Reenactments Collection (page 6)

Scene from La Malade Imaginaire, play by Moliere (engraving)
7186377 Scene from La Malade Imaginaire, play by Moliere (engraving) by Sylvestre, Joseph-Noel (1847-1926); Private Collection; (add.info.: Scene from La Malade Imaginaire, play by Moliere)

The deserted baby was found by a shepherd (colour litho)
3651978 The deserted baby was found by a shepherd (colour litho) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info.: The deserted baby was found by a shepherd)

"Would you not think it breathed?"(colour litho)
3651972 " Would you not think it breathed?" (colour litho) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info.: " Would you not think it breathed)

Shakespeare song: "A merry heart goes all the day, You sad, tires in mile-a"(litho)
5223429 Shakespeare song: " A merry heart goes all the day, You sad, tires in mile-a" (litho) by Ospovat, Henry (1877/78-1909); Private Collection; (add.info)

Shakspeares Characters, Theseus, in Midsummer Nights Dream, Act v, Scene 1 (engraving)
5216216 Shakspeares Characters, Theseus, in Midsummer Nights Dream, Act v, Scene 1 (engraving) by English School, (19th century); Private Collection; (add.info.: Shakspeares Characters, Theseus)

Alls Well That Ends Well (colour litho)
3653312 Alls Well That Ends Well (colour litho) by Hardy, Dudley (1867-1922); Private Collection; (add.info.: Alls Well That Ends Well)

A Midsummer Nights Dream
3765514 A Midsummer Nights Dream by Rackham, Arthur (1867-1939); (add.info.: A Midsummer Nights Dream. Illustration by Arthur Rackham (1867-1939) to the play by William Shakespeare

A Midsummer Nights Dream
3765561 A Midsummer Nights Dream by Rackham, Arthur (1867-1939); (add.info.: A Midsummer Nights Dream. Illustration by Arthur Rackham (1867-1939) to the play by William Shakespeare

A Midsummer Nights Dream
3765532 A Midsummer Nights Dream by Rackham, Arthur (1867-1939); (add.info.: A Midsummer Nights Dream. Illustration by Arthur Rackham (1867-1939) to the play by William Shakespeare

Hee haw! for the hours from night to morning (colour litho)
3642015 Hee haw! for the hours from night to morning (colour litho) by Andre, Richard (1834-1907); Private Collection; (add.info.: Hee haw! for the hours from night to morning)

Florizel & Perdita (chromolitho)
3643398 Florizel & Perdita (chromolitho) by English School, (20th century); Private Collection; (add.info.: Florizel & Perdita. Postcard, early 20th century.); © Look and Learn

Winter by William Shakespeare
3783603 Winter by William Shakespeare by Foster, Myles Birket (1825-99); (add.info.: Winter by William Shakespeare - sonnet from Loves Labours Lost. Illustrated by Birket Foster, 1872)

William Shakespeares play
3771999 William Shakespeares play by Gilbert, John (1817-97); (add.info.: William Shakespeares play A Midsummer nights Dream. Act II Scene I. Puck and a fairy in a wood near Athens)

Shakespeares play A
3772202 Shakespeares play A by Gilbert, John (1817-97); (add.info.: Shakespeares play A Midsummer Nights Dream-Puck in Act II Scene I: Over hill, over dale. English poet and playwright)

Titania (engraving)
5199526 Titania (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Titania. Illustration for The Art Journal, 1850.); © Look and Learn

Illustration for Shakespeares A Midsummer Nights Dream (engraving)
5198798 Illustration for Shakespeares A Midsummer Nights Dream (engraving) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); Private Collection; (add.info)

Loves Labours Lost, Act V, Sc 2 (litho)
6022066 Loves Labours Lost, Act V, Sc 2 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: Loves Labours Lost, Act V, Sc 2. Biron)

The Winters Tale, Act V, Sc 3 (litho)
6022059 The Winters Tale, Act V, Sc 3 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: The Winters Tale, Act V, Sc 3. Hermione)

Scene from Shakespeares The Winters Tale (litho)
5996181 Scene from Shakespeares The Winters Tale (litho) by Max, Gabriel (1840-1915); Private Collection; (add.info.: Scene from Shakespeares The Winters Tale (Act IV, Scene 3)

