Raphael Collection (page 11)

La Sibylle de Cumes; d apres un dessin de Raphael, Grave par Augustin Venitien
6022479 La Sibylle de Cumes; d apres un dessin de Raphael, Grave par Augustin Venitien, Collection de M Ambroise Firmin Didot (engraving) by French School

La Belle Jardiniere d apres Raphael, Musee du Louvre (chromolitho)
6022456 La Belle Jardiniere d apres Raphael, Musee du Louvre (chromolitho) by French School, (19th century); Private Collection; (add.info.: La Belle Jardiniere d apres Raphael, Musee du Louvre)

Raphael cartoon: Paul Preaching at Athens, Acts, Chap XVII (engraving)
6009520 Raphael cartoon: Paul Preaching at Athens, Acts, Chap XVII (engraving) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info.: Paul Preaching at Athens)

Title-page for Cartons Done from the Originals in His Majestys Collection (engraving)
6009512 Title-page for Cartons Done from the Originals in His Majestys Collection (engraving) by English School, (19th century); Private Collection; (add.info)

Map of the New Island of Utopia from a 1518 edition of Utopia
5615727 Map of the New Island of Utopia from a 1518 edition of Utopia by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c)

Adam and Eve Entertain Raphael from Paradise Lost
5615849 Adam and Eve Entertain Raphael from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Sheet of studies caricaturing the post-Raphaelesque style, 1853 (pen & ink on paper)
4968996 Sheet of studies caricaturing the post-Raphaelesque style, 1853 (pen & ink on paper) by Millais, John Everett (1829-96); 23.4x18.8 cm; Birmingham Museums and Art Gallery; (add.info)

Pope Julius II (1503-1513)
5855302 Pope Julius II (1503-1513) by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Pope Julius II (1503-1513), from a fresco by Raphael

Illustration 4 to Miltons "Paradise Lost"
5854525 Illustration 4 to Miltons " Paradise Lost" : Satan Spying on Adam and Eve and Raphaels Descent into Paradise, 1807 (pen & ink and w/c on paper) by Blake

Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)
1766781 Study of one of the Quirinal Marble Horses, c.1515-17 (red chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x27.2 cm; Private Collection; (add.info)

Exhibition of the Queens Jubilee Gifts at St Jamess Palace (engraving)
1591414 Exhibition of the Queens Jubilee Gifts at St Jamess Palace (engraving) by English School, (19th century); Private Collection; (add.info)

The Emperor Constantine, addressing his troops, startled by the vision of the Cross in
3957021 The Emperor Constantine, addressing his troops, startled by the vision of the Cross in the sky (pen & ink on paper) by Penni

Raphael Introduced to Da Vinci (gravure)
969240 Raphael Introduced to Da Vinci (gravure) by American School, (19th century); Private Collection; (add.info.: Raphael Introduced to Da Vinci)

The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias
827750 The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias, (oil on panel) by Palmezzano, Marco (1458-1539); 258.4x182.2 cm; Private Collection; (add.info)

St Raphael (oil on canvas)
781621 St Raphael (oil on canvas) by Perez de Murillo, AndrA©s (c.1660-1727); 87x37 cm; Private Collection; (add.info.: One of a pair)

Tobias Curing His Fathers Blindness, 1630-35 (oil on canvas)
3618025 Tobias Curing His Fathers Blindness, 1630-35 (oil on canvas) by Strozzi, Bernardo (1581-1644); 146.1 x 223.5 cm; Metropolitan Museum of Art, New York

Raphaels Madonna della Sedia (engraving)
3621964 Raphaels Madonna della Sedia (engraving) by English School, (19th century); Private Collection; (add.info.: Raphaels Madonna della Sedia)

Archangel Raphael, 1862 (stained glass)
3474732 Archangel Raphael, 1862 (stained glass) by Morris, William (1834-96); St. Michael and All Angels, Brighton, Sussex, UK; (add.info.: Manufactured by Morris, Marshall)

Raphaels studio in the garden of Villa Borghese, Rome, 1849 (oil on board)
2956743 Raphaels studio in the garden of Villa Borghese, Rome, 1849 (oil on board) by Creswick, Thomas (1811-69); 24.7x36.2 cm; Private Collection; (add.info.: Creswick, born in Sheffield)

Christ Driving the Money Changers from the Temple, c. 1570 (oil on canvas)
488117 Christ Driving the Money Changers from the Temple, c.1570 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 116.8x149.9 cm; Minneapolis Institute of Arts, MN

Self portrait (chalk heightened with white on paper)
481734 Self portrait (chalk heightened with white on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 38.1x26.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Head of a woman, from 42 Studies of Heads after Raphael (pencil on paper)
WAG451506 Head of a woman, from 42 Studies of Heads after Raphael (pencil on paper) by Fidanza, Paolo (1731-1819); 43.2x28.3 cm; Wolverhampton Art Gallery, West Midlands

The School of Athens (engraving)
727794 The School of Athens (engraving) by English School, (19th century); Private Collection; (add.info.: The School of Athens)

