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Reaping Collection (page 5)

"Reaping: A Time-Honored Tradition of Harvesting Abundance" From the sun-soaked fields of the West Indies, where sugar canes sway in the breeze

Background imageReaping Collection: Source Size = 3797 x 5061

Source Size = 3797 x 5061
The Harvest at the Philanthrophic home for Boys at Redhill: the Last Load

Background imageReaping Collection: AUGUST was by the English called Arn-monath, or Barn-monath, '

AUGUST was by the English called Arn-monath, or Barn-monath, "
AUGUST was by the English called " Arn-monath, " or " Barn-monath, " meaning harvest-month. The instruments which appear in the woodcut do not seem to differ much from those used

Background imageReaping Collection: Harvest-Home Custom in France

Harvest-Home Custom in France

Background imageReaping Collection: Harvest Mouse

Harvest Mouse
HARVEST MOUSE

Background imageReaping Collection: Source Size = 2647 x 1270

Source Size = 2647 x 1270
The International Exhibition: Croskills Bells Reaping Machine, 1862

Background imageReaping Collection: Source Size = 3937 x 2451

Source Size = 3937 x 2451
Coorg Harvest Festival, Madras

Background imageReaping Collection: Source Size = 3896 x 2873

Source Size = 3896 x 2873
Harvest home at the Philanthropic Societys Farm, Redhill, 1852

Background imageReaping Collection: Source Size = 3925 x 2506

Source Size = 3925 x 2506
The Vraic or Seaweed Harvest Guernsey: Carting the Vraic

Background imageReaping Collection: Source Size = 3931 x 2513

Source Size = 3931 x 2513
The Vraic or Seaweed Harvest Guernsey: Gathering the Vraic or Seaweed

Background imageReaping Collection: Source Size = 2907 x 1193

Source Size = 2907 x 1193
American Reaping Machine, the Great Exhibition

Background imageReaping Collection: The Harvest, 1883

The Harvest, 1883
BAL76815 The Harvest, 1883 by Pissarro, Camille (1830-1903); 32.5x41 cm; Private Collection; French, out of copyright

Background imageReaping Collection: August, harvesting, Leo, illustration from the Almanach des Bergers, 1491

August, harvesting, Leo, illustration from the Almanach des Bergers, 1491
XIR345828 August, harvesting, Leo, illustration from the Almanach des Bergers, 1491 (xylograph) (b/w photo) by Le Rouge, Pierre (fl)

Background imageReaping Collection: Harvest in France: Reaping

Harvest in France: Reaping

Background imageReaping Collection: Peasants haymaking, c. 1884 (w / c & ink on paper)

Peasants haymaking, c. 1884 (w / c & ink on paper)
XBP335680 Peasants haymaking, c.1884 (w/c & ink on paper) by Pissarro, Camille (1830-1903); 25.4x16.5 cm; Private Collection; (add.info)

Background imageReaping Collection: Harvesters Resting in a Corn Field, c. 1805-10 (pen & ink with wash on paper)

Harvesters Resting in a Corn Field, c. 1805-10 (pen & ink with wash on paper)
XYC306579 Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper) by Rowlandson, Thomas (1756-1827); 20.3x28.3 cm; Yale Center for British Art, Paul Mellon Collection

Background imageReaping Collection: Reaping, Le Scieur de Ble

Reaping, Le Scieur de Ble

Background imageReaping Collection: Reaper (pencil on paper) (b / w photo)

Reaper (pencil on paper) (b / w photo)
XIR287287 Reaper (pencil on paper) (b/w photo) by Gogh, Vincent van (1853-90); Private Collection; (add.info.: Faucheur; ); Dutch, out of copyright

Background imageReaping Collection: June (oil on panel)

June (oil on panel)
XAL243403 June (oil on panel) by Rustici, Cristoforo (1560-1640); Palazzo Pubblico, Siena, Italy; (add.info.: from a cycle of the six months; ); Italian, out of copyright

Background imageReaping Collection: Haymaking, c. 1808 (w / c with bodycolour over graphite on paper)

Haymaking, c. 1808 (w / c with bodycolour over graphite on paper)
XYC252120 Haymaking, c.1808 (w/c with bodycolour over graphite on paper) by Cox, David (1783-1859); 46x63.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageReaping Collection: The Reapers (oil on canvas)

The Reapers (oil on canvas)
BAL238884 The Reapers (oil on canvas) by Venetsianov, Aleksei Gavrilovich (1780-1847); 66.7x52 cm; State Russian Museum, St. Petersburg, Russia; Russian, out of copyright

