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Quill Collection (page 7)

"Unleashing the Power of the Quill: A Journey Through Art, Literature, and History" Step into a world where words come alive, guided by the delicate strokes of a quill

Background imageQuill Collection: Portrait of the Artists Wife

Portrait of the Artists Wife
ATK43868 Portrait of the Artists Wife by La Thangue, Henry Herbert (1859-1929); Atkinson Art Gallery, Southport, Lancashire, UK; eThe Atkinson; English, out of copyright

Background imageQuill Collection: The Romps (oil on canvas)

The Romps (oil on canvas)
LMG128870 The Romps (oil on canvas) by Bigg, William Redmore (1755-1828); 59.7x71.1 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; eLeeds Museums and Galleries; English

Background imageQuill Collection: Time Tries All Things, 1881 (oil on board)

Time Tries All Things, 1881 (oil on board)
PNH356623 Time Tries All Things, 1881 (oil on board) by Lucas, Edward George Handel (1861-1936); 30x25.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Background imageQuill Collection: Lavoisier and his wife, copy by Boris Mestchersky (d. 1957)

Lavoisier and his wife, copy by Boris Mestchersky (d. 1957)
STC397219 Lavoisier and his wife, copy by Boris Mestchersky (d.1957), illustration from Histoire de la Nation Francaise, Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944)

Background imageQuill Collection: John Christopher Smith, c. 1760 (pen & ink and w / c on paper)

John Christopher Smith, c. 1760 (pen & ink and w / c on paper)
DEC418562 John Christopher Smith, c.1760 (pen & ink and w/c on paper) by Gardiner, William Nelson (1766-1814); 20.5x16.9 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageQuill Collection: Jean Antoine Chaptal, Comte de Chanteloup (litho)

Jean Antoine Chaptal, Comte de Chanteloup (litho)
XIR414645 Jean Antoine Chaptal, Comte de Chanteloup (litho) by Gros, Baron Antoine Jean (1771-1835) (after); Bibliotheque Nationale, Paris

Background imageQuill Collection: Libanius (engraving)

Libanius (engraving)
816586 Libanius (engraving) by Thevet, Andre (1504-92) (after); Private Collection; (add.info.: Libanius, Greek-speaking teacher of rhetoric of the Sophist school)

Background imageQuill Collection: Portrait of Samuel Wesley (woodcut)

Portrait of Samuel Wesley (woodcut)
819881 Portrait of Samuel Wesley (woodcut) by English School, (17th century); Private Collection; (add.info.: Samuel Wesley, English poet and clergyman of the Church of England)

Background imageQuill Collection: Lord Mayor (engraving)

Lord Mayor (engraving)
607209 Lord Mayor (engraving) by English School, (19th century); Private Collection; (add.info.: Lord Mayor); Look and Learn / Peter Jackson Collection

Background imageQuill Collection: Lord Mayor (coloured engraving)

Lord Mayor (coloured engraving)
607208 Lord Mayor (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Lord Mayor); Look and Learn / Peter Jackson Collection

Background imageQuill Collection: The Right Honourable Sir Walter Carden, Lord Mayor of London (engraving)

The Right Honourable Sir Walter Carden, Lord Mayor of London (engraving)
607100 The Right Honourable Sir Walter Carden, Lord Mayor of London (engraving) by English School, (19th century); Private Collection; (add.info.: The Right Honourable Sir Walter Carden)

Background imageQuill Collection: Cardinal Pietro Ottoboni (1610-91), c. 1700 (oil on canvas)

Cardinal Pietro Ottoboni (1610-91), c. 1700 (oil on canvas)
BWM150054 Cardinal Pietro Ottoboni (1610-91), c.1700 (oil on canvas) by Trevisani, Francesco (1656-1746); 134.3x98.5 cm; The Bowes Museum, Barnard Castle, County Durham

Background imageQuill Collection: Signing the marriage contract at the solicitors office, c. 1840 (litho) (b / w photo)

Signing the marriage contract at the solicitors office, c. 1840 (litho) (b / w photo)
CHT163840 Signing the marriage contract at the solicitors office, c.1840 (litho) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageQuill Collection: Portrait of Michel de Nostradame (1503-66) (engraving)

