Rembrandt Harmensz Van Rijn Collection (page 9)

Head of Christ. Creator: Unknown
Head of Christ. Either by Rembrandt or by one of his most gifted followers. (Dutch, 1650s)

Man in a Red Cloak. Creator: Unknown
Man in a Red Cloak. (Dutch, 1650s or early 1660s)

Christ and the Woman of Samaria. Creator: Unknown
Christ and the Woman of Samaria. Considered to be by a Rembrandt pupil of the mid-1650s, with improvements made by the master himself

Herman Doomer (ca. 1595-1650), 1640. Creator: Rembrandt Harmensz van Rijn
Herman Doomer (ca. 1595-1650), 1640

The Toilet of Bathsheba, 1643. Creator: Rembrandt Harmensz van Rijn
The Toilet of Bathsheba, 1643

Man with a Magnifying Glass, early 1660s. Creator: Rembrandt Harmensz van Rijn
Man with a Magnifying Glass, early 1660s

Portrait of a Man ( The Auctioneer ), probably ca. 1658-62. Creator: Unknown
Portrait of a Man (" The Auctioneer" ), probably ca. 1658-62. Universally attributed to Rembrandt until scholars " demoted" it in 1982

Woman with a Pink, early 1660s. Creator: Rembrandt Harmensz van Rijn
Woman with a Pink, early 1660s

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later). Creator: Rembrandt
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)

Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632. Creator
Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632

Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632. Creator: Rembrandt
Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632

The Standard Bearer (Floris Soop, 1604-1657), 1654. Creator: Rembrandt Harmensz van Rijn
The Standard Bearer (Floris Soop, 1604-1657), 1654

Man in Oriental Costume ( The Noble Slav ), 1632. Creator: Rembrandt Harmensz van Rijn
Man in Oriental Costume (" The Noble Slav" ), 1632

Portrait of a Young Woman with a Fan, 1633. Creator: Rembrandt Harmensz van Rijn
Portrait of a Young Woman with a Fan, 1633

Rembrandts Son Titus (1641-1668). Creator: Style of Rembrandt (17th century or later)
Rembrandts Son Titus van Rijn (1641-1668)

Bellona, 1633. Creator: Rembrandt Harmensz van Rijn
Bellona, 1633

Portrait of a Woman, 1633. Creator: Rembrandt Harmensz van Rijn
Portrait of a Woman, 1633

Hendrickje Stoffels (1626-1663), mid-1650s. Creator: Rembrandt Harmensz van Rijn
Hendrickje Stoffels (1626-1663), mid-1650s

Portrait of Gerard de Lairesse, 1665-67. Creator: Rembrandt Harmensz van Rijn
Portrait of Gerard de Lairesse, 1665-67

Self-Portrait, 1660. Creator: Rembrandt Harmensz van Rijn
Self-Portrait, 1660

Adriaen Van Ryn, c1650, (1908). Creator: Unknown
Adriaen Van Ryn, c1650, (1908). Portrait of a man, previously thought to be the painter Rembrandts brother Adriaen van Rijn (1597-1652)

Rembrandt, (1606-1669), 1830. Creator: Unknown
Rembrandt, (1606-1669), 1830. Rembrandt Harmenszoon van Rijn (1606-1669) Prolific, innovative Dutch Golden Age draughtsman, painter

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

I do thee no wrong, didst not thou agree with me for a penny, 19th century. Creator: W Holl
I do thee no wrong, didst not thou agree with me for a penny, 19th century. Biblical scene, from Matthew 20: 13: But he answered one of them, and said, Friend

He cried with a loud voice, Lazarus, come forth, 19th century. Creator: J Thomson
He cried with a loud voice, Lazarus, come forth, 19th century. Biblical scene, from John 11: 43: And when he thus had spoken, he cried with a loud voice, Lazarus, come forth

Girl Asleep in a Window, c1655, (1943). Creator: Rembrandt Harmensz van Rijn
Girl Asleep in a Window, c1655, (1943). Portrait of Rembrandts common-law wife Hendrickje Stoffels (died 1663). Drawing in the Nationalmuseum, Stockholm

Bearded man in a furred oriental cap and robe: the artists father, 1631, (1906). Portrait of Harmen Gerritsz van Rijn (1565-1630). After an etching by Rembrandt

Oriental Head, mid-late 17th century, (1906). Creator: Unknown
Oriental Head, mid-late 17th century, (1906). Portrait of an old man, previously thought to have been of Rembrandts father. After an engraving by Jan Lievens, after a work by Rembrandt

Portrait of an Old Man (Rembrandts father), 1625-1630, (1906). Creator: Unknown
Portrait of an Old Man (Rembrandts father), 1625-1630, (1906). The artists father, Harmen Gerritsz van Rijn (1565-1630). After a drawing in the Ashmolean Museum, Oxford

Man Wearing a Close Cap: Bust (the Artists Father ?), 1630, (1906). Creator: Unknown
Man Wearing a Close Cap: Bust (the Artists Father ?), 1630, (1906). Portrait of Harmen Gerritsz van Rijn (1565-1630). After an etching by Rembrandt

