Reliefs Collection (page 2)

Ramesses II temple (13th century BC), Abydos, Egypt

Egypt, Luxor, West Bank, Medinat Habu Temple

Egypt, Aswan, Philae, Temple of Isis

Egypt, Edfu, Temple and Statue of Orus (the Hawk God, Protector of Osiris)

Egypt, Kom Ombo, Dual Temple of Sobek and Haroerus, Hypostyle Hall

Egypt, Luxor, Karnak, Temple of Amun, Great Hypostyle Hall

Egypt, Luxor, Luxor Temple, Avenue of Sphinxes

Egypt, Luxor, Karnak Temple, Colossi in Temple of Amun

Tunisia, Tunis, Carthage, Byrsa Hill, Relief

Iran, Central Iran, Shiraz, Naqsh-e Rostam, Sassanian stone reliefs cut into mountain

Masks and Rock Tombs in Myra, Lycia, Turquoise Coast, Turkey

Masks in Myra, Lycia, Turquoise Coast, Turkey

Archaeological site of Perge, Turquoise Coast, Turkey

Ruins of the ancient city of Carchemish (Karkamis, Karkemish, Kargamis, Karkamisa, Karakamisa, Karikamisa, Gargamis) - an important ancient capital in the northern part of the region of Syria

Bas-reliefs, temple complex, Humpi, India
The walls of one of the temples at Humpi, Madras, India, showing the bas-reliefs ( a type of sculpture which has less depth in the faces and figures, allowing viewing from multiple angles)

Tripod vessel. Ceramic. Teotihuacan. Teotihuacan culture. Phase II-III (400-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Roman sarcophagus showing the dead reclining on a couch. Arc
Roman art. Sarcophagus showing the dead reclining on a couch. Archaeological Museum. Tadmor. Syria

3rd Century AD Century 240 Ancient Age Rome Antique
3rd, Century, AD, century, 240, ancient, age, Rome, antique, antiquity, Art, dead, deceased, Europe, funerary, Germany, Glyptothek, hybrid, sea, creatures, munich, portrait, relief, reliefs, Roman

Greek Art. Gravestone. Attica. 400-350 BC. Greece
Greek Art. Gravestone. Relief crowned by palmette ornament. The dead girl, Sosilla, daughter of Straton from Kollytos in Attica, takes leave of Chaireas from Kedoi in Attica. 400-350 BC. Greece

Boundary-marker in Oscan language. 300-100 BC
Boundary-marker with Oscan inscription. Used to mark the confines of sacred area. Decorated with reliefs depicting helmeted goddess Athena and a boar. Terracotta. 300-100 BC. From a tomb near Capua

Mastaba of Nhnumhotep and Niankhkhnum. Royal srvant. Egypt
Mastaba of Nhnumhotep and Niankhkhnum. Royal servants at the palace of pharaoh Niuserre. Entrance with relief depicting the dead on both sides of the door. Detail. Saqqara. Egypt

Mastaba of Nhnumhotep and Niankhkhnum. Royal servants. Egypt
Mastaba of Nhnumhotep and Niankhkhnum. Royal servants at the palace of pharaoh Niuserre. Entrance with relief depicting the dead on both sides of the door. Saqqara. Egypt

The Presentation in the Temple, c. 1510 (tempera on panel)
MAN370315 The Presentation in the Temple, c.1510 (tempera on panel) by Perugino, Pietro (c.1469-1523) (follower of); 22.4x59.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Priming flask, 17th - 18th century (ivory)
5942468 Priming flask, 17th - 18th century (ivory) by Mughal School; Manchester Art Gallery, UK; (add.info.: A Mughal-period ivory priming flask used to hold fine gunpowder for the matchlock guns)

