Rearing Collection (page 4)

Rearing the Fire Cross for the Assembly of the Highland Clans before the Battle of Pinkie, 1547 (engraving)
671026 Rearing the Fire Cross for the Assembly of the Highland Clans before the Battle of Pinkie, 1547 (engraving) by English School

A woman riding a horse which is rearing up before a man holding a whip (colour litho)
960155 A woman riding a horse which is rearing up before a man holding a whip (colour litho) by Vallet, Louis (1856-1940); Private Collection; (add.info)

A Wolf and Fox Hunt (The European Hunt) (chalks with wash on paper)
449371 A Wolf and Fox Hunt (The European Hunt) (chalks with wash on paper) by Dyck, Anthony van (1599-1641); 24.7x36 cm; eThe Devonshire Collections

The Edinburgh theatre destroyed by fire causing several victims, including an actor while... (colour litho)
2815441 The Edinburgh theatre destroyed by fire causing several victims, including an actor while... (colour litho) by Beltrame

Accident suffered by King Carlos I of Portugal on a wild boar hunt (colour litho)
2779254 Accident suffered by King Carlos I of Portugal on a wild boar hunt (colour litho) by French School, (20th century); Private Collection; (add.info)

Emperor Ferdinand I of Austria on Horseback, 1830 (gouache on paper)
3036429 Emperor Ferdinand I of Austria on Horseback, 1830 (gouache on paper) by Wolf, Franz (1795-1859); (add.info.: Equestrian portrait of Emperor Ferdinand I of Austria in coronation robes as King)

Phaeton (woodcut)
REY272687 Phaeton (woodcut) by Hofmann, Ludwig von (1861-1945); Private Collection; (add.info.: illustration to Hans Reisigers book Phaeton ; ); German, out of copyright

The Death of Henry Hotspur, 21st July 1403, illustration from
IL323255 The Death of Henry Hotspur, 21st July 1403, illustration from British Battles on Land and Sea, published by Cassell, London, c.1910 (litho) by Woodville

David, Earl of Huntingdon (1084-1153) 1120, engraved by Richard. H. Bridgens (fl
STC136917 David, Earl of Huntingdon (1084-1153) 1120, engraved by Richard. H. Bridgens (fl.1824-38) from Ancient Armour, written by the artist, 1824 (colour litho) by Meyrick

Henry VI, King of England (1421-71), 1422, from Ancient Armour
STC136909 Henry VI, King of England (1421-71), 1422, from Ancient Armour, by Samuel Rush Meyrick, 1824 (colour litho) by English School

One of the two Marly Horses, 1739-45 (marble)
XIR159233 One of the two Marly Horses, 1739-45 (marble) by Coustou, Guillaume I (1677-1746); Place de la Concorde, Paris, France; (add.info)

Lieutenant General Henry William Paget (1768-1854) c. 1815 (oil on canvas)
NAM237721 Lieutenant General Henry William Paget (1768-1854) c.1815 (oil on canvas) by Stroehling, Peter Eduard (1768-1826); National Army Museum

The Rattlesnake, 1905 (bronze) (b / w photo)
PNP244883 The Rattlesnake, 1905 (bronze) (b/w photo) by Remington, Frederic (1861-1909); Private Collection; Peter Newark Western Americana; American, out of copyright

Charge of the Third Dragoons, illustration from Glorious Battles of English
IL193441 Charge of the Third Dragoons, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Equestrian Portrait of a Man with a Page (oil on canvas)
LST204415 Equestrian Portrait of a Man with a Page (oil on canvas) by Keyser, Thomas de (1596/7-1667); 94.6x77.2 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Dutch, out of copyright

Parade of the Hamburg Burgermilitars, 1840 (oil on canvas)
XKH179075 Parade of the Hamburg Burgermilitars, 1840 (oil on canvas) by Wassner, Valentin (1808-80); 61.8x85.8 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Triumph of Mordecai
FTB60255 The Triumph of Mordecai by Veronese, (Paolo Caliari) (1528-88); St. Sebastiano, Venice, Italy; Italian, out of copyright

