Psalm Collection (page 5)

Christus in de hof van Getsemane. Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Flagellation of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Crowning with Thorns of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

The Cross, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

PURITAN FAMILY, 1563. From The Whole Psalms in Four Parts. Woodcut 1563

MASSACHUSETTS PSALTER. The Massachusetts Psalter, or, Psalms of David, with the Gospel according to John. In columns of Native American and English

LUTHER: PSALM 34. Martin Luthers German translation of the first five verses of the Thirty-Fourth Psalm. Manuscript fragment

INITIAL B WITH GOD. Christ enthroned from Psalm One (Beatus Vir) of a French Psalter, c1200

SONG OF SONGS, c1470. The Sleeping Bride. Woodcut from a Dutch block-book of the Song of Songs, or Canticum Canticorum, c1470

DAVID AND MUSICIANS. David with bells and musicians. Initial to Psalm 80. English manuscript illumination, c1290

Constancy of the Jews in captivity. By the rivers of Babylon, there we sat down, yea, we wept when we remembered Zion. Bible: Psalm 137. Chromolithograph c1860

Alchemical elements, 18th century
Alchemical elements. 18th-century artwork of an alchemists laboratory and furnaces, with a list of alchemical elements in Latin

Portrait of Solomon. Picture of the Psalm Book from Mission Abbadie, manuscript 105, fol. 121v. African art. Miniature Painting

BIBLE ILLUSTRATION, 1685. Illustration for the opening verse of Psalm 42 ( As the hart panteth after the water brooks)
BIBLE ILLUSTRATION, 1685. Illustration for the opening verse of Psalm 42 ( As the hart panteth after the water brooks, so panteth my soul after thee, O God )

NEW ENGLAND PSALMS, 1770. Engraved frontispiece by Paul Revere (left) and title page from William Billings New England Psalm Singer, Boston, Massachusetts, 1770

BOSTON: PSALM BOOK, 1770. Music engraving by Paul Revere for William Billings The New-England Psalm-Singer, Boston, 1770

URANIA PSALMS TITLE PAGE. Engraved title page by Henry Dawkins for the first edition of James Lyons Urania
URANIA PSALMS TITLE PAGE. Engraved title page by Henry Dawkins for the first edition of James Lyons " Urania, " Philadelphia, 1761

PSALM TUNES, 1764. Engraved title-page by Paul Revere for the first edition of Josiah Flaggs A Collection of the Best
PSALM TUNES, 1764. Engraved title-page by Paul Revere for the first edition of Josiah Flaggs " A Collection of the Best Psalm Tunes", Boston, 1764

MOUNTAIN FAMILY, 1874. A mountain family from western North Carolina singing Psalms. Wood engraving, 1874

Fulness of Joy Plate 2
Floral accompaniment to Psalm 16.11: a garland or swag, in the shape of a horseshoe, composed of daisies & grass. Date: circa 1880

Psalm, Bible, La Salette, Isere, France, Europe

Bay Psalm Book, 1640
Bay Psalm Book, printed in Massachusetts Bay Colony, 1640. Woodcut with a watercolor wash

Psalm Cxlv: 9
PSALM CXLV: 9 The Lord is good to all; And his tender mercies are over all his works

Page from an Irish psalter, Beatus Vir
Page from an Irish psalter, with Psalm 112, beginning Beatus vir ( Blessed is the man who fears the Lord )

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"Psalm: A Timeless Journey through Music, Art, and Faith" Step back in time to the year 1885 with an enchanting advert for Geo. Whight & Co's musical Celestina. This captivating piece of history transports us to a world where music was celebrated as a universal language that touched hearts and souls. As we delve deeper into the realm of psalms, we encounter an illustration and part of the text from Psalm 103, dating back to c1000-1050. Its creator remains unknown, but its profound message resonates through centuries, reminding us of the power of praise and thanksgiving. A fragment from a Psalter captures our attention next—a precious relic that once guided countless individuals in their spiritual journey. Alongside it lies a fragment from a Biblical Commentary—an invaluable resource shedding light on ancient interpretations of these sacred verses. Melchior Model's exquisite title page for Septem Psalmi Davidici (Seven Psalms of David) takes us on yet another adventure into the depths of devotion. The intricate details within this masterpiece evoke emotions that words alone cannot express. Intriguingly juxtaposed is an engraving depicting "Like sheep they are laid in the grave, " drawing inspiration from biblical passages that remind us all about life's transience and mortality—profound reflections on our existence. The image shifts again, revealing a type of executioner involved in John the Baptist's decapitation—an eerie reminder that even amidst faith-filled journeys, darkness can cast its shadow upon humanity. However, hope emerges as we witness those who venture out to sea in ships doing business in great waters—a scene inspired by Psalm cvii. It serves as a testament to human resilience and determination against all odds. We then find ourselves immersed in historical events—the King's Thanksgiving at St Pauls for his recovery depicted vividly through engravings etched with gratitude and reverence towards divine intervention.