Rature Collection

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Frontispiece of treatise "Practica musicae"by Franchini (Franchino) Gaffurio (Franchinus Gaffurius)
LRI557692 Frontispiece of treatise " Practica musicae" by Franchini (Franchino) Gaffurio (Franchinus Gaffurius) (1451-1522) by Italian School

"How to dance the Alemanna"Double page of "Le Gratie d Amore"
LRI557850 " How to dance the Alemanna" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

"How to dance the capriola"Double page of "Le Gratie d Amore"
LRI557845 " How to dance the capriola" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer
LRI557838 Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer by Italian School, (17th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

"How to hold archer"Page of violin method by Leopold Mozart (1719-1787
LRI557818 " How to hold archer" Page of violin method by Leopold Mozart (1719-1787) father of Wolfgang Amadeus by Italian School

Frontispiece of "Modo per imparare a sonare di tromba"
LRI557671 Frontispiece of " Modo per imparare a sonare di tromba" method to learn trumpet by Girolamo Fantini (1600-1675) by Italian School

Portrait of Lazare Bernard (Bernard Lazare) (1865-1903) French Jewish literary critic
XEE557491 Portrait of Lazare Bernard (Bernard Lazare) (1865-1903) French Jewish literary critic, political journalist, polemicist, and anarchist. by Hinchliff, Woodbine K

Portrait of Jacques Amyot (1513-1593), French bishop, writer and translator
XEE557242 Portrait of Jacques Amyot (1513-1593), French bishop, writer and translator. by French School, (19th century); Private Collection; (add.info)

Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei)
GIA745748 Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : The late repenters singing the Miserere
GIA745746 Purgatorio, Canto 5 : The late repenters singing the Miserere, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy
GIA745743 Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy
GIA745732 Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : The doomed souls embarking to cross the Acheron
GIA745725 Inferno, Canto 3 : The doomed souls embarking to cross the Acheron, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from
GIA745721 Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from
GIA745704 Inferno, Canto 17 : Geryon, symbol of deceit, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : The forgers tormented in the valley
GIA745685 Inferno, Canto 29 : The forgers tormented in the valley, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory
GIA745659 Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 27 : Dantes dream of Leah in the meadow
GIA745639 Purgatorio, Canto 27 : Dantes dream of Leah in the meadow, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from
GIA745638 Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Portrait of Blaise Pascal (1623-1662), French mathematician and writer
XEE556637 Portrait of Blaise Pascal (1623-1662), French mathematician and writer. by French School, (19th century); Private Collection; (add.info)

Portrait of Jean-Baptiste-Louis Gresset (1709-1777), French poet and dramatist
XEE556304 Portrait of Jean-Baptiste-Louis Gresset (1709-1777), French poet and dramatist. by French School, (19th century); Private Collection; (add.info)

Portrait of Jacques Normand (1848-1931), French writer
XEE555976 Portrait of Jacques Normand (1848-1931), French writer. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Portrait of Edouard Drumont (1844-1917), French journalist
XEE555951 Portrait of Edouard Drumont (1844-1917), French journalist. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Portrait of Oscar Metenier (1859-1913), French playwright and novelist
XEE555917 Portrait of Oscar Metenier (1859-1913), French playwright and novelist. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Portrait of Paul Margueritte (1860-1918), French writer
XEE555901 Portrait of Paul Margueritte (1860-1918), French writer. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Portrait of Etienne Charles Henri, vicomte de Bornier (1825-1901)
XEE555858 Portrait of Etienne Charles Henri, vicomte de Bornier (1825-1901), French poet and dramatist. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French

Portrait of Victor Cherbuliez (1829-1899), French novelist and author
XEE555804 Portrait of Victor Cherbuliez (1829-1899), French novelist and author. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Portrait of Emile Zola (1840-1902) French writer
XEE555737 Portrait of Emile Zola (1840-1902) French writer. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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"Exploring the Depths and Heights of Rature: A Journey through Dante's Divine Comedy" In Paradiso, Canto 31, we witness a breathtaking sight as the saintly throng forms a celestial rose in the empyrean. The beauty and harmony of this divine creation leave us in awe. Moving to Inferno, Canto 4, we find ourselves in Limbo where Homer, along with other poets and heroes, resides. Their immortal souls dwell here for eternity, forever yearning for salvation. As we delve deeper into Inferno, Canto 19 reveals a powerful moment when Dante fearlessly rebukes Pope Nicholas III in the fourth bolgia. This confrontation challenges our perception of authority and raises questions about corruption within religious institutions. The intensity continues in Inferno, Canto 22 as Ciampolo skillfully escapes the clutches of the demon Alichino in the treacherous fifth bolgia. His cunning serves as a reminder that even amidst chaos and despair, there is always hope for liberation. Inferno never fails to captivate with its vivid imagery; Canto 14 portrays the violent being tormented under a relentless rain of fire. This haunting illustration from The Divine Comedy by Dante Alighieri transports us into their agonizing reality. Canto 28 takes us on an eerie encounter with Bertran de Born's severed head speaking to Dante. This digitally colored engraving brings forth both fascination and unease as we witness communication beyond death's realm. Beyond Dante's masterpiece lies another facet - music and dance. From Franchini Gaffurio's treatise "Practica musicae" to Cesare Negri called Il Trombone's portrait capturing Italian dance culture during his time; these works remind us that art transcends boundaries across centuries.