Renaissance Costume Collection

Young Princess, 1930 (oil on canvas)
XLH38958 Young Princess, 1930 (oil on canvas) by Guirand de Scevola, Lucien (1871-1950); Musee des Beaux-Arts, Mulhouse, France

The Lute Player, 1875 (oil on canvas)
OVR395269 The Lute Player, 1875 (oil on canvas) by Ross, Christian Meyer (1843-1904); 76.5x86 cm; Bergen Art Museum, Norway; Photo © O. Vaering

A Meeting with the Architect, 1866 (w / c on paper)
BOU202956 A Meeting with the Architect, 1866 (w/c on paper) by Johnson, Edward Killingworth (1825-1923); 48.2x35.5 cm; Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Arranging her Still Life, 1884 (oil on panel)
BON207956 Arranging her Still Life, 1884 (oil on panel) by Charlemont, Eduard (1848-1906); 49x42 cm; Private Collection; Photo eBonhams, London, UK; Austrian, out of copyright

The Life of St. Benedict (fresco) (detail)
SAL210635 The Life of St. Benedict (fresco) (detail) by Signorelli, L. (c.1441-1523) & Sodoma, G. (1477-1549); Monte Oliveto Maggiore, Tuscany, Italy; Italian, out of copyright

The Betrothal of Raphael and the Niece of Cardinal Bibbiena
WLT207120 The Betrothal of Raphael and the Niece of Cardinal Bibbiena, 1813 (oil on paper mounted on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 59.3x46.3 cm; Walters Art Museum

Pageboy at Court during the Reign of Edward VI (engraving)
STC221986 Pageboy at Court during the Reign of Edward VI (engraving) by English School, (16th century) (after); Private Collection; The Stapleton Collection; English, out of copyright

Portrait of a Lady in Renaissance Costume (engraving)
1603602 Portrait of a Lady in Renaissance Costume (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait of a Lady in Renaissance Costume)

The Ransom, 1860-62 (oil on canvas)
1072784 The Ransom, 1860-62 (oil on canvas) by Millais, John Everett (1829-96); 129.5x114.3 cm; J. Paul Getty Museum, Los Angeles, USA; English, out of copyright

Lelia, illustration from Lelia by George Sand (1804-76) engraved by John Henry Robinson
XIR287074 Lelia, illustration from Lelia by George Sand (1804-76) engraved by John Henry Robinson (1796-1871) (litho) (b/w photo) by Lepaulle

Gargantua on the towers of Notre-Dame at Paris, illustration from Gargantua
XIR224407 Gargantua on the towers of Notre-Dame at Paris, illustration from Gargantua by Francois Rabelais (1494-1553) engraved by Pannemaker (engraving) (b/w photo) by Dore

Education of Gargantua, illustration from Gargantua by Francois Rabelais
XIR224406 Education of Gargantua, illustration from Gargantua by Francois Rabelais (1494-1553) engraved by Paul Jonnard-Pacel (d.1902) (engraving) (b/w photo) by Dore

Chatelaines (oil on panel)
XIR220099 Chatelaines (oil on panel) by Revoil, Pierre Henri (1776-1842); 34.5x48 cm; Musee d Art Thomas Henry, Cherbourg, France; French, out of copyright

Michel Eyquem de Montaigne (1533-92) (oil on panel)
XIR161703 Michel Eyquem de Montaigne (1533-92) (oil on panel) by Martellange, Etienne (1569-1641); Private Collection; French, out of copyright

Actors of the Commedia dell Arte (oil on canvas)
XIR192846 Actors of the Commedia dell Arte (oil on canvas) by Bunel, Francois (c.1522-c.1599); Musee des Beaux-Arts, Beziers, France; (add.info.: Personnages de la Comedie Italienne; ); French

A group of people from India Orientalis, 1598 (engraving)
XJF1072778 A group of people from India Orientalis, 1598 (engraving) by Bry, Theodore de (1528-98); Private Collection; Flemish, out of copyright

The Story of the Egg of Christopher Columbus (1450-1506) 1585-88 (engraving)
XJF1072770 The Story of the Egg of Christopher Columbus (1450-1506) 1585-88 (engraving) by Bry, Theodore de (1528-98); Private Collection; (add.info)

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Step back in time and immerse yourself in the enchanting world of Renaissance costume. From the elegant gowns worn by young princesses to the intricate details captured in oil on canvas, these historical pieces transport us to a bygone era. In "Young Princess, 1930, " an exquisite painting rendered with meticulous brushstrokes, we witness a regal figure adorned in opulent attire. The artist's skillful use of color and texture brings this royal ensemble to life, evoking a sense of grandeur fit for royalty. "The Lute Player, 1875" captures a moment frozen in time as a talented musician strums her instrument. Her Renaissance costume is resplendent with rich fabrics and ornate embellishments that reflect the artistic sensibilities of the era. The delicate folds of her gown cascade gracefully around her as she serenades us with her melodious tunes. A portrait from the 1550s titled "Portrait of a Young Lady Holding an Apple" showcases not only the subject's beauty but also her fashion choices. Dressed in an intricately embroidered dress, she holds an apple symbolizing temptation and allure. This painting serves as a window into both personal style and societal norms during this period. Moving away from canvas, "A Meeting with the Architect, 1866" presents us with watercolor on paper capturing individuals dressed in authentic Renaissance attire engaged in conversation. Their garments are meticulously depicted down to every stitch and buttonhole—a testament to their commitment to historical accuracy. In "Arranging Her Still Life, 1884, " we observe a woman engrossed in arranging objects for her artwork while wearing clothing reminiscent of Renaissance fashion. This intimate glimpse into everyday life reveals how even mundane activities were influenced by prevailing styles at that time. The fresco detail from "The Life of St. Benedict" transports us directly into religious settings where elaborate costumes played significant roles during ceremonies or processions.