Red Brown Collection

Heck cattle on a pasture in the snow, near Berlin, Germany, Europe

Standing Youth, known as Narcissus, c. 1650 (copper & bronze)
822631 Standing Youth, known as Narcissus, c.1650 (copper & bronze) by Prieur, Barthelemy (1540-1611); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Leonard D

Standing Youth, known as Narcissus, c. 1650 (copper & bronze)
822630 Standing Youth, known as Narcissus, c.1650 (copper & bronze) by Prieur, Barthelemy (1540-1611); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Leonard D

Standing Youth, known as Narcissus, c. 1650 (copper & bronze)
822632 Standing Youth, known as Narcissus, c.1650 (copper & bronze) by Prieur, Barthelemy (1540-1611); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Leonard D

Portrait Willem III King Netherlands bust facing left
Portrait of Willem III, King of the Netherlands, bust facing left in red-brown, in original black frame with inscription, Willem III (King of the Netherlands)

Expulsion Hagar Giovanni Benedetto Castiglione
The Expulsion of Hagar; Giovanni Benedetto Castiglione (Italian, 1609 - 1664); Italy; late 1640s; Red-brown, blue-green, and white oil paint and brush on tan paper; 28.9 x 41.6 cm (11 3, 8 x 16 3)

Red-brown lop-eared rabbit, side view

Italy. Murano Island. Church of Saint Mary and Saint Donatus
Italy. Murano Island. Bell tower of the Church of Saint Mary and Saint Donatus

Body Saint Catherine Siena carried Procession
Artokoloro

Pastoral Scene Nomads Sheep Cattle 1609-64
Artokoloro

Pastoral Scene Shepherds Flock n. d Brush brown
Artokoloro

Two Seated Bearded Male Figures 1637-1713 Brush
Artokoloro

Quarter Design Trompe L Oeil Ceiling Decoration
Artokoloro

Animals Figures Ark 1660-64 Brush red-brown
Artokoloro

Genoese 17th Century, Italian (17th century), An Elaborately Sculpted Frame, pen and brown ink with gray and red-brown wash on laid paper

Cornelis Ploos van Amstel and Cornelis Brouwer after Allart van Everdingen (Dutch, 1726 - 1798), Village with Pond, c. 1782, transfer technique (aquatint?) and roulette with burnishing in red-brown

Cornelis Ploos van Amstel and Cornelis Brouwer after Gerbrand van den Eeckhout (Dutch, 1726 - 1798), Horticulturist, 1780, transfer technique (aquatint?) in red-brown

Johann Gottlieb Prestel (German, 1739 - 1808), The Adoration of the Shepherds, published 1782, aquatint and etching in red-brown and black

German 15th Century, The Adoration of the Magi, c. 1470-1480, metalcut, hand-colored in yellow, red-brown lake, and green

Workshop of Master of the Borders with the Four Fathers of the Church, The Ascension, 1460-1480, metalcut, hand-colored in yellow, red-brown lake, and green

Workshop of Master of the Borders with the Four Fathers of the Church, The Last Supper, 1460-1480, metalcut, hand-colored in yellow, red-brown lake, and green

Paul Sa rusier (French, 1863 - 1927), Ha rakla a, 1896, zincograph in red-brown
Paul Sa© rusier (French, 1863 - 1927), Ha© rakla© a, 1896, zincograph in red-brown on light brown wove paper

Otto Greiner, Studies for a Boatman, German, 1869 - 1916, black and blue chalk on red-brown paper

French 18th Century, The Veil of Cupids, 18th century, red-brown chalk

Leandro Bassano, Italian (1557-1622), A Man Bending over to Pick up a Bundle, c. 1592, charcoal, some oiled (?), with red-brown chalk, heightened with white chalk on blue laid paper

Pieter Stevens, Travellers among Roman Ruins, Flemish, c. 1567 - 1624 or after, pen and brown ink with red-brown and blue wash, incised for transfer

The Expulsion of Hagar; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; Italy, Europe; late 1640s; Red-brown, blue-green

Sand patterns on the surface of a red dune, Tin Merzouga, Tadrart, Tassili nAjjer National Park, Algeria, Sahara, North Africa

Lower Antelope Canyon, red sandstone, Arizona, USA

Rock formation made of petrified sand dunes, Coyote Buttes North, Vermilion Cliffs Wilderness, Arizona, USA

Water Holes Canyon, Page, Arizona, USA, America

Sandstone formations, Coyote Buttes North, Vermilion Cliffs Wilderness, Page, Arizona, USA, America

Sand dunes at Erg Takaraft, Erg Takaraft, Immidir or Mouydir, Sahara, Tamanrasset Province, Algeria

Bornean Orangutan -Pongo pygmaeus-, male, Tanjung Puting National Park, Central Kalimantan, Borneo, Indonesia

Five red and brown mirasol chilli peppers

Head and shoulders of a black and red-brown coloured Rabbit (Leporidae), profile view

Red Poll calf (Bos taurus), side view

Two Rex Guinea Pigs (Cavia porcellus), one ruby coloured and the other grey, with their heads together

Great Britain, England, Hampshire, New Forest, red-brown Wild Pony (Equus caballus) with foal grazing, close up

Pinus pinaster C014 / 1376
Maritime pine (Pinus pinaster). Closeup of bark

Pinus nigra ssp pallasiana C014 / 1375
Crimean pine (Pinus nigra ssp pallasiana). Closeup of bark

Pinus pinea C014 / 1377
Umbrella Pine (Pinus pinea). Closeup of bark

Paperbark maple (Acer griseum) bark

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"Red Brown: A Tapestry of Nature, Art, and History" Immerse yourself in the captivating hues as we embark on a journey through various landscapes, artworks, and historical moments. From the snowy pastures near Berlin to the enchanting Murano Island in Italy, this color palette unveils its timeless charm. In a picturesque pasture near Berlin, Germany, Heck cattle gracefully roam amidst a blanket of glistening snow. Their reddish-brown coats blend harmoniously with the winter landscape, creating a scene straight out of a fairytale. Transporting us back in time is "Standing Youth, " also known as Narcissus - an exquisite sculpture crafted from copper and bronze around 1650. The artist's skillful use tones brings forth an ethereal quality to this mesmerizing artwork that captures both our attention and imagination. As we wander through history's corridors, we find ourselves standing before the Church of Saint Mary and Saint Donatus on Murano Island. Its walls adorned with hints evoke a sense of warmth and tranquility within these sacred grounds. Turning our gaze once again towards "Standing Youth, " we marvel at its intricate details meticulously rendered by skilled hands centuries ago. The interplay between light and shadow accentuates the richness tones present in this masterpiece - an embodiment of artistic brilliance frozen in time. Flipping through pages from "The Architect's Surveyors and Engineers Compendium" dating back to 1892 reveals vibrant color lithographs showcasing architectural wonders drenched in shades ranging from deep maroons to earthy browns. Each page tells tales woven within these structures' walls that have stood witness to countless stories throughout history. A regal portrait emerges before us - Willem III King Netherlands captured majestically with his bust facing left. His commanding presence enhanced by subtle touches exudes power and authority befitting his royal stature.