The Performance of "A Midsummer Nights Dream"by the Oxford University Dramatic Society (litho)
1051509 The Performance of " A Midsummer Nights Dream" by the Oxford University Dramatic Society (litho) by English School

Elizabeth and Georgiana, Duchesses of Devonshire (chromolitho)
1054363 Elizabeth and Georgiana, Duchesses of Devonshire (chromolitho) by Kauffmann, Angelica (1741-1807) (after); Private Collection; (add.info.: Elizabeth and Georgiana, Duchesses of Devonshire)

Winters Tale. Act IV, Scene III (gravure)
671968 Winters Tale. Act IV, Scene III (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Winters Tale. Act IV, Scene III)

Alls Well That Ends Well. Act IV-Scene III (gravure)
671964 Alls Well That Ends Well. Act IV-Scene III (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Alls Well That Ends Well. Act IV-Scene III)

Loves Labours Lost. Act I, Scene II (gravure)
671948 Loves Labours Lost. Act I, Scene II (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Loves Labours Lost. Act I, Scene II)

Mr Fuller Mellish as Florizel (gravure)
671558 Mr Fuller Mellish as Florizel (gravure) by English Photographer, (19th century); Private Collection; (add.info.: Mr Fuller Mellish as Florizel)

Miss Mary Anderson as Perdita (gravure)
671557 Miss Mary Anderson as Perdita (gravure) by English Photographer, (19th century); Private Collection; (add.info.: Miss Mary Anderson as Perdita)

Silvia (engraving)
1046899 Silvia (engraving) by Perugini, Charles Edward (1839-1918) (after); Private Collection; (add.info.: Silvia. Illustration for The Graphic)

The Princes Theatre, Manchester, Scene from "A Winters Tale"(engraving)
1104362 The Princes Theatre, Manchester, Scene from " A Winters Tale" (engraving) by English School, (19th century); Private Collection; (add.info.: The Princes Theatre, Manchester)

"He that commends me to mine own content, commends me to the thing I cannot get"Comedy of Errors, Act I
969862 " He that commends me to mine own content, commends me to the thing I cannot get" Comedy of Errors, Act I, Scene 2 (colour litho) by English School

"And my appointments have in them in a need, greater than shows itself at the first view
969849 " And my appointments have in them in a need, greater than shows itself at the first view, to you that know them not" Alls Well that Ends Well, Act II

"Prepared I was not for such a business;therefore am I found so much unsettled"Alls Well that Ends Well
969847 " Prepared I was not for such a business; therefore am I found so much unsettled" Alls Well that Ends Well, Act II, Scene 5 (colour litho) by English School

Titania and Oberon from Midsummer Nights Dream (chromolitho)
969296 Titania and Oberon from Midsummer Nights Dream (chromolitho) by Paget, Walter Stanley (1861-1908); Private Collection; (add.info.: Titania and Oberon from Midsummer Nights Dream)

Alls Well That Ends Well (etching)
969198 Alls Well That Ends Well (etching) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Alls Well That Ends Well, Act II, Scene i)

A Winters Tale (colour litho)
976260 A Winters Tale (colour litho) by German School, (19th century); Private Collection; (add.info.: A Winters Tale. Illustration for Calendrier Shakespeare Pour 1911.); © Look and Learn

Alls Well That Ends Well (colour litho)
976259 Alls Well That Ends Well (colour litho) by German School, (19th century); Private Collection; (add.info.: Alls Well That Ends Well)

Antigonus in the Storm (Act III, scene iii, from Shakespeares "The Winters Tale"), 1790-92 (oil on canvas)
995987 Antigonus in the Storm (Act III, scene iii, from Shakespeares " The Winters Tale" ), 1790-92 (oil on canvas) by Wright of Derby, Joseph (1734-97); Art Gallery of Ontario, Toronto

Mrs Warner as Hermione, The Winters Tale, Act V, scene i (engraving)
971644 Mrs Warner as Hermione, The Winters Tale, Act V, scene i (engraving) by English School, (19th century); Private Collection; (add.info.: Mrs Warner as Hermione, The Winters Tale, Act V)