Background imageReaping Collection: The Harvest, 1914 (oil on canvas)

The Harvest, 1914 (oil on canvas)
BAL238877 The Harvest, 1914 (oil on canvas) by Kustodiev, Boris Mikhailovich (1878-1927); 133x133 cm; Astrakhan State Gallery B.M. Kustodiev, Astrakhan, Russia; Russian, out of copyright

Background imageReaping Collection: The Reaper, study for the decoration of the Ruzheinaya (Rifle) Square in Petrograd

The Reaper, study for the decoration of the Ruzheinaya (Rifle) Square in Petrograd
XAL238738 The Reaper, study for the decoration of the Ruzheinaya (Rifle) Square in Petrograd, 1918 (pencil & w/c on paper) by Kustodiev, Boris Mikhailovich (1878-1927); Tretyakov Gallery, Moscow

Background imageReaping Collection: The Miracles of St. Clare of Assisi, detail of St. Clare blessing the harvest, 1523-24

The Miracles of St. Clare of Assisi, detail of St. Clare blessing the harvest, 1523-24
XIR238737 The Miracles of St. Clare of Assisi, detail of St. Clare blessing the harvest, 1523-24 (fresco) by Lotto, Lorenzo (c.1480-1556); Cappella di Villa Suardi, Trescore Balneario

Background imageReaping Collection: Six vignettes depicting bread making (engraving) (b / w photo)

Six vignettes depicting bread making (engraving) (b / w photo)
XIR180017 Six vignettes depicting bread making (engraving) (b/w photo) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageReaping Collection: July and August, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

July and August, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

Background imageReaping Collection: July, Pieter van der Borcht (I), 1545 - 1608

July, Pieter van der Borcht (I), 1545 - 1608

Background imageReaping Collection: The Harvester (oil on canvas)

The Harvester (oil on canvas)
XIR155368 The Harvester (oil on canvas) by Gogh, Vincent van (1853-90); Museum Folkwang, Essen, Germany; Dutch, out of copyright

Background imageReaping Collection: Women in the Field, 1882 (oil on canvas)

Women in the Field, 1882 (oil on canvas)
XIR155367 Women in the Field, 1882 (oil on canvas) by Laugee, Desire Francois (1823-96); Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageReaping Collection: Two Reapers Seen from the Back (chalk on paper) (b / w photo)

Two Reapers Seen from the Back (chalk on paper) (b / w photo)
XIR155308 Two Reapers Seen from the Back (chalk on paper) (b/w photo) by Millet, Jean-Francois (1814-75); Louvre, Paris, France; French, out of copyright

Background imageReaping Collection: Augustus, Julius Goltzius, Gillis Mostaert I, Claes Jansz. Visscher II, c. 1560 - 1595

Augustus, Julius Goltzius, Gillis Mostaert I, Claes Jansz. Visscher II, c. 1560 - 1595

Background imageReaping Collection: July, Adriaen Collaert, Hans Bol, Claes Jansz. Visscher (II), 1578 - 1582

July, Adriaen Collaert, Hans Bol, Claes Jansz. Visscher (II), 1578 - 1582

Background imageReaping Collection: The Hay Harvest, 1869 (oil on canvas)

The Hay Harvest, 1869 (oil on canvas)
XKH147949 The Hay Harvest, 1869 (oil on canvas) by Kauffmann, Hermann (1808-89); 159x248 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageReaping Collection: July, Julius Goltzius, Gillis Mostaert (I), Hans van Luyck, c. 1560 - 1595

July, Julius Goltzius, Gillis Mostaert (I), Hans van Luyck, c. 1560 - 1595

Background imageReaping Collection: Panoramic landscape with corn harvest, Izaak Jansz. de Wit, 1806

Panoramic landscape with corn harvest, Izaak Jansz. de Wit, 1806

Background imageReaping Collection: On the Fens, 1878 (oil on canvas)

On the Fens, 1878 (oil on canvas)
BAL13787 On the Fens, 1878 (oil on canvas) by Macbeth, Robert Walker (1848-1910); 99.1x199.4 cm; Roy Miles Fine Paintings; (add.info.: or Sedge Cutting, Wecken Fen, Cambridgeshire; ); Scottish

Background imageReaping Collection: A woman beholds a mower behind whom stands Death with a scythe, Jan Luyken, Pieter Arentsz

