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Re 1622 1673 Collection

"Remembering Moliere: A Legacy of Comedy and Art in the 17th Century" Step into the enchanting world of Jean Baptiste Poquelin, better known as Moliere

Background imageRe 1622 1673 Collection: Portrait of historical figures and view of the Parisian cafe Le Procope

Portrait of historical figures and view of the Parisian cafe Le Procope
JLJ4668410 Portrait of historical figures and view of the Parisian cafe Le Procope: Benjamin Franklin, Jean Jacques Rousseau, Voltaire, Jean D Alembert, Moliere, Maximilien Robespierre

Background imageRe 1622 1673 Collection: Portrait of Moliere

Portrait of Moliere
GIA4812768 Portrait of Moliere by Allouard, Henri (1844-1929); Private Collection; (add.info.: Portrait of Moliere); © Giancarlo Costa

Background imageRe 1622 1673 Collection: Effigy of Jean Baptiste Poquelin, dit Moliere (1622? -1673), comedian, poet, French playwright

Effigy of Jean Baptiste Poquelin, dit Moliere (1622? -1673), comedian, poet, French playwright
YOU4419886 Effigy of Jean Baptiste Poquelin, dit Moliere (1622? -1673), comedian, poet, French playwright, low relief sculpture by Denys Puech (1854-1942)

Background imageRe 1622 1673 Collection: The School for Husbands, 1896 (engraving)

The School for Husbands, 1896 (engraving)
ELD4833441 The School for Husbands, 1896 (engraving) by Boucher, Francois (1703-70) (after); Private Collection; (add.info.: The School for Husbands)

Background imageRe 1622 1673 Collection: Sganarelle, the Imaginary Cuckold, 1896 (engraving)

Sganarelle, the Imaginary Cuckold, 1896 (engraving)
ELD4833413 Sganarelle, the Imaginary Cuckold, 1896 (engraving) by Boucher, Francois (1703-70) (after); Private Collection; (add.info.: Sganarelle, the Imaginary Cuckold)

Background imageRe 1622 1673 Collection: The authors Jean-Baptiste (Jean Baptiste) Poquelin dit Moliere (1622-1673)

The authors Jean-Baptiste (Jean Baptiste) Poquelin dit Moliere (1622-1673) and Pierre Corneille (1606-1684)
ELD4831878 The authors Jean-Baptiste (Jean Baptiste) Poquelin dit Moliere (1622-1673) and Pierre Corneille (1606-1684). 19th century (lithography after the painting of Jean-Leon (Jean Leon) Gerome

Background imageRe 1622 1673 Collection: Voltaire (Francois Marie Arouet, 1694-1778) at the Elysian Fields - Reception de Voltaire aux

Voltaire (Francois Marie Arouet, 1694-1778) at the Elysian Fields - Reception de Voltaire aux champs Elysees by Henri
XEE4157833 Voltaire (Francois Marie Arouet, 1694-1778) at the Elysian Fields - Reception de Voltaire aux champs Elysees by Henri IV (1553-1610): in the background Louis XIV, King of France

Background imageRe 1622 1673 Collection: A theatre performance in the 17th century. Moliere: The Malgre Medecin him- representing the scene

A theatre performance in the 17th century. Moliere: The Malgre Medecin him- representing the scene where Valere
PCT4268344 A theatre performance in the 17th century. Moliere: The Malgre Medecin him- representing the scene where Valere

Background imageRe 1622 1673 Collection: Trissotin and Vadius dispute. Scene taken from Molieres piece 'Les womans savantes';act 3, scene 5

Trissotin and Vadius dispute. Scene taken from Molieres piece "Les womans savantes";act 3, scene 5
JLJ4598434 Trissotin and Vadius dispute. Scene taken from Molieres piece " Les womans savantes" ; act 3, scene 5, 17th century

Background imageRe 1622 1673 Collection: Statue of Jean-Baptiste Poquelin Moliere (1622-1673) (marble)

Statue of Jean-Baptiste Poquelin Moliere (1622-1673) (marble)
YOU4418220 Statue of Jean-Baptiste Poquelin Moliere (1622-1673) (marble) by Caffieri, Jean-Jacques (1725-92); Louvre, Paris, France; (add.info.: Statue of Jean-Baptiste Poquelin Moliere (1622-1673)