Angels head in wings (chromolitho)
731630 Angels head in wings (chromolitho) by Coleman, Rebecca (fl.1870-85); Private Collection; (add.info.: Angels head in wings. May every Christmas gave shine an an angels face)

Portement de Croix, dit lo Spasimo di Sicilia; d apres Raphael, Musee du Prado, a Madrid (engraving)
6022480 Portement de Croix, dit lo Spasimo di Sicilia; d apres Raphael, Musee du Prado, a Madrid (engraving) by French School, (19th century); Private Collection; (add.info.: Portement de Croix)

Facsimile of a Study by Raphael (engraving)
6018919 Facsimile of a Study by Raphael (engraving) by English School, (19th century); Private Collection; (add.info.: Facsimile of a Study by Raphael)

Apocrypha: Tobias restores his father Tobits sight with the gall of a fish
STC67531 Apocrypha: Tobias restores his father Tobits sight with the gall of a fish, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) by German School

Raphael
LLM461672 Raphael by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: Raphael. Illustration for Storia d Italia by Paolo Giudici (Nerbini, 1931).); © Look and Learn

Final scene of The Awakening of Art, a play by Julius Rodenberg (1831-1914
CHT252946 Final scene of The Awakening of Art, a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth

Tobias and the Angel, 15th century (oil on panel)
AMO98799 Tobias and the Angel, 15th century (oil on panel) by Meloni, Altobello (fl.1497-1517); 112x48 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

The Archangel Raphael taking leave of Tobit and his family (oil on panel)
6265970 The Archangel Raphael taking leave of Tobit and his family (oil on panel) by Rembrandt Harmensz. van Rijn, (1606-69) (studio of); 66x49.5 cm; Private Collection; (add.info)

Raphael cartoon: Paul and Barnabas at Lystra, Acts, Chap XIV (engraving)
6009521 Raphael cartoon: Paul and Barnabas at Lystra, Acts, Chap XIV (engraving) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info)

The Raphael Commemoration at Rome, visiting the Tomb of Raphael in the Pantheon (engraving)
1624310 The Raphael Commemoration at Rome, visiting the Tomb of Raphael in the Pantheon (engraving) by Schonberg, Johann Nepomuk (1780-1863) (after); Private Collection; (add.info)

The Twelve Apostles: St. Thaddeus, 1518-20 (chalk on paper)
4073292 The Twelve Apostles: St. Thaddeus, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 21.2x12.1 cm; eThe Devonshire Collections

The Twelve Apostles: St. James the Greater, 1518-20 (chalk on paper)
4073286 The Twelve Apostles: St. James the Greater, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 19.8x12.9 cm; eThe Devonshire Collections

Window depicting the Last Supper (after Raimondi, Raphael) (stained glass)
1279258 Window depicting the Last Supper (after Raimondi, Raphael) (stained glass) by French School, (17th century); Eglise St-Jean-au-Marche, Troyes, France; (add.info.: Troyes)

Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the
3957027 Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the Quos ego, 1516 (pricked outlines & red chalk on paper) (verso of 3957013)

Study for The Transfiguration (red chalk on paper)
3957016 Study for The Transfiguration (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 24.6x34 cm; eThe Devonshire Collections

Raphael and his Model (engraving)
1604537 Raphael and his Model (engraving) by English School, (19th century); Private Collection; (add.info.: Raphael and his Model. Illustration for The Illustrated London News, 10 February 1894)

All Professionally Made to Order for Quick Shipping

Raphael, a name that resonates with artistic brilliance and timeless beauty. From his captivating poster advertising trains to the Cote d'Azur, he effortlessly transports us to the sun-kissed shores of the French Riviera. But it is not just travel that Raphael excels in; his artistry knows no bounds. In the enchanting world of Art Nouveau, we find Raphael Kirchner's masterpiece - a mesmerizing girl playing the harp. Her delicate fingers dance across its strings, creating melodies that echo through our souls and transport us to ethereal realms. As we delve deeper into Raphael's oeuvre, we encounter his masterful recreations of iconic religious scenes. The Last Supper comes alive under his skilled hands as he collaborates with fellow artists Morghen and Matteini in 1800. And who can forget The School of Athens? This fresco adorning Stanza della Segnatura captivates our minds with its depiction of intellectual giants engaging in profound discourse. But it is not only grandeur that defines Raphael's talent; he captures intimate moments too. In Portrait of a Young Woman (La Muta), ca 1507, he unveils her mysterious allure through subtle brushstrokes and enigmatic eyes. And then there is The Sistine Madonna, an awe-inspiring creation from 1512-1517 that leaves us breathless before its divine presence. With Transfiguration (1517) as another testament to his genius, Raphael showcases his ability to transcend earthly boundaries and elevate art to celestial heights. His mastery extends beyond canvas; Victorian flower fairies come alive under his guidance, enchanting all who behold their delicate grace. Drawing inspiration from Aristotle himself, Raphael delves into philosophy and wisdom while also capturing everyday life on a poster advertising Val d'Esquieres in the South of France.