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Raised Sword Collection

"Power and Prestige: The Symbolism of the Raised Sword" The raised sword has long been an emblem of strength, honor, and authority

Background imageRaised Sword Collection: Benin Plaque, Nigeria (brass) (see also 199828 & 199829)

Benin Plaque, Nigeria (brass) (see also 199828 & 199829)
HSC199827 Benin Plaque, Nigeria (brass) (see also 199828 & 199829) by African School; Horniman Museum, London, UK; (add.info)

Background imageRaised Sword Collection: Benin Plaque, Nigeria (brass)

Benin Plaque, Nigeria (brass)
XCF306875 Benin Plaque, Nigeria (brass) by Benin; British Museum, London, UK; (add.info.: plaques adorned wooden pillars of the Obas palace in Benin city; probably 16th century AD; )

Background imageRaised Sword Collection: Benin Plaque, Nigeria (brass)

Benin Plaque, Nigeria (brass)
XCF306877 Benin Plaque, Nigeria (brass) by Benin; British Museum, London, UK; (add.info.: plaques adorned wooden pillars of the Obas palace in Benin city; probably 16th century AD; ); African

Background imageRaised Sword Collection: Two Benin Plaques, Nigeria (brass)

Two Benin Plaques, Nigeria (brass)
XCF306876 Two Benin Plaques, Nigeria (brass) by Benin; British Museum, London, UK; (add.info.: plaques adorned wooden pillars of the Obas palace in Benin city; probably 16th century AD; ); African

Background imageRaised Sword Collection: Arms of Teodosio II (1568-1630) Duke of Braganza (ceramic)

Arms of Teodosio II (1568-1630) Duke of Braganza (ceramic)
KW237494 Arms of Teodosio II (1568-1630) Duke of Braganza (ceramic) by Portuguese School, (16th century); Museo Nacional del Azulejo, Lisbon, Portugal; Portuguese, out of copyright

Background imageRaised Sword Collection: Ancient Celts or Gauls in Battle, c. 1800-18 (colour litho)

Ancient Celts or Gauls in Battle, c. 1800-18 (colour litho)
STC177096 Ancient Celts or Gauls in Battle, c.1800-18 (colour litho) by Raineri, Vittorio (19th century); Private Collection; (add.info)

Background imageRaised Sword Collection: Illustration of a Knight Templar, after a 14th century manuscript (coloured engraving)

Illustration of a Knight Templar, after a 14th century manuscript (coloured engraving)
CHT173775 Illustration of a Knight Templar, after a 14th century manuscript (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageRaised Sword Collection: A soldier of the Royal Horse Guards, from Costumes of the Army of the British Empire

A soldier of the Royal Horse Guards, from Costumes of the Army of the British Empire
NAM254108 A soldier of the Royal Horse Guards, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler published by Colnaghi & Co

Background imageRaised Sword Collection: Death of Col. Edward D. Baker, at the Battle of Balls Bluff near Leesburg VA

Death of Col. Edward D. Baker, at the Battle of Balls Bluff near Leesburg VA
AQS331922 Death of Col. Edward D. Baker, at the Battle of Balls Bluff near Leesburg VA. October 21st 1861, pub. by Currier & Ives, c.1861 (colour litho) by American School

Background imageRaised Sword Collection: Macbeth, the Three Witches and Hecate in Act IV, Scene I of Macbeth

Macbeth, the Three Witches and Hecate in Act IV, Scene I of Macbeth
STC238004 Macbeth, the Three Witches and Hecate in Act IV, Scene I of Macbeth by William Shakespeare (1564-1616) published 1805 (engraving) by Boydell

Background imageRaised Sword Collection: An Officer and Private of the 53rd Regiment of Light Infantry

An Officer and Private of the 53rd Regiment of Light Infantry
NAM254136 An Officer and Private of the 53rd Regiment of Light Infantry, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C

Background imageRaised Sword Collection: Peter Franciscos Gallant Action with Nine of Tarleton

Peter Franciscos Gallant Action with Nine of Tarleton
3258452 Peter Franciscos Gallant Action with Nine of Tarletons Cavalry in sight of a Troop of Four Hundred Men, pub. 1814 (engraving) by Edwin

Background imageRaised Sword Collection: Numbers 22 20-35 Balaams talking ass, from the

Numbers 22 20-35 Balaams talking ass, from the
STC67497 Numbers 22 20-35 Balaams talking ass, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) by German School

Background imageRaised Sword Collection: A Private of the 7th, or Queens Own Hussars, from

A Private of the 7th, or Queens Own Hussars, from
NAM254112 A Private of the 7th, or Queens Own Hussars, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler, published by Colnaghi & Co

Background imageRaised Sword Collection: Patrona Halil Portrait former sea soldier superseded Sultan Ahmed III

