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Relief Collection (page 2)

"Unveiling the Stories: A Journey through Time and Culture" Step into a world where history intertwines with art, where tales unfold before your eyes

Background imageRelief Collection: Eye of Horus. False door of Senenmut. Egypt

Eye of Horus. False door of Senenmut. Egypt
False door of Senenmut, architect and official government. Detail of the Eye of Horus. Sandstone. New Kingdom. 18th Dynasty. 1480-1460 BC. West Thebes. Neues Museum. Berlin. Germany

Background imageRelief Collection: Early Christian art. The Good Shepherd. Relief. 4th century

Early Christian art. The Good Shepherd. Relief. 4th century. Bardo National Museum. Tunis. Tunisia

Background imageRelief Collection: Pergamon Altar. Hephaistos and goddess Eos riding a horse

Pergamon Altar. Hephaistos and goddess Eos riding a horse
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. South frieze. Gigantomachy

Background imageRelief Collection: Funerary stele of Democleides (4th century BC)

Funerary stele of Democleides (4th century BC)
Greek art. Funerary stele of Democleides (4th century BC). Marble relief depicting a warrior sitting sad and meditating on the stern of a ship. Beside him, his helmet and shield

Background imageRelief Collection: Temple of Ramses III. The pharaoh Ramses III, who wears the

Temple of Ramses III. The pharaoh Ramses III, who wears the Khepresh, making offerings to the gods. Relief. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-Habou. Egypt

Background imageRelief Collection: Zeus Meilichios depicted as a snake and a family of supplica

Zeus Meilichios depicted as a snake and a family of supplica
Relief with Zeus Meilichios depicted as a snake. On the left, a family of supplicants. Dedicated by Aristomene. Found in Pangrati (Athens) and dated between 350-300 BC

Background imageRelief Collection: Stela of the royal scribe Ani. Egyptian art. New

Stela of the royal scribe Ani. Egyptian art. New Kingdom. Relief. EGYPT. CAIRO. Cairo. Egyptian Museum

Background imageRelief Collection: Gallo-Roman low-relief. Ferrying wine barrels

Gallo-Roman low-relief. Ferrying wine barrels and amphorae. Roman art. Early Empire. Relief on rock. FRANCE. PROVENCE ALPES CԔ E D AZUR. VAUCLUSE. Avignon. Mus饠 Calvet (Calvet Museum)

Background imageRelief Collection: Audience of Darius I. Persian art

Audience of Darius I. Persian art
DARIUS I the Great (550 BC-486BC). Persian Emperor (522-486 BC) of the Achaemenid dynasty. Representation of the king on his throne during hearing with officers Medes. Treasury Hall of the palace

Background imageRelief Collection: Medieval fountain, Vaison-La-Romaine, Vaucluse, Provence-Alpes-Cote dAzur, Provence, France

Medieval fountain, Vaison-La-Romaine, Vaucluse, Provence-Alpes-Cote dAzur, Provence, France

Background imageRelief Collection: Live Aid Concert in aid of the Feed the World campaign for the starving millions in

Live Aid Concert in aid of the Feed the World campaign for the starving millions in Africa, Where music stars performed many songs for charity pictured is the finale of the show with George Michael

Background imageRelief Collection: Egyptian Art. Dendera. God Bes. Capital of Column. Relief. T

Egyptian Art. Dendera. God Bes. Capital of Column. Relief. T
Egyptian Art. Dendera. God Bes. Capital of column. Relief in the forecourt of the Temple of Hathor

Background imageRelief Collection: Christ, Holy Roman Emperor Otto II, and Empress Theophano. Ivory, 10th century

Christ, Holy Roman Emperor Otto II, and Empress Theophano. Ivory, 10th century
BYZANTINE ART. Christ, Holy Roman Emperor Otto II, and Empress Theophano. Ivory, 10th century

Background imageRelief Collection: Members of the Search Party who found Captain Scott

Members of the Search Party who found Captain Scott
From left: Sub-lieutenant Gran, Petty-Officer Williamson and Mr E.W. Nelson (biologist), members of the relief party who discovered the bodies of Captain Scott

Background imageRelief Collection: Litesome Body Belt

Litesome Body Belt
Advert for the Litesome Body Belt, underpants devised to offer support and relief while hiking miles " without exhaustion". " Every man should wear one constantly"

Background imageRelief Collection: Oyster plate from the Rutherford B. Hayes White House service

Oyster plate from the Rutherford B. Hayes White House service
1070370 Oyster plate from the Rutherford B. Hayes White House service, designed 1879 (porcelain & enamel) by Davis, Theodore Russell (1840-94); Dallas Museum of Art, Texas, USA; the Charles R

Background imageRelief Collection: Relief from mausoleum of Hercules chaining Cerberus, c2nd century

Relief from mausoleum of Hercules chaining Cerberus, c2nd century. Trier Museum

Background imageRelief Collection: Roman relief of Ganymede being born off by Zeus