Mat 5-8, 1892 (oil on wood)
868158 Mat 5-8, 1892 (oil on wood) by Gauguin, Paul (1848-1903); 62x31 cm; Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Detail of the colossal sarcophagus with scenes of battle between Romans and Barbarians
3042715 Detail of the colossal sarcophagus with scenes of battle between Romans and Barbarians, so called grand Ludovisi sarcophagus (marble) by Roman; Museo Nazionale Romano - Palazzo Altemps, Rome

Detail of the colossal sarcophagus with scenes of battle between Romans and Barbarians
3042714 Detail of the colossal sarcophagus with scenes of battle between Romans and Barbarians, so called grand Ludovisi sarcophagus (marble) by Roman; Museo Nazionale Romano - Palazzo Altemps, Rome

Detail from a monumental relief of Alexander taming Bucephalus, c. 1850-59 (marble)
5988943 Detail from a monumental relief of Alexander taming Bucephalus, c.1850-59 (marble) by Vilches, Jose de (1813-90); 93.5x202x16 cm; Private Collection; Photo © Christies Images

Verdun - On ne passe pas, c. 1917 (plaster)
2650809 Verdun - On ne passe pas, c.1917 (plaster) by Mattei, Louis Octave (b.1880); 20x26.5 cm; Private Collection; © Liss Fine Art; French, out of copyright

Detail from a monumental relief of Alexander taming Bucephalus, c. 1850-59 (marble)
5988957 Detail from a monumental relief of Alexander taming Bucephalus, c.1850-59 (marble) by Vilches, Jose de (1813-90); 93.5x202x16 cm; Private Collection; Photo © Christies Images

Detail from a monumental relief of Alexander taming Bucephalus, c. 1850-59 (marble)
5988954 Detail from a monumental relief of Alexander taming Bucephalus, c.1850-59 (marble) by Vilches, Jose de (1813-90); 93.5x202x16 cm; Private Collection; Photo © Christies Images

St Andrew casting his net, 1934 (Portland stone)
3610666 St Andrew casting his net, 1934 (Portland stone) by Gill, Eric (1882-1940); 117x129.5x20.3 cm; Private Collection; Photo © Christies Images

Volcano Crater Volcano Off, 1853 (colour litho)
6203314 Volcano Crater Volcano Off, 1853 (colour litho) by Italian School, (19th century); (add.info.: VOLCANO " Volcano crater turned off. No land in Europe abounds more volcanoes than Italy)

Steaming or resting volcano, Lithography Corbetta, Milan, 1853 (colour litho)
6203311 Steaming or resting volcano, Lithography Corbetta, Milan, 1853 (colour litho) by Italian School, (19th century); (add.info.: VULCANO smoking or resting)

Volcano of the Aeolian Islands erupting, with a high gush of lava accompanied in the explosion by a copious amount of
6203310 Volcano of the Aeolian Islands erupting, with a high gush of lava accompanied in the explosion by a copious amount of gas and ash, Lithography Corbetta, Milan

Cartography Hydrographic and Orographic Map of Italy, 1853 (colour litho)
6203313 Cartography Hydrographic and Orographic Map of Italy, 1853 (colour litho) by Italian School, (19th century); (add.info.: CARTOGRAPHY " Hydrographic and orographic map of Italy)

Cartography "Comparative heights of the main mountains of Italy", synoptic table with reliefs, volcanoes
6203312 Cartography " Comparative heights of the main mountains of Italy", synoptic table with reliefs, volcanoes, cities of Milan and Rome, sea level

Renaissance revival pietra-dura mounted meuble-a-deux-corps, c. 1860-80 (walnut)
decoration, carved, renaissance revival, relief, ornate, c15th style, wood, cabinet, mounted, carving, inlay, wooden, meuble-a-deux-corps, cupboard, furniture, decorated, meuble a deux corps, chest

Two polychromed chestnut reliefs of saints, Tyrol (chestnut)
3960482 Two polychromed chestnut reliefs of saints, Tyrol (chestnut) by Italian School, (16th century); Private Collection; Italian, out of copyright