Patrona Halil Portrait former sea soldier superseded Sultan Ahmed III
Patrona Halil, Portrait of Patrona Halil, former sea soldier, who superseded Sultan Ahmed III and raised Mahmud I in his place, September 28, 1730

Background imageRaised Sword Collection: Ruychaver corpse Spanish-minded counselor Alkmaar

Ruychaver corpse Spanish-minded counselor Alkmaar
Ruychaver at the corpse of a Spanish-minded counselor in Alkmaar, 1573 Scenes from the life of Prince William I, 1568-1584 ( series title)

Background imageRaised Sword Collection: Mars raised sword front city fired Title page

Mars raised sword front city fired Title page
Mars with raised sword in front of a city fired Title page for: European Mercury, Second Piece, First Part: Covering the Months, January, February and March of the Year 1691

Background imageRaised Sword Collection: Samurai Raised Sword Felice Beato English born Italy

Samurai Raised Sword Felice Beato English born Italy
Samurai with Raised Sword; Felice Beato (English, born Italy, 1832 - 1909); Japan; 1863; Albumen silver print

Background imageRaised Sword Collection: Illustration of a Knight Templar (engraving)

Illustration of a Knight Templar (engraving)
XJF311234 Illustration of a Knight Templar (engraving) by French School, (14th century); Private Collection; French, out of copyright

Background imageRaised Sword Collection: Benin Plaque, Nigeria (brass)

Benin Plaque, Nigeria (brass)
XCF306874 Benin Plaque, Nigeria (brass) by Benin (16th century); British Museum, London, UK; (add.info.: plaques adorned wooden pillars of the Obas palace in Benin city; probably 16th century AD;)

Background imageRaised Sword Collection: Death of Colonel Edward D. Baker (1811-61) at the Battle of Balls Bluff, Virginia

Death of Colonel Edward D. Baker (1811-61) at the Battle of Balls Bluff, Virginia
KW254602 Death of Colonel Edward D. Baker (1811-61) at the Battle of Balls Bluff, Virginia, 1861 (litho) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info)

Background imageRaised Sword Collection: General M. D. Skobelev (1843-82) in the Russian-Turkish War, 1883 (oil on canvas)

General M. D. Skobelev (1843-82) in the Russian-Turkish War, 1883 (oil on canvas)
BAL209491 General M.D. Skobelev (1843-82) in the Russian-Turkish War, 1883 (oil on canvas) by Dmitriev-Orenburgsky, Nikolai Dmitrievich (1838-98); 47x32 cm; Irkutsk Museum, Russia; Russian

Background imageRaised Sword Collection: Horatius Codes, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Horatius Codes, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Background imageRaised Sword Collection: Publius Horatius, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Publius Horatius, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Background imageRaised Sword Collection: Horatius Codes, Keijzer, Hendrick Goltzius, 1829

Horatius Codes, Keijzer, Hendrick Goltzius, 1829

Background imageRaised Sword Collection: Three riders with raised swords, turned to the right, Jacob de Gheyn (II), 1599

Three riders with raised swords, turned to the right, Jacob de Gheyn (II), 1599


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"Power and Prestige: The Symbolism of the Raised Sword" The raised sword has long been an emblem of strength, honor, and authority. From ancient civilizations to medieval knights, this iconic weapon holds a significant place in history. One notable representation can be found in the Benin Plaque from Nigeria. Crafted in brass, these plaques depict warriors with raised swords, showcasing their prowess on the battlefield. These intricate works of art offer a glimpse into the rich cultural heritage of Benin. In another depiction from Nigeria's Benin Kingdom, two brass plaques showcase warriors brandishing their swords with determination. These pieces serve as a testament to the bravery and skill possessed by those who defended their land. Moving across continents and centuries, we encounter Teodosio II, Duke of Braganza's coat of arms depicted on ceramic. Amongst its elements is a raised sword symbolizing his noble lineage and military might. Delving further into history brings us to an illustration capturing Ancient Celts or Gauls engaged in battle. With raised swords gleaming under sunlight, they demonstrate unwavering courage amidst chaos – forever etched in colorful lithography. From battles fought on earth to mythical realms portrayed onstage; Shakespeare's Macbeth introduces us to witches wielding raised swords alongside Hecate herself. This scene highlights both supernatural forces at play and human ambition driven by sharp-edged desires. Military uniforms also pay homage to the power conveyed by a raised sword. The gallant soldiers of the Royal Horse Guards donned such attire while serving under the British Empire's banner – exemplifying discipline and readiness for combat. Tragedy strikes during conflicts like that at Balls Bluff near Leesburg VA when Colonel Edward D. Baker met his demise with a sword still held high - epitomizing valor until his last breath. Lastly, we witness Peter Francisco's legendary feat where he single-handedly engaged nine Tarleton cavalrymen during the American Revolutionary War.