Puck (engraving)
965745 Puck (engraving) by English School, (19th century); Private Collection; (add.info.: Puck, drawn by C E Wilson from the sculpture by G Dore)

Scene from Shakespeares Winters Tale (colour litho)
1095050 Scene from Shakespeares Winters Tale (colour litho) by English School, (19th century); Private Collection; (add.info.: Scene from Shakespeares Winters Tale)

Alls Well That Ends Well (engraving)
819165 Alls Well That Ends Well (engraving) by English School, (19th century); Private Collection; (add.info.: Alls Well That Ends Well, John Bull - Thank you, my friends)

Loves Labours Lost
LLM455200 Loves Labours Lost by Gilbert, John (1817-97); Private Collection; (add.info.: Loves Labours Lost. Illustration from The Library Shakespeare (William Mackenzie)

Who is Sylvia
LLM455196 Who is Sylvia by Gilbert, John (1817-97); Private Collection; (add.info.: Who is Sylvia. The Two Gentlemen of Verona, Act IV, Scene II)

Speed. Master, be one of them
LLM455175 Speed. Master, be one of them by Dudley, Robert (fl.1865-91) (after); Private Collection; (add.info.: Speed. Master, be one of them. Two Gentlemen of Verona, Act IV, Scene I)

Helena, Alls Well that Ends Well
LLM462432 Helena, Alls Well that Ends Well by Bell, Robert Anning (1863-1933); Private Collection; (add.info.: Helena, Alls Well that Ends Well)

Valentine, Proteus, Silvia and Julia
LLM459420 Valentine, Proteus, Silvia and Julia by English School, (19th century); Private Collection; (add.info.: Valentine, Proteus, Silvia and Julia)

Pastoral plays at the Royal Botanic Gardens, Loves Labours Lost (litho)
584265 Pastoral plays at the Royal Botanic Gardens, Loves Labours Lost (litho) by English School, (19th century); Private Collection; (add.info.: Pastoral plays at the Royal Botanic Gardens)

King Polyxenes reconciles with Perdita and Prince Florizel (chromolitho)
735952 King Polyxenes reconciles with Perdita and Prince Florizel (chromolitho) by European School, (19th century); Private Collection; (add.info)

Perdita and Prince Florizel dance at a festival (chromolitho)
735951 Perdita and Prince Florizel dance at a festival (chromolitho) by European School, (19th century); Private Collection; (add.info.: Perdita and Prince Florizel dance at a festival)

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Step back in time and witness history come alive through captivating reenactments. From the battlefields of the Civil War to the grandeur of ancient Rome, these immersive experiences transport us to bygone eras. At a Civil War reenactment by the Sealed Knot, near the historic site of Edgehill in Warwickshire, spectators are transported to a time when brother fought against brother. The thundering hooves and clashing swords recreate the intensity of this pivotal moment in history. In another corner, a Roman legion stands tall and proud. With their meticulously crafted armor and disciplined formations, they bring ancient Rome back to life. Their presence evokes awe as we catch a glimpse into an empire that once ruled over vast territories. The Ziegfeld Follies sheet music for "Garden of my Dreams" takes us on a journey to 1918. This vibrant lithograph captures the spirit of an era filled with glamour and entertainment, reminding us how art can transcend time. Shakespeare's plays have left an indelible mark on our cultural heritage, and Much Ado About Nothing is no exception. In Act IV, Scene 2 lithograph, we witness characters engaging in witty banter amidst beautiful scenery—a testament to Shakespeare's timeless genius. Titania and the Clown chromolitho transports us into A Midsummer Night's Dream where fairies dance under moonlit skies. The vivid colors leap off the page as we immerse ourselves in Shakespeare's enchanting world. Ermine Street Guard recreates Roman soldiers' discipline with shields raised high and stabbing swords at hand—an impressive sight indeed. These dedicated individuals allow us to experience firsthand what it was like serving under one of history's most formidable empires. Moving forward through time again brings us face-to-face with The Merchant of Venice oil painting from 1892. Its brushstrokes capture Shylock's complex character while shedding light on societal attitudes of the era.