Red Scarf Collection

"Glorious leader, limitless capacity", propaganda poster from the Cultural Revolution, 1970 (colour litho)
RDA78529 "Glorious leader, limitless capacity", propaganda poster from the Cultural Revolution, 1970 (colour litho) by Chinese School (20th century) ; Private Collection; (add.info)

"Inheriting fighting literature, I shall fight to the end", propaganda poster from the Chinese Cultural
RDA78547 "Inheriting fighting literature, I shall fight to the end", propaganda poster from the Chinese Cultural Revolution

David Bowie at London Airport. (note Heathrow or Gatwick unclear. LAP on caption) Picture taken 23rd January 1990

Camilla Collett, 1831
4072447 Camilla Collett, 1831 by Wergeland, Nicolai (1780-1848); Private Collection; Photo © O. Vaering

A porter of Naples, 1820 (colour litho)
REV326171 A porter of Naples, 1820 (colour litho) by Dura, Gaetano (1805-78) (after); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: porteur de Naples; Facchino, Napoli; ); Italian

Beautiful lady dressed in polonaise style, engraved by L. Dibart (coloured engraving)
STC428342 Beautiful lady dressed in polonaise style, engraved by L. Dibart (coloured engraving) by French School, (19th century); Private Collection; (add.info)

Young Woman with Mandolin, 1901 (oil on canvas)
Ma283726 Young Woman with Mandolin, 1901 (oil on canvas) by Mann, Harrington (1864-1937); 54x45.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Snow Drop
7 Flavor C/P

Aristide Bruant, at His Cabaret, 1893 (lithograph)
3432919 Aristide Bruant, at His Cabaret, 1893 (lithograph) by Toulouse-Lautrec, Henri de (1864-1901); 138x99 cm; Metropolitan Museum of Art, New York

Aristide Bruant in his Cabaret, 1893 (colour lithograph)
XIR901538 Aristide Bruant in his Cabaret, 1893 (colour lithograph) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi

In Difficulties (oil on canvas)
BAL4941 In Difficulties (oil on canvas) by Ten Kate, Jan Mari Henri (1831-1910); Private Collection; Dutch, out of copyright

The Poppy Field
BAL47900 The Poppy Field by Szinyei Merse, Pal (1845-1920); Hungarian National Gallery, Budapest, Hungary; Hungarian, out of copyright

Head of a Child (pastel on paper)
XIR167560 Head of a Child (pastel on paper) by Cassatt, Mary Stevenson (1844-1926); Private Collection; American, out of copyright

Self Portrait, c. 1818 (oil on canvas)
XIR216632 Self Portrait, c.1818 (oil on canvas) by Cogniet, Leon (1794-1880); Musee des Beaux-Arts, Orleans, France; French, out of copyright

Girl among the wild flowers, 1880 (oil on canvas)
BAL167028 Girl among the wild flowers, 1880 (oil on canvas) by Lagoda-Shishkina, Olga Antonova (1850-81); 57.2x39.2 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

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"Red Scarf: A Timeless Fashion Statement and Symbol of Individuality" From the fashionable streets of London to the artistic masterpieces of the past, the red scarf has left its mark throughout history. Just like David Bowie at London Airport, where he effortlessly donned a mysterious red scarf (whether it was Heathrow or Gatwick remains unclear), this accessory has always been a symbol of uniqueness and self-expression. Even in 1831, Camilla Collett embraced her individuality by wearing a striking red scarf. And who could forget the porter of Naples in 1820, captured in a vibrant color lithograph with his eye-catching accessory stealing the show? Intriguingly, even beautiful ladies dressed in polonaise style couldn't resist adding a touch of allure with their red scarves. Engraved by L. Dibart and brought to life through colored engravings, these women exuded confidence and elegance. Jumping forward to 1901, we encounter "Young Woman with Mandolin, " an oil on canvas masterpiece that showcases not only musical talent but also impeccable fashion sense. The woman's ensemble is perfectly complemented by her vibrant red scarf draped gracefully around her neck. The world-renowned cabaret artist Aristide Bruant knew how to make an entrance as well. In his iconic lithograph from 1893 titled "Aristide Bruant at His Cabaret, " he confidently sports a stylish black suit accompanied by none other than a bold red scarf tied loosely around his neck. Returning once again to David Bowie at London Airport (still uncertain whether it was Heathrow or Gatwick), we witness him repeatedly embracing this timeless accessory that became synonymous with his unique persona. With each appearance adorned in his signature red scarf, Bowie captivated audiences worldwide while leaving them guessing about which airport served as his backdrop. Whether you're strolling along snowy landscapes or attending glamorous events reminiscent of old Hollywood, the red scarf remains a versatile and captivating fashion statement.