Landscape Drawing, c1630-16160, (1908). Creator: Rembrandt Harmensz van Rijn
Landscape Drawing, c1630-16160, (1908). From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908". [The Burlington Magazine, Limited, London, 1908]

Rembrandt Harmensz Van Ryn, (1933). Creator: Unknown
Rembrandt Harmensz Van Ryn, (1933). Portrait of Dutch painter Rembrandt van Rijn (1606-1669), one of the Old Masters, and immensely influential in western art. After a self portrait of 1629

Pallas Athene, c1657, (c1950). Creator: Rembrandt Harmensz van Rijn
Pallas Athene, c1657, (c1950). Painting in the Calouste Gulbenkian Museum, Lisbon. The Ancient Greek goddess of Wisdom with an owl on her helmet

Self-portrait with Gorget, c. 1629. Found in the Collection of Germanisches Nationalmuseum, Nuremberg

Self-Portrait in a fur coat with gold chain and earring, 1655. Found in the Collection of Art History Museum, Vienne

Small Self-Portrait, ca 1657. Found in the Collection of Art History Museum, Vienne

The Mill, 1645-1648. Artist: Rembrandt Harmensz van Rijn
The Mill, 1645-1648. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Self-Portrait, 1659. Artist: Rembrandt Harmensz van Rijn
Self-Portrait, 1659. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Rembrandt - Study of a Recumbent Model, 1903. Artist: Rembrandt Harmensz van Rijn
Rembrandt - Study of a Recumbent Model, 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

Copy of Rembrandts Portrait of Himself. 1926. Artist: CM Berwick
Copy of Rembrandts Portrait of Himself. 1926. After Rembrandt Harmenszoon van Rijn (1606-1669). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Night Watch, 1642, (c1915). Artist: Rembrandt Harmensz van Rijn
The Night Watch, 1642, (c1915). The painting is held by the Rijksmuseum, Amsterdam. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Rembrandt with the Sabre, 1634. Artist: Rembrandt Harmensz van Rijn
Rembrandt with the Sabre, 1634. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Rembrandt Leaning on a Stone Sill, 1639. Artist: Rembrandt Harmensz van Rijn
Rembrandt Leaning on a Stone Sill, 1639. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

The Three Trees, 1643. Artist: Rembrandt Harmensz van Rijn
The Three Trees, 1643. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Portrait of Margaretha de Geer, Wife of Jacob Trip, c1661. Artist: Rembrandt Harmensz van Rijn
Portrait of Margaretha de Geer, Wife of Jacob Trip, c1661. Painting held in The National Gallery, London. From The Dutch Genius by Haldane MacFall [T. C. and E. C. Jack, London, 1911]

Portrait of Hendrickje Stoffels with a Velvet Beret, c1654. Artist: Rembrandt Harmensz van Rijn
Portrait of Hendrickje Stoffels with a Velvet Beret, c1654. Painting held in the Louvre, Paris. From The Dutch Genius by Haldane MacFall [T. C. and E. C. Jack, London, 1911]

Tronie of a Young Man in a Gorget and Cap, c1639. Artist: Rembrandt Harmensz van Rijn
Tronie of a Young Man in a Gorget and Cap, c1639. Painting held in the Uffizi Gallery, Florence. From The Dutch Genius by Haldane MacFall [T. C. and E. C. Jack, London, 1911]

A Polish Nobleman, 1637. Artist: Rembrandt Harmensz van Rijn
A Polish Nobleman, 1637. Painting housed in the National Gallery of Art, Washington. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

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Rembrandt Harmensz van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his exceptional talent and masterful brushstrokes. His works continue to captivate audiences even today. One of his most famous paintings, "The Return of the Prodigal Son, " created in 1668, showcases Rembrandt's ability to convey deep emotions through his subjects. The painting depicts a poignant scene from the biblical parable, where a father welcomes back his wayward son with open arms. In "Aristotle with a Bust of Homer" (1653), Rembrandt pays homage to two great thinkers. The painting shows Aristotle contemplating a bust of Homer, symbolizing the connection between philosophy and literature. "Portrait of Aechje Claesdr" (1634) is an exquisite example of Rembrandt's skill in capturing human likeness. This portrait portrays Aechje Claesdr with remarkable detail and sensitivity. "The Night Watch" (1642) stands as one of Rembrandt's most iconic works. This grand-scale group portrait showcases members of Amsterdam's civic guard in dynamic poses and dramatic lighting, highlighting Rembrandt's mastery in creating depth and atmosphere. In "The Anatomy Lesson of Dr Nicolaes Tulp" (1632), Rembrandt demonstrates his fascination with anatomy by depicting Dr Nicolaes Tulp conducting an anatomical dissection. The painting not only captures scientific accuracy but also reveals Rembrandt's ability to infuse life into every figure portrayed. While known for his portraits and historical scenes, Rembrandt also excelled at landscapes. "Landscape with two cottages" (c1650-1655) exemplifies this aspect of his work, showcasing serene countryside scenery bathed in soft light. Rembrandt was not limited to traditional subject matters; he also explored more intimate themes.