Roman relief of Ganymede being born off by Zeus
Roman relief of the Trojan prince Ganymede being born off by Zeus in the form of an eagle to be his cupbearer. From the Hermitage Museums Collection, Leningrad

Background imageRelief Collection: Sarcophagus. Marble. Tel Mevorah. Battle between Amazons

Sarcophagus. Marble. Tel Mevorah. Battle between Amazons
Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel

Background imageRelief Collection: ROMAN ART. Roman marble relief from a conmmemorative monumen

ROMAN ART. Roman marble relief from a conmmemorative monument to the Battle of Actium (31 BC). Detail of a processional scene. Museum of Fine Arts. Budapest. Hungary

Background imageRelief Collection: Ara Pacis Augustae. Scrolling acanthus relief

Ara Pacis Augustae. Scrolling acanthus relief
Roman Art. Italy. Ara Pacis Augustae. Dated 13 BC. Scrolling acanthus relief. Museum of the Ara Pacis. Rome. Italy

Background imageRelief Collection: Romanesque Art. France. 12th century. Moissac Abbey. Tympanu

Romanesque Art. France. 12th century. Moissac Abbey. Tympanum of the south-west portico. Tetramorph and Pantocrator

Background imageRelief Collection: Etruscan. Cineray urn on podium. Chamber tomb of the Pruni f

Etruscan. Cineray urn on podium. Chamber tomb of the Pruni family near Chiusi, Etruria. 200-100 B.C. Ny Carlsberg Glyptotek. Copenhagen. Denmark

Background imageRelief Collection: Dancing Hours

Dancing Hours
Black and white. Image shows a bas relief of six ladies, each holding the hand of the ones next to her, and apparently dancing. This is a Wedgwood bas relief originally attributed to John Flaxman Jr

Background imageRelief Collection: Images of deities on the wall of Kesava Temple, Keshava Temple, Hoysala style, Somnathpur

Images of deities on the wall of Kesava Temple, Keshava Temple, Hoysala style, Somnathpur, Somanathapura, Karnataka, South India, India, South Asia, Asia

Background imageRelief Collection: Bas relief from the Anzac Memorial - Sydney, Australia

Bas relief from the Anzac Memorial - Sydney, Australia
Bronze Bas relief from the Anzac War Memorial by Rayner Hoff - Hyde Park, Sydney, Australia - showing the landing of troops at Gallipoli, Dardanelles Front, WW1. Date: circa 1934

Background imageRelief Collection: Mary Magdalene washes Jesus feet with her hair. Stone relief, Burgundy, France, 13th century

Mary Magdalene washes Jesus feet with her hair. Stone relief, Burgundy, France, 13th century
JESUS AND MARY MAGDALENE. Mary Magdalene washes Jesus feet with her hair. Stone relief, Burgundy, France, 13th century

Background imageRelief Collection: Pressing the Grapes (marble)

Pressing the Grapes (marble)
REV128464 Pressing the Grapes (marble) by Roman; Museo della Civilta Romana, Rome, Italy; out of copyright

Background imageRelief Collection: Skunkha, the rebel king, wearing a Scythian hat, detail from Darius Monument

Skunkha, the rebel king, wearing a Scythian hat, detail from Darius Monument
ILN178083 Skunkha, the rebel king, wearing a Scythian hat, detail from Darius Monument, 521-19 BC (stone) by Achaemenid, (6th century BC); Bisotun

Background imageRelief Collection: Building of the Aswan Dam, Egypt

Building of the Aswan Dam, Egypt -- temples were either covered by water or dismantled and moved to a new location. Date: circa 1960s

Background imageRelief Collection: Terracota antefix tarantini. Gorgon

Terracota antefix tarantini. Gorgon
Terracota antefix tarantini that represents the head of a Gorgon. Late VI century early V century B.C. Museum of Fine Arts. Budapest. Hungary

Background imageRelief Collection: Orpheus playing his lyre. Relief from Thessaloniki. Greece

Orpheus playing his lyre. Relief from Thessaloniki. Greece
Orpheus, wearing a Phrygian cap and surrounded by the beasts charmed by the music of his lyre. Relief from Thessaloniki. Greece

Background imageRelief Collection: Temple of Ramses III. The pharaoh Ramses III with Khepresh

Temple of Ramses III. The pharaoh Ramses III with Khepresh. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-Habou. Egypt

Background imageRelief Collection: Sea wall and esplanade, Kirkcaldy, Fife, Scotland

Sea wall and esplanade, Kirkcaldy, Fife, Scotland. A memorial stone forms part of the wall, dated 1922-1923. The sea wall

Background imageRelief Collection: Bali, Indonesia - Kerambitan - Buddhist stele

Bali, Indonesia - Kerambitan - Buddhist stele Date: circa 1920

Background imageRelief Collection: France, Glanum, Relief depicting Mercury and Fortuna from Cybele and Attis House

France, Glanum, Relief depicting Mercury and Fortuna from Cybele and Attis House Musee Archeologique (Archaeological Museum), Greek-Roman art