A Centaur triumphing over a Lapith, metope XXVIII from the south side of the Parthenon
BAL2624 A Centaur triumphing over a Lapith, metope XXVIII from the south side of the Parthenon, 447-432 BC (marble) by Greek, (5th century BC); width: 133 cm; British Museum, London, UK; Greek

Rearing the Tabernacle (engraving)
5218339 Rearing the Tabernacle (engraving) by English School, (19th century); Private Collection; (add.info.: Rearing the Tabernacle)

Bathing Horses in the Seine, 1910 (oil on canvas)
CH401242 Bathing Horses in the Seine, 1910 (oil on canvas) by Luce, Maximilien (1858-1941); 81x100.1 cm; Private Collection; (add.info.: La Baignade des Chevaux; ); Photo eChristies Images; French

Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas)
827635 Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas) by Netscher, Caspar (1639-84) & Wyck

A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval
827622 A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval, (black chalk and watercolour) by Gericault, Theodore (1791-1824); 22.3x27.3 cm; Private Collection; (add.info)

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white
652094 A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white) by Kilburne, George Goodwin (1839-1924); 25.1x35 cm; Private Collection; (add.info)

Cowgirl (photo)
5997792 Cowgirl (photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Cowgirl. Illustration for The Clever Animals Picture Book (Ward Lock)

Plate 652. A, B, C, D, E, Horses Rearing, etc. 1885 (collotype on paper)
3950628 Plate 652. A, B, C, D, E, Horses Rearing, etc. 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.1x31.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Pegasus, 1509-16 (engraving)
4071441 Pegasus, 1509-16 (engraving) by Barbari, Jacopo de (1440/50-a.1515); 155.5x22.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian, out of copyright

King Charles XII (1682-1718) of Sweden, on horseback, 1702 (engraving) (b / w photo)
CHT230897 King Charles XII (1682-1718) of Sweden, on horseback, 1702 (engraving) (b/w photo) by Picart, Bernard (1673-1733); Bibliotheque Nationale, Paris

Devonshire House, Piccadilly (w / c on paper)
CWA124817 Devonshire House, Piccadilly (w/c on paper) by Rowlandson, Thomas (1756-1827); City of Westminster Archive Centre, London, UK; eWestminister Archives; English, out of copyright

Jockey on a Rearing Horse, 1890s (black chalk & pastel on cream wove paper)
877045 Jockey on a Rearing Horse, 1890s (black chalk & pastel on cream wove paper) by Degas, Edgar (1834-1917); 23.3x36 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Carved Horse Pillars in Ranganatha Temple, Srirangam, 1869 (b / w photo)
498660 Carved Horse Pillars in Ranganatha Temple, Srirangam, 1869 (b/w photo) by Bourne, Samuel (1834-1912); Private Collection; (add.info.: 16th century faAzade of the Sheshagirirayar mandapa)

Equestrian statue of Louis XIV (1638-1715) (marble) (b / w photo)
XIR169507 Equestrian statue of Louis XIV (1638-1715) (marble) (b/w photo) by Bernini, Gian Lorenzo (1598-1680); ChAteau de Versailles, France; Italian, out of copyright

Equestrian statue of Philip IV (1605-65) King of Spain, cast in bronze by Tacca (bronze
KW195602 Equestrian statue of Philip IV (1605-65) King of Spain, cast in bronze by Tacca (bronze) (see also 53906 and 79531) by Velazquez

Longton Hall figure of Cupid riding a horse, c. 1755 (porcelain)
BAL1142 Longton Hall figure of Cupid riding a horse, c.1755 (porcelain) by English School, (18th century); Victoria & Albert Museum, London, UK; English, out of copyright

The Bay Stallion with spanish saddle
XAM65643 The Bay Stallion with spanish saddle by Hamilton, Johann Georg (1672-1737); Collection of the Prince of Liechtenstein, Schloss Vaduz; Flemish, out of copyright