A woman beholds a mower behind whom stands Death with a scythe, Jan Luyken, Pieter Arentsz (II), 1687

Background imageReaping Collection: July, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

July, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

Background imageReaping Collection: A Man Reaping, Zodiacal Sign of Leo

A Man Reaping, Zodiacal Sign of Leo; Workshop of Willem Vrelant, Flemish, died 1481, active 1454 - 1481; Bruges, Belgium, Europe; early 1460s; Tempera colors, gold leaf

Background imageReaping Collection: Reaping, Zodiacal Sign of Virgo

Reaping, Zodiacal Sign of Virgo; Workshop of the Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold

Background imageReaping Collection: A Finished Study for Reaping Signed and dated, lower right: J Linnell

A Finished Study for Reaping Signed and dated, lower right: J Linnell
A Finished Study for Reaping Signed and dated, lower right: " J Linnell / 58", John Linnell, 1792-1882, British

Background imageReaping Collection: -

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Background imageReaping Collection: A farmer and his horse tethered to 25 year old McCormick Twine Binder with the Appleby

A farmer and his horse tethered to 25 year old McCormick Twine Binder with the Appleby binding attachment, on a field in Gravesend, Kent. 1939

Background imageReaping Collection: Nesitanebtashru ploughing and reaping. From The Greenfield Papyrus (funerary papyrus

Nesitanebtashru ploughing and reaping. From The Greenfield Papyrus (funerary papyrus of Princess Nesitanebtashru) c 970 BC

Background imageReaping Collection: Man reaping barley with a sickle, probably of wood set with flint. From west wall of tomb of Urarna

Man reaping barley with a sickle, probably of wood set with flint. From west wall of tomb of Urarna. Sheik Safd, c240 BC. Photograph c1910

Background imageReaping Collection: The Reaper, 1918. Boris Mikhaylovich Kustodiev (1878-1827) Russian painter and stage designer

The Reaper, 1918. Boris Mikhaylovich Kustodiev (1878-1827) Russian painter and stage designer. Woman reaping with sickle, surrounded by sheaves of corn, and her food and drink

Background imageReaping Collection: Head of a Woman 1780. Study in charcoal and coloured chalk on blue paper for

Head of a Woman 1780. Study in charcoal and coloured chalk on blue paper for Peace Reaping Abundance. Elisabeth Vigee-Lebrun (1755-1842) French painter

Background imageReaping Collection: Cyrus McCormicks reaping machine of 1831 (patented 1834). Exhibited at Crystal

Cyrus McCormicks reaping machine of 1831 (patented 1834). Exhibited at Crystal Palace Exhibition of 1851. First widely adopted reaping machine. Hand-coloured engraving

Background imageReaping Collection: Cyrus McCormicks reaping machine (America, 1831), the first mechanical reaper

Cyrus McCormicks reaping machine (America, 1831), the first mechanical reaper to be generally adopted. Engraving 1862



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"Reaping: A Time-Honored Tradition of Harvesting Abundance" From the sun-soaked fields of the West Indies, where sugar canes sway in the breeze, to the enchanting sight of the Harvest Moon illuminating a 19th-century countryside masterpiece, it has long been an integral part of our agricultural heritage. In 1899, hardworking farmers equipped with their trusty corn cutter hats embarked on a laborious journey through golden fields, skillfully picking and mowing crops during harvest season. These resilient souls knew that their efforts would yield bountiful rewards for their communities. Across the vast Canadian Prairies in the early 1900s, another chapter unfolded as determined hands tirelessly worked to reap nature's blessings. The prairies echoed with sounds of progress as men and women labored together to ensure sustenance for all. From horse-drawn reapers to innovative machinery, they embraced new technologies while preserving age-old farming traditions. The year was 1926 when Billinge witnessed horses gracefully guiding reaping machines through its fertile lands. In Keighley too, hearts swelled with pride as diligent workers harvested crops near this idyllic town. It was a time when unity prevailed amidst hard work and dedication. Travel back further into history - Victorian times - where majestic horses played an essential role in reaping endeavors. Their strength and elegance were harnessed by skilled handlers who understood that cooperation between man and beast was key to success. Beyond agriculture lies Glastonbury's archaeological dig site; here we uncover remnants from ancient civilizations who also practiced reaping centuries ago. Through these discoveries, we gain insight into how our ancestors celebrated nature's abundance while honoring its cycles. Amidst it all stands William Dray & Co. , whose advert showcased cutting-edge technology – a testament to human ingenuity striving towards efficiency and progress in harvesting methods.