Pugin Auguste Collection

Paris, Notre Dame prise de L'Ile Louvier, n.d. Creator: Daniel Havell
Paris, Notre Dame prise de L'Ile Louvier, n.d

Study for Royal Chapel, Whitehall, in Micocosm of London, 1807-10

Study for St. Lukes Hospital, from Microcosm of London, c. 1809

Study for Whitehall Chapel, from Microcosm of London, c. 1809

Study for Court of Common Pleas, Westminster Hall, from Microcosm of London, 1807

Study for Sadlers Wells Theater, c. 1809. Creator: Augustus Charles Pugin
Study for Sadlers Wells Theater, c. 1809

Study for Drawing Room, St. James, from Microcosm of London, c. 1809

Study for the House of Lords, 1807 (recto); c. 1807 (verso)

Study for Walbrook Church (recto); Sketches of Sailboats, Men and Dinghies (verso), 1807 (recto); c. 1807 (verso)

Study for Egyptian Hall Mansion House, from Microcosm of London, c. 1809

Study for Kings Circus, c. 1809. Creator: Augustus Charles Pugin
Study for Kings Circus, c. 1809

Study for The Royal Exchange, from Microcosm of London, c. 1809

Study for House of Commons, from Microcosm of London, 1807

Study for Westminster Abbey, from Microcosm of London, c. 1809

Study for Covent Garden Theatre, from Microcosm of London, 1807

Study for Exhibition Room, Somerset House, from Microcosm of London, c. 1808

Study for Opera House, from Microcosm of London, c. 1808. Creator: Augustus Charles Pugin
Study for Opera House, from Microcosm of London, c. 1808

Study for Court of Kings Bench, Westminster Hall, from Microcosm of London, c. 1808

St. Stephens Walbrook, November 1, 1809. Creators: Thomas Rowlandson
St. Stephens Walbrook, November 1, 1809

The Saloon, Brighton Pavilion, ca. 1826. Creator: Augustus Charles Pugin
The Saloon, Brighton Pavilion, ca. 1826

Horse Armoury, Tower of London, November 1, 1809. November 1, 1809
Horse Armoury, Tower of London, November 1, 1809

The Hall Carlton House (Microcosm of London, plate 15), April 1, 1808. April 1, 1808
The Hall Carlton House (Microcosm of London, plate 15), April 1, 1808

A Birds Eye View of Smithfield Market, Taken from the Bear & Ragged Staff, January 1, 1811

Billingsgate Market, March 1, 1808. March 1, 1808. Creators: Thomas Rowlandson
Billingsgate Market, March 1, 1808

Guildhall, Examination of a Bankrupt before his Creditors (Microcosm of London, plate 41), November 1, 1808

Bartholomew Fair, February 1, 1808. February 1, 1808. Creator: J. Bluck
Bartholomew Fair, February 1, 1808

Drawing from Life at the Royal Academy, Somerset House, January 1, 1808. January 1, 1808
Drawing from Life at the Royal Academy, Somerset House, January 1, 1808

Workhouse, St. Jamess Parish, December 1, 1809. December 1, 1809
Workhouse, St. Jamess Parish, December 1, 1809

A View of London from the Thames, November 1, 1809. November 1, 1809
A View of London from the Thames, November 1, 1809

Greenwich Hospital, The Painted Hall, January 1, 1810. January 1, 1810. Creator: J
Greenwich Hospital, The Painted Hall, January 1, 1810

St. Martins in the Fields, August 1, 1809. August 1, 1809
St. Martins in the Fields, August 1, 1809

St. Margarets Westminster, August 1, 1809. August 1, 1809
St. Margarets Westminster, August 1, 1809

View of the Tower, October 1, 1809. October 1, 1809. Creators: Thomas Rowlandson
View of the Tower, October 1, 1809

Vauxhall Garden, 1809. 1809. Creators: Thomas Rowlandson, J
Vauxhall Garden, 1809

Vauxhall Garden, October 2, 1809. October 2, 1809. Creators: Thomas Rowlandson, J
Vauxhall Garden, October 2, 1809

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Auguste Pugin, a renowned architect and artist of the 19th century, left an indelible mark on London's architectural landscape. His meticulous studies for various iconic buildings showcased his exceptional talent and attention to detail. In his "Study for Royal Chapel, Whitehall, " featured in the Micocosm of London between 1807-10, Pugin captured the grandeur and elegance of this sacred space. Similarly, his study for St. Luke's Hospital depicted a harmonious blend of functionality and aesthetics that would serve as a blueprint for future healthcare institutions. Pugin's dedication to capturing every aspect is evident in his study for Whitehall Chapel from Microcosm of London in 1809. The intricate details he portrayed transported viewers into the heart of this magnificent place of worship. Meanwhile, his study for Court of Common Pleas at Westminster Hall showcased Pugin's ability to create spaces that exuded authority and dignity. Beyond public buildings, Pugin also explored theater design with his study for Sadlers Wells Theater in 1809. Here he demonstrated an understanding not only of architecture but also theatricality and ambiance. In contrast, his study for Drawing Room at St. James displayed a refined taste fit for royalty. Pugin's versatility shines through in diverse works like Study for House of Lords (1807), where he skillfully balanced opulence with functionality while creating an atmosphere befitting legislative affairs. On another occasion, he sketched Walbrook Church alongside charming scenes featuring sailboats and dinghies—a testament to both his architectural prowess and artistic flair. His imagination knew no bounds as seen in Study for Egyptian Hall Mansion House (c. 1809). This captivating piece showcases Pugin's ability to transport viewers back in time with its exotic allure reminiscent of ancient Egypt. The circular layout depicted in Study For King’s Circus (c. 1809) demonstrates how Pugin pushed boundaries by experimenting with unconventional designs.