Portrait of Michel de Nostradame (1503-66) (engraving)
XIR170964 Portrait of Michel de Nostradame (1503-66) (engraving) by French School, (16th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageQuill Collection: Sketch of the Interior of St. Stephen s, as it now stands

Sketch of the Interior of St. Stephen s, as it now stands
NCO190157 Sketch of the Interior of St. Stephen s, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving) by Gillray

Background imageQuill Collection: Portrait of Benjamin Franklin (1706-90) 1789 (oil on canvas)

Portrait of Benjamin Franklin (1706-90) 1789 (oil on canvas)
AKM201292 Portrait of Benjamin Franklin (1706-90) 1789 (oil on canvas) by Peale, Charles Willson (1741-1827); Philadelphia History Museum at the Atwater Kent; ePhiladelphia History Museum at

Background imageQuill Collection: Trompe L Oeil Composition

Trompe L Oeil Composition
SC13285 Trompe L Oeil Composition by Colyer or Collier, Edwaert (c.1640-c.1707); Victoria & Albert Museum, London, UK; Dutch, out of copyright

Background imageQuill Collection: St. Augustine in his cell, 1490 (tempera on panel)

St. Augustine in his cell, 1490 (tempera on panel)
BEN319 St. Augustine in his cell, 1490 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 41x27 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageQuill Collection: A Dominican Steward, 1526

A Dominican Steward, 1526
KAB76934 A Dominican Steward, 1526 by Lotto, Lorenzo (c.1480-1556); Museo Civico, Treviso, Italy; eDario Grimaldi; Italian, out of copyright

Background imageQuill Collection: St. Gregory writing with scribes below, Franco-German School, c. 850-875 (ivory)

St. Gregory writing with scribes below, Franco-German School, c. 850-875 (ivory)
XAM74832 St. Gregory writing with scribes below, Franco-German School, c.850-875 (ivory) by Carolingian School (9th century); Kunsthistorisches Museum, Vienna, Austria; out of copyright

Background imageQuill Collection: A Rakes Progress I: The Rake Taking Possession of his Estate, 1733 (oil on canvas)

A Rakes Progress I: The Rake Taking Possession of his Estate, 1733 (oil on canvas)
SJS72326 A Rakes Progress I: The Rake Taking Possession of his Estate, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageQuill Collection: Daniel Carl Solander, Swedish Botanist, accompanied Sir Joseph Banks on Captain Cook

Daniel Carl Solander, Swedish Botanist, accompanied Sir Joseph Banks on Captain Cook
AHE64179 Daniel Carl Solander, Swedish Botanist, accompanied Sir Joseph Banks on Captain Cooks First Voyage (1768-71) by Zoffany, Johann (1733-1810); Linnean Society, London, UK; English

Background imageQuill Collection: Portrait of Michael Arne (1740-86), c. 1762-83 (oil on canvas)

Portrait of Michael Arne (1740-86), c. 1762-83 (oil on canvas)
DEC84583 Portrait of Michael Arne (1740-86), c.1762-83 (oil on canvas) by Zoffany, Johann (1733-1810); 74.9x62.2 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageQuill Collection: Trompe l oeil letter rack with a print of an old man, 1703 (panel)

Trompe l oeil letter rack with a print of an old man, 1703 (panel)
RAF86396 Trompe l oeil letter rack with a print of an old man, 1703 (panel) by Colyer or Collier, Edwaert (c.1640-c.1707); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch

Background imageQuill Collection: Portrait of George Washington (oil on canvas) (see also 49649, 58211, 73060)

Portrait of George Washington (oil on canvas) (see also 49649, 58211, 73060)
WEL85453 Portrait of George Washington (oil on canvas) (see also 49649, 58211, 73060) by Stuart, Gilbert (1755-1828); 64x53 cm; Private Collection; (add.info)

Background imageQuill Collection: A Financial Agreement (oil on canvas)

A Financial Agreement (oil on canvas)
BON105587 A Financial Agreement (oil on canvas) by Helmick, Howard (1845-1907); 49.8x62.8 cm; Private Collection; Photo eBonhams, London, UK; American, out of copyright