Background imageRe 1622 1673 Collection: 'Le Malade imaginaire'by Jean-Baptiste Poquelin called Moliere (1622-1673)

"Le Malade imaginaire"by Jean-Baptiste Poquelin called Moliere (1622-1673)
GIA4808996 " Le Malade imaginaire" by Jean-Baptiste Poquelin called Moliere (1622-1673): scene 9, act II. Engraving after the painting by Abraham Solomon (1824-1862) of 1861

Background imageRe 1622 1673 Collection: Scene of a representation of 'the imaginary ill'

Scene of a representation of "the imaginary ill"
GIA4793294 Scene of a representation of " the imaginary ill" by Jean Baptiste Poquelin dit Moliere (1622-1673) around 1880 at the French Comedie: from left to right: Mademoiselle Kald

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'Les plaisirs de l

Representation of a scene of the play "Les plaisirs de l
GIA4793270 Representation of a scene of the play " Les plaisirs de l Ale enchantee" (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the piece 'Les facheux'

Representation of a scene of the piece "Les facheux"
GIA4793252 Representation of a scene of the piece " Les facheux" (1661) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the piece 'Le depit amoureux'

Representation of a scene of the piece "Le depit amoureux"
GIA4793198 Representation of a scene of the piece " Le depit amoureux" (1656) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'The Princess of Elide'

Representation of a scene of the play "The Princess of Elide"
GIA4793162 Representation of a scene of the play " The Princess of Elide" (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'La critique de l

Representation of a scene of the play "La critique de l
GIA4793158 Representation of a scene of the play " La critique de l ecole des femmes" (1663) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'L impromptu de Versailles'

Representation of a scene of the play "L impromptu de Versailles"
GIA4793126 Representation of a scene of the play " L impromptu de Versailles" (1663) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738

Background imageRe 1622 1673 Collection: Portrait of Jean Baptiste Pocquelin, known as 'Moliere'. (1622-1673)

Portrait of Jean Baptiste Pocquelin, known as "Moliere". (1622-1673)
GIA4813037 Portrait of Jean Baptiste Pocquelin, known as " MoliAre". (1622-1673) by Unknown Artist, (17th century); Private Collection; (add.info.: Portrait of Jean Baptiste Pocquelin)

Background imageRe 1622 1673 Collection: The character of Lelie in 'L etourdi (1654)'

The character of Lelie in "L etourdi (1654)"
LSE4076911 The character of Lelie in " L etourdi (1654)" by MoliAre (1622 - 1673). by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageRe 1622 1673 Collection: Death of Jean Baptiste (Jean-Baptiste) Poquelin, dit Moliere (1622-1673), February 17

Death of Jean Baptiste (Jean-Baptiste) Poquelin, dit Moliere (1622-1673), February 17
XEE4192794 Death of Jean Baptiste (Jean-Baptiste) Poquelin, dit Moliere (1622-1673), February 17, 1673, assisted his wife, Armande Bejart (1641-1700)

Background imageRe 1622 1673 Collection: The interpreters of Moliere at the Comedie Francaise in 1862-1863

The interpreters of Moliere at the Comedie Francaise in 1862-1863
XEE4167759 The interpreters of Moliere at the Comedie Francaise in 1862-1863. From bottom to top: Provost (Arnolphe), Joseph Samson (1893-1871) (Sganarelle), Geffroy (Clitandre), Bressant (Don Juan)

Background imageRe 1622 1673 Collection: Death of Moliere - Death of Jean Baptiste (Jean-Baptiste) Poquelin

Death of Moliere - Death of Jean Baptiste (Jean-Baptiste) Poquelin
XEE4160111 Death of Moliere - Death of Jean Baptiste (Jean-Baptiste) Poquelin, dit Moliere (1622-1673), February 17, 1673, assist his wife

Background imageRe 1622 1673 Collection: Les precieuses ridicules engraving d apres Vernet from '

Les precieuses ridicules engraving d apres Vernet from "
XEE4159683 Les precieuses ridicules engraving d apres Vernet from " Works by Jean-Baptiste Poquelin dit Moliere (Jean Baptiste Poquelin, 1622-1673), French playwright and theatre actor

Background imageRe 1622 1673 Collection: Miser, engraving from Molieres work, pseudonym of Jean-Baptiste Poquelin (1622-1673

