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Quattrocento Collection (#11)

The quattrocento, also known as the 15th century Renaissance period in Italy, was a time of great artistic and cultural flourishing

Background imageQuattrocento Collection: Episode of the life of Saint John evangelist: 'The resurrection of Drusiana'

Episode of the life of Saint John evangelist: "The resurrection of Drusiana"(Life of St John evangelist)
LRI4693431 Episode of the life of Saint John evangelist: " The resurrection of Drusiana" (Life of St John evangelist)

Background imageQuattrocento Collection: Episode of the life of Saint John evangelist: 'The miracle of the cup of poison'

Episode of the life of Saint John evangelist: "The miracle of the cup of poison"(Life of St John evangelist)
LRI4693430 Episode of the life of Saint John evangelist: " The miracle of the cup of poison" (Life of St John evangelist)

Background imageQuattrocento Collection: The last Supper (fresco, 1495-1497) (after 1999 restauration)

The last Supper (fresco, 1495-1497) (after 1999 restauration)
LRI4684839 The last Supper (fresco, 1495-1497) (after 1999 restauration) by Vinci, Leonardo da (1452-1519); Cenacolo di Santa Maria delle Grazie (Cenacolo Vinciano), Milan, Lombardy

Background imageQuattrocento Collection: History of the life of Christ: the Cene, the baptism of Christ

History of the life of Christ: the Cene, the baptism of Christ and the transfiguration -Tempera on wood, 1450
LRI4570627 History of the life of Christ: the Cene, the baptism of Christ and the transfiguration -Tempera on wood, 1450 by Baldovinetti, Alessio (1425-99); Museo di San Marco, Florence

Background imageQuattrocento Collection: The mystical marriage of Saint Catherine with Saints John the Baptist

The mystical marriage of Saint Catherine with Saints John the Baptist and Anthony of Egypt - Painting, circa 1420
LRI4579405 The mystical marriage of Saint Catherine with Saints John the Baptist and Anthony of Egypt - Painting, circa 1420 by Besozzo, Michelino Molinari da (c.1370-c.1455) (attr)

Background imageQuattrocento Collection: Triptych of the Coronation of the Virgin - Painting by Giovanni da Gaeta (active around 1449-1472)

Triptych of the Coronation of the Virgin - Painting by Giovanni da Gaeta (active around 1449-1472) 15th century Gaeta
LRI4578377 Triptych of the Coronation of the Virgin - Painting by Giovanni da Gaeta (active around 1449-1472) 15th century Gaeta

Background imageQuattrocento Collection: Effigy of Lorenzo de Medici, 15th century (bronze medal)

Effigy of Lorenzo de Medici, 15th century (bronze medal)
LRI4582788 Effigy of Lorenzo de Medici, 15th century (bronze medal) by Forzore Spinelli, Niccolo di (Niccolo Fiorentino) (1430-1514); Museo Nazionale del Bargello, Florence, Tuscany

Background imageQuattrocento Collection: Italy Tuscany Siena, Cathedral The Duomo: The Coronation of Pius II (1405-1464), 1505-1507

Italy Tuscany Siena, Cathedral The Duomo: The Coronation of Pius II (1405-1464), 1505-1507
JEB4948318 Italy Tuscany Siena, Cathedral The Duomo: The Coronation of Pius II (1405-1464), 1505-1507, Fresco by Pinturicchio (Bernardino di Betto) (1454-1513) by Pinturicchio

Background imageQuattrocento Collection: Madonna with the Child Jesus (tempera on wood)

Madonna with the Child Jesus (tempera on wood)
7227348 Madonna with the Child Jesus (tempera on wood) by Machiavelli, Zanobi (1418-79); Private Collection; (add.info.: Private Collection, Jacopo Machiavelle Zanobi, Madonna with Child Jesus)

Background imageQuattrocento Collection: Musical instruments Marquetry by Fra Giovanni da Verona (late 15th - beginning 16th century)

Musical instruments Marquetry by Fra Giovanni da Verona (late 15th - beginning 16th century)
LRI4690382 Musical instruments Marquetry by Fra Giovanni da Verona (late 15th - beginning 16th century), monastic choir of Monte Oliveto Maggiore Abbey

Background imageQuattrocento Collection: Saint Jerome Penitent. Painting by Giovanni Pedrini or Giovan Pietro Rizzi or Gian Pietro Rizzoli

Saint Jerome Penitent. Painting by Giovanni Pedrini or Giovan Pietro Rizzi or Gian Pietro Rizzoli known as Giampietrino
LSE4313058 Saint Jerome Penitent. Painting by Giovanni Pedrini or Giovan Pietro Rizzi or Gian Pietro Rizzoli known as Giampietrino (active 1495 to 1549), oil on wood, Italian art

