth Castle, 19th century (engraving) by Cumming, Gershom Gourlay (1810-98); 34.8x47.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imagePrints Collection: Advertising poster for Shell, 1938 (colour lithograph)

Advertising poster for Shell, 1938 (colour lithograph)
1770090 Advertising poster for Shell, 1938 (colour lithograph) by Craig, Barry (1902-51); 76x114 cm; Private Collection; (add.info.: Advertising poster for Shell. Barry Craig (1902-1951)

Background imagePrints Collection: Dancers, c. 1915 (pencil on paper, with etching)

Dancers, c. 1915 (pencil on paper, with etching)
2649153 Dancers, c.1915 (pencil on paper, with etching) by Burleigh, Averil Mary (1883-1949); 29x24 cm; Private Collection; © Liss Fine Art; English, out of copyright

Background imagePrints Collection: German poster for an exhibition of English Graphics for the Board of Trade and the British Museum

German poster for an exhibition of English Graphics for the Board of Trade and the British Museum, 1923
1770027 German poster for an exhibition of English Graphics for the Board of Trade and the British Museum, 1923, 1923 (colour lithograph) by Wadsworth

Background imagePrints Collection: Poster advertising Spain, published by the Spanish State Tourist Department (colour lithograph)

Poster advertising Spain, published by the Spanish State Tourist Department (colour lithograph)
1769997 Poster advertising Spain, published by the Spanish State Tourist Department (colour lithograph) by Morell, Jose (1899-1949); 99x61 cm; Private Collection; (add.info)

Background imagePrints Collection: Full-length portraits of wrestlers from the Eastern Group, Uzugafuchi on the right

Full-length portraits of wrestlers from the Eastern Group, Uzugafuchi on the right and Onogawa on the left
1766511 Full-length portraits of wrestlers from the Eastern Group, Uzugafuchi on the right and Onogawa on the left (colour woodblock print) by Shunsho

Background imagePrints Collection: Midsummer Night (colour litho)

Midsummer Night (colour litho)
6026446 Midsummer Night (colour litho) by Giles, William (1872-1938); Private Collection; (add.info.: Midsummer Night. Illustration for Masters of the Colour Print with introduction by Malcolm)

Background imagePrints Collection: Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho)

Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho)
746700 Examples of Siphonophorae from Kunstformen der Natur, 1899 (colour litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info.: Siphonophorae or Siphonophora)

Background imagePrints Collection: Varieties of Pediastrum from Kunstformen der Natur, 1899 (colour litho)

Varieties of Pediastrum from Kunstformen der Natur, 1899 (colour litho)
746696 Varieties of Pediastrum from Kunstformen der Natur, 1899 (colour litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info.: Pediastrum is a genus of algae)

Background imagePrints Collection: Montmartre, 1928 (colour etching and aquatint)

Montmartre, 1928 (colour etching and aquatint)
991060 Montmartre, 1928 (colour etching and aquatint) by Icart, Louis (1888-1950); 72.5x53 cm; Private Collection; (add.info.: Montmartre. Louis Icart (1888-1950). Colour etching and aquatint

Background imagePrints Collection: Thais, 1927 (colour etching and aquatint)

Thais, 1927 (colour etching and aquatint)
991058 Thais, 1927 (colour etching and aquatint) by Icart, Louis (1888-1950); 43x53.5 cm; Private Collection; (add.info.: Thais. Louis Icart (1888-1950). Colour etching and aquatint. Etched in 1927

Background imagePrints Collection: The Sofa, c. 1937 (etching and drypoint, mounted and framed)

The Sofa, c. 1937 (etching and drypoint, mounted and framed)
991017 The Sofa, c.1937 (etching and drypoint, mounted and framed) by Icart, Louis (1888-1950); 44.3x66 cm; Private Collection; (add.info.: The Sofa. Louis Icart (1888-1950)

Background imagePrints Collection: Behind the Fan, 1922 (etching and drypoint)

Behind the Fan, 1922 (etching and drypoint)
991013 Behind the Fan, 1922 (etching and drypoint) by Icart, Louis (1888-1950); 37.8x49.5 cm; Private Collection; (add.info.: Behind the Fan. Louis Icart (1888-1950). Etching and drypoint

Background imagePrints Collection: Wisteria, 1940 (colour etching an drypoint)

Wisteria, 1940 (colour etching an drypoint)
985633 Wisteria, 1940 (colour etching an drypoint) by Icart, Louis (1888-1950); 45.5x55 cm; Private Collection; (add.info.: Wisteria. Louis Icart (1888-1950). Colour etching an drypoint

Background imagePrints Collection: Examples of Decapoda Kunstformen der Natur, 1899 (colour litho)

Examples of Decapoda Kunstformen der Natur, 1899 (colour litho)
746714 Examples of Decapoda Kunstformen der Natur, 1899 (colour litho) by Haeckel, Ernst (1824-1919) (after); Private Collection; (add.info)



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"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history: Astronaut footprints forever etched on the surface of the Moon, a testament to human exploration and achievement. Canary Wharf in all its glory: The towering skyscrapers of UK's financial district leave their own impressive prints on London's skyline. A majestic tapestry unfolds: The Shard and Tower Bridge create an enchanting panorama, leaving indelible imprints in our memories. Icons that define a city: Houses of Parliament, Big Ben, and London Eye stand tall, imprinting their grandeur upon every visitor's heart. Connecting past and present: Waterloo Bridge spans over River Thames, bridging time with its architectural beauty and leaving lasting impressions. Nature paints a masterpiece: An Orange Harvest Moon casts its ethereal glow, imprinting serenity upon those who gaze at its celestial presence. Unsettling transformations unfold: Awful Changes capture our attention as they leave their perplexing imprints on society's ever-evolving landscape. Plate 18 reveals hidden stories: Intriguing prints tell tales untold, inviting us to delve into mysteries waiting to be unraveled. Trafalgar Square beckons with pride: Nelson's Column stands tall amidst vibrant crowds, imprinting valorous spirits within each passerby. Journey through picturesque landscapes begins here: Russell Square Underground Station serves as a gateway for explorations yet unknown but eagerly anticipated by adventurous souls seeking new imprints along England's paths. Reliving seaside dreams from yesteryears: A Southern Railway poster advertising Ramsgate transports us back to 1939 when colorful lithographs left vivid prints in people’s minds about idyllic coastal getaways.