Miser, engraving from Molieres work, pseudonym of Jean-Baptiste Poquelin (1622-1673
XEE4159664 Miser, engraving from Molieres work, pseudonym of Jean-Baptiste Poquelin (1622-1673) - Scene de la piece by Moliere L Avare - engraving by 1740 by French School

Background imageRe 1622 1673 Collection: Le Misanthrope ou l Atrabilaire amoureux - Engraving from 'Works'

Le Misanthrope ou l Atrabilaire amoureux - Engraving from "Works"
XEE4159663 Le Misanthrope ou l Atrabilaire amoureux - Engraving from " Works" by Jean-Baptiste Poquelin dit Moliere (Jean Baptiste Poquelin, 1622-1673)

Background imageRe 1622 1673 Collection: Chrysale, engraved by L. Wolff, 19th century (engraving)

Chrysale, engraved by L. Wolff, 19th century (engraving)
LSE4086552 Chrysale, engraved by L.Wolff, 19th century (engraving) by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageRe 1622 1673 Collection: Moliere frightening an ecclesiaste using a theatre mask - Frontispice du '

Moliere frightening an ecclesiaste using a theatre mask - Frontispice du "
LSE4102083 Moliere frightening an ecclesiaste using a theatre mask - Frontispice du " Tartuffe" (Tartufe) de MoliAre, ed

Background imageRe 1622 1673 Collection: Don Juan: Act I, Scene XX, Don Juan at the masked ball - chromo Liebig, 19th

Don Juan: Act I, Scene XX, Don Juan at the masked ball - chromo Liebig, 19th
LSE4090557 Don Juan: Act I, Scene XX, Don Juan at the masked ball - chromo Liebig, 19th by French School, (19th century); Private Collection; (add.info.: Don Juan: Act I, Scene XX)

Background imageRe 1622 1673 Collection: Don Juan: Act I, Scene IV, the death of Donn Annas father - chromo Liebig, 19th

Don Juan: Act I, Scene IV, the death of Donn Annas father - chromo Liebig, 19th
LSE4090551 Don Juan: Act I, Scene IV, the death of Donn Annas father - chromo Liebig, 19th by French School, (19th century); Private Collection; (add.info.: Don Juan: Act I, Scene IV)

Background imageRe 1622 1673 Collection: The Tartuffe (Tartufe) or the Impostor: theatre piece by Moliere

The Tartuffe (Tartufe) or the Impostor: theatre piece by Moliere
PCT4277206 The Tartuffe (Tartufe) or the Impostor: theatre piece by Moliere. Illustration by Ange-Louis Janet-Lange (Ange Louis Janet Lange) (1815-1872)

Background imageRe 1622 1673 Collection: Grandmesnil in the role of Harpagon The comedian Grandmesnil

Grandmesnil in the role of Harpagon The comedian Grandmesnil
JLJ4671349 Grandmesnil in the role of Harpagon The comedian Grandmesnil (pseudonym Jean-Baptiste Fauchard) (1737-1816) plays the character of Harpagon in Molieres play " L avare"

Background imageRe 1622 1673 Collection: Costume of Miss Debrie in the role of Agnes of Molieres 'School of Women'

Costume of Miss Debrie in the role of Agnes of Molieres "School of Women"
JLJ4674903 Costume of Miss Debrie in the role of Agnes of Molieres " School of Women" in 1680. Costume of French comedy by Hippolyte Lecomte (1781-1857). Engraving of the 19th century

Background imageRe 1622 1673 Collection: Commedia dell Arte: 'Les fourberies de Scapin'

Commedia dell Arte: "Les fourberies de Scapin"
JLJ4674938 Commedia dell Arte: " Les fourberies de Scapin" Illustration of the piece by Jean Baptiste Poquelin dit Moliere (1622-1673)

Background imageRe 1622 1673 Collection: Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673

Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673
JLJ4647070 Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673) Painting by Nicolas Mignard (1606-1668) 17th century Sun. 0, 73 m

Background imageRe 1622 1673 Collection: Detail of 'Portrait of Moliere'(1622-1673

Detail of "Portrait of Moliere"(1622-1673
JLJ4648787 Detail of " Portrait of Moliere" (1622-1673) Jean Baptiste Poquelin - Oil on canvas - Painting from the School of Pierre Mignard (1612-1695) - Chantilly, Musee Conde by Mignard

Background imageRe 1622 1673 Collection: Representation of a scene of the piece 'Prologue d Amphitryon'