Background imageQuattrocento Collection: View of Siena with the Cathedral and Porta Camollia, detail from Aeneas Sylvius Presents Eleonora

View of Siena with the Cathedral and Porta Camollia, detail from Aeneas Sylvius Presents Eleonora of Aragon to
GRL153313 View of Siena with the Cathedral and Porta Camollia, detail from Aeneas Sylvius Presents Eleonora of Aragon to Frederick III, 24th February 1452, 1503-08 (fresco) by Pinturicchio

Background imageQuattrocento Collection: Aeneas Sylvius Piccolomini (1405-64) Makes an Act of Submission to Pope Eugenius IV (1383-1447)

Aeneas Sylvius Piccolomini (1405-64) Makes an Act of Submission to Pope Eugenius IV (1383-1447) 7th February 1447
GRL153312 Aeneas Sylvius Piccolomini (1405-64) Makes an Act of Submission to Pope Eugenius IV (1383-1447) 7th February 1447, 1503-08 (fresco) by Pinturicchio

Background imageQuattrocento Collection: Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)

Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)
1630065 Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome

Background imageQuattrocento Collection: Saint Luke painting the Virgin, detail of the Vault of the Choir, 1505-1510 (fresco)

Saint Luke painting the Virgin, detail of the Vault of the Choir, 1505-1510 (fresco)
1630063 Saint Luke painting the Virgin, detail of the Vault of the Choir, 1505-1510 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome, Italy; (add.info.: Rome)

Background imageQuattrocento Collection: The Piccolomini Library, the exterior upper register: 'Coronation of Pope Pius III (October 8)

The Piccolomini Library, the exterior upper register: "Coronation of Pope Pius III (October 8, 1503)"
6435161 The Piccolomini Library, the exterior upper register: " Coronation of Pope Pius III (October 8, 1503)", fresco by Bernardino di Betto, known as Pinturicchio

Background imageQuattrocento Collection: Effigy of Lorenzo de Medici, 15th century (bronze medal)

Effigy of Lorenzo de Medici, 15th century (bronze medal)
LRI4582785 Effigy of Lorenzo de Medici, 15th century (bronze medal) by Forzore Spinelli, Niccolo di (Niccolo Fiorentino) (1430-1514); Museo Nazionale del Bargello, Florence, Tuscany

Background imageQuattrocento Collection: Portrait of the Impress Bianca Maria Sforza, 1493-95 (painting)

Portrait of the Impress Bianca Maria Sforza, 1493-95 (painting)
LRI4582439 Portrait of the Impress Bianca Maria Sforza, 1493-95 (painting) by Predis, Giovanni Ambrogio de (fl.1472-1506) (circle of); Kunsthistorisches Museum, Vienna

Background imageQuattrocento Collection: Saint Paul and Saint Peter Detail representing Saint Paul. Painting by Riccardo Quartararo

Saint Paul and Saint Peter Detail representing Saint Paul. Painting by Riccardo Quartararo (15th-16th century)
LRI4634214 Saint Paul and Saint Peter Detail representing Saint Paul. Painting by Riccardo Quartararo (15th-16th century) 1493 Dim. 216x155 cm Palermo, Galleria Regionale della Sicilia, inv

Background imageQuattrocento Collection: Virgin with child (Painting, c. 1426-1450)

Virgin with child (Painting, c. 1426-1450)
LRI4698873 Virgin with child (Painting, c.1426-1450) by Bardi, Donato de (fl.c.1426-1450/1451); Museo Diocesano, Genoa, Liguria

Background imageQuattrocento Collection: Allegory of state finances in wartime and peacetime. Detail. 15th century (Wood painting)

Allegory of state finances in wartime and peacetime. Detail. 15th century (Wood painting)
LRI4667329 Allegory of state finances in wartime and peacetime. Detail. 15th century (Wood painting) by Giovanni, Benvenuto di (1436-1518); Archivio di Stato, Siena

Background imageQuattrocento Collection: Ex voto (or ex voto): 'The Virgin Mary protecting the city of Siena at the time of the earthquakes

Ex voto (or ex voto): "The Virgin Mary protecting the city of Siena at the time of the earthquakes of
LRI4667287 Ex voto (or ex voto): " The Virgin Mary protecting the city of Siena at the time of the earthquakes of 1466-1467" Detail

Background imageQuattrocento Collection: Alexander the Great, circa 1450-1455 ( Terracotta polychrome)

