Quattrocento Collection (page 59)

Sforza, Francesco (1401-1466). Duke of Milan (1450-1466), Count of Ariano and Tricarico 1417 and Mont Alto 1418, Count of Pavia 1447. Lombardian school. Renaissance art. Quattrocento. Oil on wood

VERROCHIO, Andrea del (1435-1488). Putto with Dolphin. ca. 1470. Renaissance art. Quattrocento. Sculpture on bronze. ITALY. Florence. Palazzo Vecchio (Old Palace)

PESELLINO, Francesco di Stefano, called Il (1422-1457). History of Griselda: meeting and wedding of Gualtieri and Griselda. ca. 1450

FRANCIA, Francesco (1450-1517). Saint George and the dragon. Renaissance art. Quattrocento. Oil. ITALY. Rome. Galleria Nazionale d Arte Antica (National Gallery of Ancient Art)

ANGELICO, Fra (1387-1455). The Last Judgement. 1432-1435. Renaissance art. Quattrocento. Tempera on wood. ITALY. Florence. Museo di San Marco (St. Marks Museum). Proc: ITALY. Florence

DELLA ROBBIA, Luca (1400-1482). Cantoria. 1431-1438. Detail of a pannel. Renaissance art. Quattrocento. Florentine school. Relief on marble. ITALY. Florence. Opera del Duomo Museum

BASTIANI, Lazzaro (1449-1512). Christ and the Cananeans. end 15th c. Renaissance art. Quattrocento. Oil. ITALY. Venice. Gallerie dell Accademia (Academy Gallery)

DOMENICO DI BARTOLO (1400-1447). Distribution of Alms. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital)

ANGELICO, Fra (1387-1455). Linaioli Tabernacle. ca. 1433. Central predella: Adoration of the Magi. Renaissance art. Quattrocento. Tempera on wood. ITALY. Florence. Museo di San Marco (St)

Antonello da Messina. The Dead Christ Supported by an Angel. 1475-1478. Renaissance art. Quattrocento. Oil on wood. SPAIN. Madrid. Prado Museum

BELLINI, Giovanni (1430-1516). Man wearing a turban. Sketch. Renaissance art. Quattrocento. Venetian school. Drawing. ITALY. Florence. Galleria degli Uffizi (Uffizi Gallery)

BREGNO, Andrea (1418-1503). Piccolomini Altar. 1481-1485. ITALY. TUSCANY. Siena. Cathedral. Piccolomini Altar (marble, 1503) by Andrea Bregno. Renaissance art. Quattrocento. Relief on marble

FIESOLE, Mino da (1429-1484); ROSSELLINO, Antonio

MASACCIO, Tomaso di Ser Giovanni di Mone Casai, called (1401-1428). Brancacci Chapel. Saint Peter Healing the Sick with his Shadow. c. 1427. ITALY. Florence. Church of Santa Maria del Carmine

LIPPI, Filippo, called Filippino (1457-1504). Virgin from the Annunciation. 1483-1484. Renaissance art. Quattrocento. Tempera on wood. ITALY. San Gimignano. Civic Museum

ROSSELLI, Cosimo (1439-1507). The Triumph of Chastity. 2nd half 15th c. Renaissance art. Quattrocento. Florentine school. Oil on canvas. ITALY. Turin. Galleria Sabauda (Sabauda Gallery)

Niccolo Dellarca (15th century). Mourning of the Marias over the Dead Christ. 1462-1463. Right detail. Renaissance art. Quattrocento. Terra-cotta. ITALY. Bologna. National Picture Gallery

DONATELLO, Donato de Betto Bardi, called (1386-1466). Prophet Habakkuk. 1427-1436. Renaissance art. Quattrocento. Sculpture on marble. ITALY. Florence. Opera del Duomo Museum

COSSA, Francesco del (1435-1478). The Month of

Alfonso IV of Catalonia, V of Aragon, called
" Alfonso IV of Catalonia, V of Aragon, called " The Magnanimous" (1396-1458). King of Aragon, Valencia, Sardinia and Majorca from 1416, and Count of Barcelona

RONDINELLE, Nicol򠨱450-1510). Virgin and Child
RONDINELLE, Nicol򠨱 450-1510). Virgin and Child. Renaissance art. Quattrocento. Painting

The Battle of San Romano in 1432
Uccello, Paolo di Dono, also called Paolo (1393-1475). The Battle of San Romano in 1432. (The Counter Attack of Micheletto da Cotignola). Oil on wood, 180 x 316 cm. 1450-56. Date: 1432

Angel Musician
Melozzo da Forli (1438-1494). Angel Musician. 15th Century Fresco

SESONI, Francesco (1705-?); ALBERTI, Leon Battista (1404-1472). Italian engraver.; Italian Quattrocento humanist. Sculpture

BELLINI, Giovanni (1430-1516). Pieta. Christ hold by the Virgin and Saint John. Renaissance art. Quattrocento

DELLA ROBBIA, Luca (1400-1482). Grammar. Renaissance art. Quattrocento. Relief

BERLINGHIERI, Bonaventura (before 1228-1274). The Stigmata of St. Renaissance art. Quattrocento. Tempera on wood

Lippi, Fra Filippino (1406-1469). The Coronation of the Virgin. Central detail. Renaissance art. Quattrocento. Tempera

Capodilista Codex. Knight holding a standard. Renaissance art. Quattrocento. Miniature Painting

MANTEGNA, Andrea (1431-1506). David with the Head of Goliath. 1490. Copy of some reliefs with monochrome painting. Renaissance art. Quattrocento. Oil on canvas. AUSTRIA. Vienna

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The quattrocento, also known as the 15th century Renaissance period in Italy, was a time of great artistic and cultural flourishing. Artists such as Gozzoli, Benozzo di Lese, Antonello da Messina, Sandro Botticelli, Michelangelo Buonarroti, Fra Angelico, Andrea Mantegna, and Bartolomeo Bellano left their mark on this era with their remarkable works. Gozzoli's intricate paintings captivated viewers with their vibrant colors and detailed storytelling. Meanwhile, Benozzo's Virgin Annunciate showcased his mastery of light and shadow to create a sense of depth and realism. Antonello da Messina's painting titled "Virgin Annunciate" depicted the moment when Mary received the news that she would bear Jesus. The artist skillfully captured her emotions through delicate brushstrokes. One cannot discuss the quattrocento without mentioning Alessandro Botticelli's iconic masterpiece - "Birth of Venus. " This ethereal painting portrays the goddess emerging from a seashell onto a serene beachscape. Michelangelo Buonarroti's La Pieta marble sculpture is another notable work from this period. Its beauty lies in its emotional intensity as it depicts Mary cradling Jesus' lifeless body after his crucifixion. Fra Angelico created stunning religious artworks like "The Annunciation, " which showcased his meticulous attention to detail and use of vivid colors to convey spiritual themes. Hermes Trismegistus is an intriguing figure found within Italy's Siena Cathedral. This mystical character represents wisdom and knowledge during this time when humanistic ideas were gaining prominence. The dome of Florence Cathedral stands tall as an architectural marvel even today. Its design showcases the technical prowess achieved during the 16th century by combining mathematical precision with aesthetic elegance. Andrea Mantegna's "Lamentation" captures Christ being mourned by his followers after the crucifixion.