Background imageRelief Collection: The Mouth of Trurh. Marble. 1st century A. D. Basilica of Saint Mary in Cosmedin. Rome

The Mouth of Trurh. Marble. 1st century A. D. Basilica of Saint Mary in Cosmedin. Rome
The Mouth of Trurh. Marble. 1st century A.D. Basilica of Saint Mary in Cosmedin. Rome. Italy

Background imageRelief Collection: CAVE ART: MAMMOTHS. Clay finger drawings of two mammoths facing each other

CAVE ART: MAMMOTHS. Clay finger drawings of two mammoths facing each other, in the Rouffignac cave, Dordogne, France, c11, 000 B.C

Background imageRelief Collection: Andrews Liver Salt advert

Andrews Liver Salt advert with a fireman using them to put out a fire, 1900 Date: 1900

Background imageRelief Collection: Massaging baby toes

Massaging baby toes
MODEL RELEASED. Massaging baby toes. Hands massaging the feet and toes of a baby. Massage is used to promote relaxation, relieve muscle spasms

Background imageRelief Collection: Terracotta figures, Lalji Temple, Kalna, West Bengal, India

Terracotta figures, Lalji Temple, Kalna, West Bengal, India
Detail of terracotta figures on the Lalji Temple in Kalna, known as the Temple City, in West Bengal, India. The temple was built in the mid-18th century

Background imageRelief Collection: Map of Lausanne

Map of Lausanne
A colourful map of Lausanne, with a small engraved insert of the city

Background imageRelief Collection: Triumph of Shapur I

Triumph of Shapur I, Sassanid ruler, Naqsh-e Rustam, Iran, Middle East

Background imageRelief Collection: Deposition, after 1800. Creator: Antonio d Este

Deposition, after 1800. Creator: Antonio d Este
Deposition, after 1800. After a model by Antonio Canova

Background imageRelief Collection: Roman legionaries in armour building fortifications

Roman legionaries in armour building fortifications. One cuts wood with an axe, other bring lime in baskets, stones and timbers. From Trajans Column. Fortificazioni

Background imageRelief Collection: Investiture of Narses by the Goddess Anahita, Sasanian, 226-651 AD (stone)

Investiture of Narses by the Goddess Anahita, Sasanian, 226-651 AD (stone)
XIR279368 Investiture of Narses by the Goddess Anahita, Sasanian, 226-651 AD (stone) by Persian School; Naqsh-e Rostam, Iran; (add.info.: Narses (d)

Background imageRelief Collection: The Pipes Of Lucknow (colour litho)

The Pipes Of Lucknow (colour litho)
3651564 The Pipes Of Lucknow (colour litho) by Rainey, William (1852-1936) (after); Private Collection; (add.info.: The Pipes Of Lucknow)

Background imageRelief Collection: Akhenaten and His Family, from Akhetaten (modern Tell el-Amarna)

Akhenaten and His Family, from Akhetaten (modern Tell el-Amarna)
3520059 Akhenaten and His Family, from Akhetaten (modern Tell el-Amarna). by Egyptian 18th Dynasty (c.1567-1320 BC); (add.info.: Akhenaten and His Family, from Akhetaten (modern Tell el-Amarna)



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"Unveiling the Stories: A Journey through Time and Culture" Step into a world where history intertwines with art, where tales unfold before your eyes. From the treacherous voyage of HMS Erebus and HMS Terror in 1845 to the captivating Egyptian art depicting Akhenaten, Nefertiti, and three; each piece offers a glimpse into moments of relief. As Captain Francis Crozier sailed through uncharted waters aboard HMS Terror, his weary crew found solace in their shared mission - seeking respite amidst icy depths. In Indonesia's Bali, a stone relief immortalizes Rama and Sita's triumph over adversity, reminding us that even in times of darkness, hope can be found. Traveling westward to Ireland's County Clare stands Sheela-na-Gig on a church wall – an enigmatic symbol embodying both fertility and protection. Meanwhile, the Code of Hammurabi reveals ancient Babylonian society's pursuit for justice as Ahura Mazda watches over all with benevolence. Witness the first rays of dawn illuminating Borobudur in Central Java; here stands Buddha statue adorned with Dharmachakra Mudra hand position – an embodiment of enlightenment offering spiritual release. The relief map unveils United Kingdom and Eire’s diverse landscapes from rolling hills to rugged coastlines while Cork’s 1633 Map invites exploration into Ireland’s rich tapestry. Marvel at Pergamon Altar's grandeur as Athena battles against giant Alcyoneus – an allegory for overcoming obstacles that plague humanity throughout time. Roman art captures youthful innocence frozen in marble as Boy with Horse whispers stories untold. In these reliefs lies not just artistic beauty but also narratives etched by human hands across continents and eras. They remind us that amidst chaos or tranquility, we seek solace in stories told through intricate carvings or delicate strokes—relief becomes our sanctuary from the world's burdens.