Background imageQuill Collection: Signora Barilli in the Role of Countess Almaviva in The Marriage of Figaro

Signora Barilli in the Role of Countess Almaviva in The Marriage of Figaro
MHE100888 Signora Barilli in the Role of Countess Almaviva in The Marriage of Figaro (engraving) by French School, (19th century); Private Collection; Marina Henderson Gallery; French

Background imageQuill Collection: Portrait of a Young Woman with attributes of St. Catherine, 1475-78 (oil on panel)

Portrait of a Young Woman with attributes of St. Catherine, 1475-78 (oil on panel)
BFM286765 Portrait of a Young Woman with attributes of St. Catherine, 1475-78 (oil on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Lindenau Museum, Altenburg

Background imageQuill Collection: Pierre de Ronsard (1524-85) (engraving) (b / w photo)

Pierre de Ronsard (1524-85) (engraving) (b / w photo)
CHT239735 Pierre de Ronsard (1524-85) (engraving) (b/w photo) by French School, (16th century); Private Collection; eArchives Charmet; French, out of copyright

Background imageQuill Collection: Joseph Priestley, engraved by Thomas Holloway, 1795 (engraving) (b / w photo)

Joseph Priestley, engraved by Thomas Holloway, 1795 (engraving) (b / w photo)
XJF323046 Joseph Priestley, engraved by Thomas Holloway, 1795 (engraving) (b/w photo) by Artaud, William (1763-1823) (after); Private Collection; (add.info.: Joseph Priestley (1733-1804)

Background imageQuill Collection: Joseph Smith (1805-44) prophet founder of the Mormon Religion in the USA (colour litho)

Joseph Smith (1805-44) prophet founder of the Mormon Religion in the USA (colour litho)
PNP251889 Joseph Smith (1805-44) prophet founder of the Mormon Religion in the USA (colour litho) by American School, (19th century); Private Collection; Peter Newark American Pictures; American

Background imageQuill Collection: Frontispiece of Le Grand Banquier de France ou Le Livre des Monnaies Etrangeres

Frontispiece of Le Grand Banquier de France ou Le Livre des Monnaies Etrangeres
CHT248210 Frontispiece of Le Grand Banquier de France ou Le Livre des Monnaies Etrangeres by Bertrand Francois Barreme (1640-1703) late 17th century (engraving) (b/w photo) by French School

Background imageQuill Collection: Saints John the Evangelist and Mark discussing their Writings (oil on canvas)

Saints John the Evangelist and Mark discussing their Writings (oil on canvas)
CRS225660 Saints John the Evangelist and Mark discussing their Writings (oil on canvas) by Strozzi, Bernardo (1581-1644); Corsham Court, Wiltshire; Italian, out of copyright

Background imageQuill Collection: Lady and her gentleman caller writing

Lady and her gentleman caller writing and reading in a garden terrace, 19th century. She says, Farewell, I count on you giving us a few days. She thinks, I will tremble if he doesn t come

Background imageQuill Collection: Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets

Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets
NCO191710 Blowing up the Pic Nic s, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint) by Gillray

Background imageQuill Collection: Decorative rectangular plate from Rouen with handles

Decorative rectangular plate from Rouen with handles. Painted with six putti in laurel wreaths with cello, lute, lyre, quill, torch on a gold ground, bordered with foliage

Background imageQuill Collection: Ethics, frontispiece to Book 1 Part 10 of The Principles of Philosophy

Ethics, frontispiece to Book 1 Part 10 of The Principles of Philosophy
STC134233 Ethics, frontispiece to Book 1 Part 10 of The Principles of Philosophy by Anthony Le Grand, engraved by Johannes Kip (1652/53-1722), 1694 (engraving) by Freman, G (fl)

Background imageQuill Collection: Man holding a pen in his right hand, c. 1830-40 (oil on canvas) (detail of 235384)

Man holding a pen in his right hand, c. 1830-40 (oil on canvas) (detail of 235384)
CHT225276 Man holding a pen in his right hand, c.1830-40 (oil on canvas) (detail of 235384) by French School, (19th century); Institut National des Jeunes Sourds, Paris