Alexander the Great, circa 1450-1455 ( Terracotta polychrome)
LRI4594160 Alexander the Great, circa 1450-1455 ( Terracotta polychrome) by Verrocchio, Andrea del (1435-88) & Robbia, Andrea della (1435-1525); Kunsthistorisches Museum, Vienna

Background imageQuattrocento Collection: Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca)

Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century
LSE4315262 Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century, Italian art. Museum of Fine Arts Budapest (Hungary)

Background imageQuattrocento Collection: Pala del Gran Consiglio representing Saint Anne, The Virgin and the children Jesus

Pala del Gran Consiglio representing Saint Anne, The Virgin and the children Jesus
BAT5469296 Pala del Gran Consiglio representing Saint Anne, The Virgin and the children Jesus and Saint John the Baptist surrounded by Saints

Background imageQuattrocento Collection: The Piccolomini Library, the ceiling: dedicatory inscription along the short north-west side

The Piccolomini Library, the ceiling: dedicatory inscription along the short north-west side
6435881 The Piccolomini Library, the ceiling: dedicatory inscription along the short north-west side, fresco by Bernardino di Betto, known as Pinturicchio

Background imageQuattrocento Collection: The Piccolomini Library, the vault, north-west wall: the segment over the left window

The Piccolomini Library, the vault, north-west wall: the segment over the left window
6435864 The Piccolomini Library, the vault, north-west wall: the segment over the left window, frescoes attributed to Girolamo del Pacchia

Background imageQuattrocento Collection: Ex voto (or ex voto): 'The Virgin Mary protecting the city of Siena at the time of the earthquakes

Ex voto (or ex voto): "The Virgin Mary protecting the city of Siena at the time of the earthquakes of
LRI4667302 Ex voto (or ex voto): " The Virgin Mary protecting the city of Siena at the time of the earthquakes of 1466-1467" Detail

Background imageQuattrocento Collection: View of the Corbinelli chapel, altar of the sacrament made by Andrea Sansovino (ca)

View of the Corbinelli chapel, altar of the sacrament made by Andrea Sansovino (ca)
LRI4583631 View of the Corbinelli chapel, altar of the sacrament made by Andrea Sansovino (ca. 1460-1529) 1492 (Altar built by Andrea Sansovino, chapel Corbinelli), Church santo Spirito

Background imageQuattrocento Collection: 'La Vierge de l annonciation'Peinture de Luca Baudo (1460 / 70-1509 / 10) Saint petersbourg

"La Vierge de l annonciation"Peinture de Luca Baudo (1460 / 70-1509 / 10) Saint petersbourg
FIA5363797 " La Vierge de l annonciation" Peinture de Luca Baudo (1460/70-1509/10) Saint petersbourg, musee de l ermitage by Baudo, Lucas (c.1465-1509); State Hermitage Museum, St

Background imageQuattrocento Collection: Polyptych of the Misericordia: prayer in the Olive Garden, 1445-1460 (painting on wood)

Polyptych of the Misericordia: prayer in the Olive Garden, 1445-1460 (painting on wood)
LRI4684777 Polyptych of the Misericordia: prayer in the Olive Garden, 1445-1460 (painting on wood) by Francesca, Piero della, (c.1415-92) (school of); Pinacoteca, Sansepolcro

Background imageQuattrocento Collection: Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93)

Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail)
GRL153305 Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail) by Pinturicchio

Background imageQuattrocento Collection: Pope Pius II (1405-64), at Ancona, Blesses the Fleet about to Leave for the Holy Land on 15th

Pope Pius II (1405-64), at Ancona, Blesses the Fleet about to Leave for the Holy Land on 15th August 1464
GRL153320 Pope Pius II (1405-64), at Ancona, Blesses the Fleet about to Leave for the Holy Land on 15th August 1464, 1503-08 (fresco) by Pinturicchio

Background imageQuattrocento Collection: Madonna with Infant Jesus, the Baptist and S. Stephen (fresco)

Madonna with Infant Jesus, the Baptist and S. Stephen (fresco)
6204098 Madonna with Infant Jesus, the Baptist and S. Stephen (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Duomo, Cathedral of S

Background imageQuattrocento Collection: Nativity with st Bernard and st thomas Aquinas - Painting, 1475-1476

Nativity with st Bernard and st thomas Aquinas - Painting, 1475-1476
LRI4579351 Nativity with st Bernard and st thomas Aquinas - Painting, 1475-1476 by Martini, Francesco di Giorgio (1439-1502); Pinacoteca Nazionale, Siena, Tuscany

Background imageQuattrocento Collection: The Annunciation (fresco, 1466-1467)

The Annunciation (fresco, 1466-1467)
LRI4575466 The Annunciation (fresco, 1466-1467) by Baldovinetti, Alessio (1425-99); San Miniato al Monte, Florence, Italy; (add.info)