The Escape (pen & ink)
Ma88153 The Escape (pen & ink) by Doyle, Charles Altamont (1832-93); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Scene of an unmounted horse race in Rome
PWI84005 Scene of an unmounted horse race in Rome by Vernet, Antoine Charles Horace (Carle) (1758-1836); Musee Calvet, Avignon, France; ePeter Willi; French, out of copyright

Horses Fighting, 1791 (oil on canvas)
BSA101189 Horses Fighting, 1791 (oil on canvas) by Stubbs, George (1724-1806); 63.5x127 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright

Louis XIV approaching the Pont Neuf, Paris, 1674 (oil on oak)
BFM286706 Louis XIV approaching the Pont Neuf, Paris, 1674 (oil on oak) by Huchtenburgh, Jan van (1647-1733); 72x108.8 cm; Schlossmuseum, Schloss Friedenstein, Gotha

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c
XIR242860 Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo) by Marsy, Gaspard (1624-81) & Marsy

I have come to fight you, Robber of my Beloved, scene from Sucna Murga in
IL241938 I have come to fight you, Robber of my Beloved, scene from Sucna Murga in Childrens Stories from Rumanian Legends by Moses Gaster (1856-1939) 1921 (colour litho) by Brock

A Horseman in a Landscape, probably a study for Theophilus Levett Fox Hunting in
XYC217174 A Horseman in a Landscape, probably a study for Theophilus Levett Fox Hunting in Wychnor Park, 1814 (pen & brown ink on paper) by Ward

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c
XIR242859 Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo) by Marsy, Gaspard (1624-81) & Marsy

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c
XIR242858 Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo) by Marsy, Gaspard (1624-81) & Marsy

A Private of the 3rd, or Kings Own Dragoons, from
NAM254111 A Private of the 3rd, or Kings Own Dragoons, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler, published by Colnaghi & Co

A Horse, detail from Orpheus Charming the Animals (mosaic)
XIR212980 A Horse, detail from Orpheus Charming the Animals (mosaic) by Roman, (2nd century AD); Musee Archeologique, Saint-Romain-en-Gal, France; out of copyright

Equestrian statue of Bishop Absalon (1128-1201) 1902 (bronze)
KW260419 Equestrian statue of Bishop Absalon (1128-1201) 1902 (bronze) by Bissen, Christien Gottlieb Vilhelm (1836-1913); Hojbro Plads, Copenhagen, Denmark; (add.info.: Danish archbishop; ); Danish

Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control

Illustration of a Knight Templar, after a 14th century manuscript (coloured engraving)
CHT173775 Illustration of a Knight Templar, after a 14th century manuscript (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

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From the battlefield to the animal kingdom, rearing signifies strength and power. In Napoleon Crossing the Grand Saint-Bernard Pass, we witness the determination of a leader conquering great heights. Similarly, At the Front recruitment poster during World War One reminds us of the bravery required in times of conflict. The Grizzly Bear WAT 4216 Standing Ursus arctos horribilis captures a moment of primal dominance in nature's realm. George Stubbs' Whistlejacket showcases the elegance and grace of a horse rearing with poise and beauty. Meanwhile, Lords Cricket Ground transformed into a Goose Farm during WW1 demonstrates adaptability amidst chaos. The Hares Boxing depict an unexpected display of aggression among seemingly docile creatures, reminding us that appearances can be deceiving. Praxiteles' Hermes statue immortalizes divine strength as he stands tall on his toes. In contrast, Rough Collie Dog Standing on bench portrays loyalty and companionship through its playful stance. Rosa Bonheur's The Horse Fair transports us to a bustling market where horses rear up in excitement, symbolizing their untamed spirit. Lastly, Wild Horses in Montana engage in fierce battles while rearing up proudly; their struggle for dominance echoing throughout Pryor Mountains. Whether it be humans or animals, these captivating moments capture our fascination with rearing - an embodiment of vigor and determination.