Representation of a scene of the piece "Prologue d Amphitryon"
GIA4793334 Representation of a scene of the piece " Prologue d Amphitryon" (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740

Background imageRe 1622 1673 Collection: Representation of a scene from the piece 'Le medecin malgre lui'

Representation of a scene from the piece "Le medecin malgre lui"
GIA4793233 Representation of a scene from the piece " Le medecin malgre lui" (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'The marriage force'

Representation of a scene of the play "The marriage force"
GIA4793223 Representation of a scene of the play " The marriage force" (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene from the piece 'Le misanthrope ou l

Representation of a scene from the piece "Le misanthrope ou l
GIA4793234 Representation of a scene from the piece " Le misanthrope ou l Atrabilaire amoureux" by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739

Background imageRe 1622 1673 Collection: Representation of a scene of the play 'Le malade imaginaire'

Representation of a scene of the play "Le malade imaginaire"
GIA4793221 Representation of a scene of the play " Le malade imaginaire" (1673) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740

Background imageRe 1622 1673 Collection: Representation of a scene of the piece 'Dom Garcie de Navarre ou le prince

Representation of a scene of the piece "Dom Garcie de Navarre ou le prince
GIA4793054 Representation of a scene of the piece " Dom Garcie de Navarre ou le prince jealous" (1661) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738

Background imageRe 1622 1673 Collection: Representation of a scene of the piece 'Amphitryon'

Representation of a scene of the piece "Amphitryon"
GIA4793044 Representation of a scene of the piece " Amphitryon" (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740

Background imageRe 1622 1673 Collection: Representation of the 'Imaginary Malad'

Representation of the "Imaginary Malad"
JLJ4662962 Representation of the " Imaginary Malad" by Jean Baptiste Poquelin dit Moliere (1622-1673) at the Minorca Theatre in Spain; view of the hall and the audience

Background imageRe 1622 1673 Collection: Representation of the 'Imaginary Malad'

Representation of the "Imaginary Malad"
JLJ4662949 Representation of the " Imaginary Malad" by Jean Baptiste Poquelin dit Moliere (1622-1673) at the Minorca Theatre, Spain; view of the scene. Anonymous painting, 18th century

Background imageRe 1622 1673 Collection: Portrait of Moliere - in 'Le Plutarque francais'ed

Portrait of Moliere - in "Le Plutarque francais"ed
LSE4096211 Portrait of MoliAre - in " Le Plutarque francais" ed. Mennechet, vol. 5, 1837 by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageRe 1622 1673 Collection: Portrait of Mezzetin (Scapin), 1689. In 'Masques et bouffons'

Portrait of Mezzetin (Scapin), 1689. In "Masques et bouffons"
LSE4090596 Portrait of Mezzetin (Scapin), 1689. In " Masques et bouffons" (Italian comedy), text and drawings by Maurice Sand, etchings by A



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"Remembering Moliere: A Legacy of Comedy and Art in the 17th Century" Step into the enchanting world of Jean Baptiste Poquelin, better known as Moliere, a renowned French playwright, poet, and comedian who graced the stages of 17th-century France. His portrait captures his essence - a man with wit and charm that brought laughter to audiences. Adorning the arcade of Comedie Francaise in Paris is an exquisite low relief sculpture by Denys Puech. This effigy immortalizes Moliere's legacy, reminding us of his contributions to theater and literature. Moliere's plays continue to captivate even today. "The School for Husbands" and "Sganarelle, the Imaginary Cuckold, " depicted in engravings from 1896, showcase his comedic genius. These timeless pieces highlight societal quirks and human follies that still resonate with modern audiences. In collaboration with Pierre Corneille, another esteemed playwright of their time, Moliere left an indelible mark on French literature. Their partnership was celebrated through lithography after Jean-Leon Gerome's painting - a testament to their influence on future generations. Voltaire himself paid homage to Moliere at Elysian Fields - a gathering where great minds converged. In this historical moment captured by Henri IV's reception painting, we witness Louis XIV and Louis XV observing Voltaire alongside Peter I. It speaks volumes about Moliere's enduring impact on intellectual circles. A glimpse into 17th-century theater reveals scenes from one of Moliere's most famous works: "The Malgre Medecin. " Valere and Lucas wielding sticks against Sganarelle humorously portrays his character pretending to be something he is not—a doctor caught in hilarious circumstances.