Background imageQuill Collection: Marie de Rabutin-Chantal, Madame de Sevigne

Marie de Rabutin-Chantal, Madame de Sevigne, French epistolary writer famous for her letters to her daughter Madame de Grignan, 1626-1696

Background imageQuill Collection: Portrait of John Hunter (1728-1793) after Sir Joshua Reynolds (1723-92

Portrait of John Hunter (1728-1793) after Sir Joshua Reynolds (1723-92
XCF267494 Portrait of John Hunter (1728-1793) after Sir Joshua Reynolds (1723-92) 1813 (oil on canvas) by Jackson, John (1778-1831); 141x109.9 cm; National Portrait Gallery, London

Background imageQuill Collection: Gaspar Melchor de Jovellanos, 1797-98 (oil on canvas)

Gaspar Melchor de Jovellanos, 1797-98 (oil on canvas)
SCP36779 Gaspar Melchor de Jovellanos, 1797-98 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 205 x 123 cm cm; Prado, Madrid, Spain; Spanish, out of copyright

Background imageQuill Collection: The Vocation of St. Matthew

The Vocation of St. Matthew
SCP36723 The Vocation of St. Matthew by Pareja, Juan de (1610-70); Prado, Madrid, Spain; Spanish, out of copyright

Background imageQuill Collection: St. Jerome Translating the Bible (oil on panel)

St. Jerome Translating the Bible (oil on panel)
GR16377 St. Jerome Translating the Bible (oil on panel) by Netherlandish School, (15th century); Museum Boijmans Van Beuningen, Rotterdam

Background imageQuill Collection: In the Library, St. James Square, c. 1805-06 (w / c on paper)

In the Library, St. James Square, c. 1805-06 (w / c on paper)
BAG37910 In the Library, St. James Square, c.1805-06 (w/c on paper) by Pole, Thomas (fl.c.1806) (attr. to); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; English

Background imageQuill Collection: The Study in the House of Nikolai Milyukov at Ostrovky, 1844 (oil on canvas)

The Study in the House of Nikolai Milyukov at Ostrovky, 1844 (oil on canvas)
SRM37525 The Study in the House of Nikolai Milyukov at Ostrovky, 1844 (oil on canvas) by Soroka, Grigori Vasilievich (1823-64); 54x65 cm; State Russian Museum, St



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"Unleashing the Power of the Quill: A Journey Through Art, Literature, and History" Step into a world where words come alive, guided by the delicate strokes of a quill. From Shakespeare's Bees to Pauline Baynes' enchanting illustrations in "The Chronicles of Narnia, " this captivating tool has left its mark on countless masterpieces. In "Portrait of a Young Gentleman, " an oil on canvas masterpiece, we witness the elegance and refinement that can be achieved with just a flick of the quill. The intricate details bring forth an aura of sophistication and grace. Saint John of the Cross, immortalized through an exquisite colored engraving, reminds us that even spiritual enlightenment can be conveyed through ink and parchment. His profound teachings continue to inspire generations. A chilling scene unfolds in Jacques Louis David's oil painting depicting Jean-Paul Marat's tragic demise at the hands of Charlotte Corday. The quill becomes not only a symbol but also an instrument for change as it witnesses revolutionary fervor turning into tragedy. At High Post Aerodrome, Supermarine test pilots take flight amidst innovation and daring feats. Their pens scribble notes capturing exhilarating moments as they push boundaries in aviation history - their stories etched forever thanks to this timeless writing instrument. Duns Scotus' philosophical musings find expression within his scriptum q manuscript. With each stroke of his quill pen, he delves deep into complex ideas that shape our understanding of existence itself. Baudelaire's haunting poetry finds visual representation in Charles Baudelaire's illustration for "Les Fleurs du Mal. " The intertwining lines mirror the dark beauty hidden within these verses - all brought to life by a simple yet powerful quill pen. Mozart's silhouette dances across time as his genius is captured through music composed with nothing but ink-filled feathers gliding effortlessly across paper. The magic lies not only in the melodies but also in the instrument that gave them life.