Portraits of an unidentified man and woman (wax)
4074012 Portraits of an unidentified man and woman (wax) by Percy, Samuel (1750-1820); Private Collection; Photo eChristies Images; Irish, out of copyright

A pair of plinths, c. 1770 (white marble, porphyry & ormolu)
3700568 A pair of plinths, c.1770 (white marble, porphyry & ormolu) by Italian School, (18th century); reliefs: 13.7x18.5

The Obelisk of Shalmanaser III (engraving)
3646988 The Obelisk of Shalmanaser III (engraving) by German School, (19th century); Private Collection; (add.info.: The Obelisk of Shalmanaser III)

Votive monument of canon Jean de la Wastine, south ambulatory, Cathedrale Notre-Dame
3469622 Votive monument of canon Jean de la Wastine, south ambulatory, Cathedrale Notre-Dame, Tournai, Hainaut, Belgium, c.1431 (wood) by French School, (15th century); Cathedrale de Notre-Dame

Relief of a Winged Genius, Reign of Ashurnasirpal, c. 883-859 BC (gypsum)
5242076 Relief of a Winged Genius, Reign of Ashurnasirpal, c.883-859 BC (gypsum) by Assyrian, (9th century BC); 223.5x195.5 cm; Private Collection; (add.info)

Plaque featuring Cecil Thomas, Sculptor & Medallist, 1946 (bronze in wooden frame)
5845944 Plaque featuring Cecil Thomas, Sculptor & Medallist, 1946 (bronze in wooden frame) by English School, (20th century); The Art Workers Guild Trustees Limited, London

Medallion portrait of Jean-Pierre Beranger, 1830 (bronze)
5903335 Medallion portrait of Jean-Pierre Beranger, 1830 (bronze) by David d Angers, Pierre Jean (1788-1856); diameter: 13.8 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; (add.info)

Procession of Priests, north wall of the Ara Pacis (marble)
704391 Procession of Priests, north wall of the Ara Pacis (marble) by Roman, (1st century BC); Museum of the Ara Pacis, Rome, Italy; (add.info.: The Ara Pacis Augustae, or Altar of Augustan Peace)

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Reliefs, the intricate and captivating artworks that adorn walls, monuments, and sculptures around the world. From ancient civilizations to modern times, these masterpieces tell stories of history, culture, and human creativity. In County Clare, Ireland, Europe stands a Sheela-na-Gig on the church wall of Killinaboy in Burren. This mysterious figure represents fertility and protection against evil spirits. Traveling to Buenos Aires, Argentina's La Boca district takes us to a vibrant mural where tango originated. The colors burst from the walls as dancers passionately express their emotions through this iconic dance form. At Vatican Museums in Rome lies Augustus Prima Porta – a stunning sculpture depicting Emperor Augustus with divine attributes. Its intricate details showcase the grandeur of Roman artistry. In Bishkek, Kyrgyzstan in Central Asia stands an image of Lenin – a symbol of Soviet influence during its time. This relief serves as a reminder of an era that shaped the region's history. Paris welcomes us with open arms at Saint-Louis des Invalides church where we find a sculpture depicting St. Luke the Evangelist. With meticulous craftsmanship, it brings to life one of Christianity's most revered figures. The Virgin portal on Western facade reveals another masterpiece found in France's Moissac Abbey from the 12th century. Here we see St. Denis holding his head flanked by two angels – an awe-inspiring representation filled with symbolism and religious significance. Moving back in time to Etruscan civilization brings us to Cineray urn on podium within Pruni f Chamber tomb - showcasing their artistic prowess even after centuries have passed. Australia proudly displays its heritage at Sydney's Anzac Memorial through bas reliefs honoring those who served during World War I – reminding us never to forget their sacrifice for freedom. Thessaloniki in Greece presents Orpheus playing his lyre - capturing both mythological storytelling and the beauty of ancient Greek art.