Quentin Massys Collection

Portrait of a Man Holding a Rosary, 1510-1520. Creator: Unknown
Portrait of a Man Holding a Rosary, 1510-1520

Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Creator: Cheetham
Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Imaginary scene where Master Van Twylt admires a portrait of his daughter Alyt painted by Quentin Matsys (1465-1530)

Christ Carrying the Cross, c.1510-c.1515. Creator: Quentin Metsys I
Christ Carrying the Cross, c.1510-c.1515

Virgin and Child, c.1525-c.1530. Creator: Workshop of Quinten Metsys
Virgin and Child, c.1525-c.1530

Portrait of Desiderius Erasmus, after c.1535. Creator: Unknown
Portrait of Desiderius Erasmus, after c.1535. Copy after Quinten Massijs

Quintin Metsys, 1857. Creator: Cheetham
Quintin Metsys, 1857. Portrait of Flemish artist Quentin Matsys (1466-1530). There is a tradition alleging that he was trained as an ironsmith before becoming a painter

Portrait of Quentin Matsys, Flemish painter in the Netherlandish tradition, 1466-1530
6338800 Portrait of Quentin Matsys, Flemish painter in the Netherlandish tradition, 1466-1530 by Corner, John (fl.1788-1825); (add.info.: Portrait of Quentin Matsys)

The Misers, from the picture in the Royal Collection (engraving)
5199115 The Misers, from the picture in the Royal Collection (engraving) by Massys or Metsys, Quentin (c.1465-1530) (after); Private Collection; (add.info.: The Misers)

Erasmus, medallion attributed to Quentin Massys (engraving)
672383 Erasmus, medallion attributed to Quentin Massys (engraving) by Massys or Matsys, Quentin (c.1466-1530); Private Collection; (add.info.: Erasmus, medallion attributed to Quentin Massys)

Christ, bust-length, c. 1528-30 (oil on panel)
990137 Christ, bust-length, c.1528-30 (oil on panel) by Massys or Metsys, Quentin (c.1466-1530); 43.2x31.2 cm; Private Collection; (add.info.: Christ, bust-length)

Quentin Matsys (etching)
815542 Quentin Matsys (etching) by Girtin, James (John) (c.1780-after 1820) (after); Private Collection; (add.info.: Quentin Matsys. 1466-1529)

Quentin Matsys (engraving)
815450 Quentin Matsys (engraving) by English School, (19th century); Private Collection; (add.info.: Quentin Matsys. 1466-1529. Painter in the Flemish tradition and a founder of the Antwerp school)

Quentin Matsys (engraving)
820830 Quentin Matsys (engraving) by German School, (19th century); Private Collection; (add.info.: Quentin Matsys. Painter in the Flemish tradition and a founder of the Antwerp school (1466-1529)

Ill-Matched Lovers, c. 1520 / 1525. Creator: Quinten Metsys
Ill-Matched Lovers, c. 1520/1525

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

Portrait Man Pink 1500 / 10 Quentin Massys Netherlandish
Portrait of a Man with a Pink, 1500/10, Quentin Massys, Netherlandish, 1466, 1530, Netherlands, Oil on panel, 43.8 × 29.2 cm (17 1/4 × 11 1/2 in.)

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Quentin Massys, a renowned Flemish painter in the Netherlandish tradition, left an indelible mark on the art world during his lifetime from 1466 to 1530. His exceptional talent is evident in various masterpieces that have stood the test of time. One such masterpiece is the "Portrait of Quentin Matsys, " a captivating depiction of himself as an artist. Through this self-portrait, Massys showcases his skillful brushwork and attention to detail, capturing his own likeness with remarkable precision. Another notable work by Massys is "The Misers, " an engraving that delves into the theme of greed and materialism. This piece from the Royal Collection mesmerizes viewers with its intricate details and profound symbolism, serving as a timeless reminder of humanity's eternal struggle with wealth. Massys' artistic prowess extended beyond paintings to engravings and medallions. The medallion attributed to him featuring Erasmus exemplifies his ability to capture not only physical features but also the essence and personality of his subjects through metalwork. In "Christ, " a bust-length oil painting created between 1528-30, Massys showcases his mastery in portraying religious figures. The intensity in Christ's eyes and the meticulous rendering of facial features evoke deep emotions within viewers, making it one of Massy's most impactful works. Throughout history, many artists have paid homage to Quentin Matsys through etchings and engravings bearing his name. These tributes serve as testaments to his influence on subsequent generations who sought inspiration from his innovative techniques and unique style. Amongst these tributes are pieces like "Ill-Matched Lovers" which explores themes of love and relationships with sensitivity; "Portrait of a Woman" which captures feminine beauty with grace; "The Moneylenders" which sheds light on societal issues surrounding finance; and finally, "The Moneylender and His Wife" which tells a compelling story through the expressions and interactions of its subjects.