Background imageQuattrocento Collection: The Piccolomini Library: the ceiling, which is divided in 21 compartments surrounded by trompe l

The Piccolomini Library: the ceiling, which is divided in 21 compartments surrounded by trompe l ceil stucco borders
6435875 The Piccolomini Library: the ceiling, which is divided in 21 compartments surrounded by trompe l ceil stucco borders and separated by a golden frieze, is due to Bernardino di Betto

Background imageQuattrocento Collection: The Piccolomini Library: view of the interior from the north - east

The Piccolomini Library: view of the interior from the north - east, with the frescoes by Bernardino di Betto
6435383 The Piccolomini Library: view of the interior from the north - east, with the frescoes by Bernardino di Betto, known as Pinturicchio

Background imageQuattrocento Collection: Siena, Duomo (Cathedral): the exterior of the Piccolomini Library

Siena, Duomo (Cathedral): the exterior of the Piccolomini Library. with the marble facade by Lorenzo di Mariano Fucci
6435029 Siena, Duomo (Cathedral): the exterior of the Piccolomini Library. with the marble facade by Lorenzo di Mariano Fucci, known as Marrina e Giovanni di Stefano, 1497-99

Background imageQuattrocento Collection: Allegory of state finances in time of war and in time of peace, 15th century (Wood painting)

Allegory of state finances in time of war and in time of peace, 15th century (Wood painting)
LRI4667312 Allegory of state finances in time of war and in time of peace, 15th century (Wood painting) by Giovanni, Benvenuto di (1436-1518); Archivio di Stato, Siena

Background imageQuattrocento Collection: Baptism of the Christ c. 1475 - 1478

Baptism of the Christ c. 1475 - 1478
BAT5471147 Baptism of the Christ c. 1475 - 1478 by Verrocchio, Andreea (1435-1488) & Vinci, Leonardo da (1452-1519); 177x151 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageQuattrocento Collection: Madonna and Child with Saints. 15th century (Tempera on Wood)

Madonna and Child with Saints. 15th century (Tempera on Wood)
7216080 Madonna and Child with Saints. 15th century (Tempera on Wood) by Pittore Marchigiano, (14th-15th century); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints)

Background imageQuattrocento Collection: The Madonna and Child, c. 1500 (oil on panel)

The Madonna and Child, c. 1500 (oil on panel)
5914753 The Madonna and Child, c.1500 (oil on panel) by Valenza, Jacopo da (fl.1485-1509); Private Collection

Background imageQuattrocento Collection: The Prince Djem, known as The Little Turk, detail from Pope Pius II (1405-64), at Ancona

The Prince Djem, known as The Little Turk, detail from Pope Pius II (1405-64), at Ancona
GRL153324 The Prince Djem, known as The Little Turk, detail from Pope Pius II (1405-64), at Ancona, Blesses the Fleet about to Leave for the Holy Land, 15th August 1464



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The quattrocento, also known as the 15th century Renaissance period in Italy, was a time of great artistic and cultural flourishing. Artists such as Gozzoli, Benozzo di Lese, Antonello da Messina, Sandro Botticelli, Michelangelo Buonarroti, Fra Angelico, Andrea Mantegna, and Bartolomeo Bellano left their mark on this era with their remarkable works. Gozzoli's intricate paintings captivated viewers with their vibrant colors and detailed storytelling. Meanwhile, Benozzo's Virgin Annunciate showcased his mastery of light and shadow to create a sense of depth and realism. Antonello da Messina's painting titled "Virgin Annunciate" depicted the moment when Mary received the news that she would bear Jesus. The artist skillfully captured her emotions through delicate brushstrokes. One cannot discuss the quattrocento without mentioning Alessandro Botticelli's iconic masterpiece - "Birth of Venus. " This ethereal painting portrays the goddess emerging from a seashell onto a serene beachscape. Michelangelo Buonarroti's La Pieta marble sculpture is another notable work from this period. Its beauty lies in its emotional intensity as it depicts Mary cradling Jesus' lifeless body after his crucifixion. Fra Angelico created stunning religious artworks like "The Annunciation, " which showcased his meticulous attention to detail and use of vivid colors to convey spiritual themes. Hermes Trismegistus is an intriguing figure found within Italy's Siena Cathedral. This mystical character represents wisdom and knowledge during this time when humanistic ideas were gaining prominence. The dome of Florence Cathedral stands tall as an architectural marvel even today. Its design showcases the technical prowess achieved during the 16th century by combining mathematical precision with aesthetic elegance. Andrea Mantegna's "Lamentation" captures Christ being mourned by his followers after the crucifixion.