Renier Collection

Divine Inspiration of Music, c. 1640 (oil on canvas)
3588508 Divine Inspiration of Music, c.1640 (oil on canvas) by Regnier, Nicolas (1590-1667); 120x198.1 cm; Los Angeles County Museum of Art, CA, USA; French, out of copyright

Andrea Renier and His Son Daniele, c. 1560 / 1566. Creator: Unknown
Andrea Renier and His Son Daniele, c. 1560/1566

Robert Cecil, First Earl of Salisbury, early 17th century, (1911). Artist: Renold Elstrack
Robert Cecil, First Earl of Salisbury, early 17th century, (1911). English statesman Robert Cecil (1563-1612) succeeded his father as an advisor to Elizabeth I

John Digby, First Earl of Bristol, early 17th century, (1911). Artist: Renold Elstrack
John Digby, First Earl of Bristol, early 17th century, (1911). Digby (1580-1653) was an English diplomat, and a royalist during the English Civil War

Edward, the Black Prince, c1618 (1894). Artist: Renold Elstrack
Edward, the Black Prince (1330-1376), c1618 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Edmund Sheffield, 1st Earl of Mulgrave, English statesman, early 17th century (1894). Artist: Renold Elstrack
Edmund Sheffield (c1564-1646), 1st Earl of Mulgrave, English statesman, early 17th century (1894). From A Collection of Engraved Portraits (Further Selection)

Count Renier Bearing The Body Of Saint Veronica To St. Waudru Church In Mons. After A 15Th Century Miniature. From Military And Religious Life In The Middle Ages By Paul Lacroix Published London

Count Renier bearing the body of Saint Veronica to St. Waudru church in Mons, from Military
KW478259 Count Renier bearing the body of Saint Veronica to St. Waudru church in Mons, from Military and Religious Life in the Middle Ages by Paul Lacroix

Victory holding a palm branch in his hand and holds a shield, that crowned with the cardinals hat, she sits on shields, weapons and breastplates, on both sides there are two men

C a L Renier
Charles-Alphonse-Leon RENIER French antiquary and classical scholar

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Renier: A Man of Intrigue and Influence In the vast tapestry of history, there are figures whose stories intertwine with mystery and fascination. Renier is one such enigmatic character who left his mark in various realms, from art to politics, leaving us captivated by his actions. One intriguing tale revolves around Renier and his wife Erembourc, and is said that they daringly substituted their own child for their master's infant in an act of audacious deception. This gripping story has been immortalized in an engraving that continues to bewilder generations. But Renier's influence extended beyond clandestine acts. The divine inspiration of music found its way into his heart, as depicted in a mesmerizing oil painting from the 17th century. Brushstrokes capture the ethereal connection between man and melody, revealing a profound connection to the arts. Another captivating portrayal showcases Andrea Renier alongside his son Daniele during the mid-16th century. Though created by an unknown artist, this portrait encapsulates familial bonds and hints at hidden narratives waiting to be unraveled. Renold Elstrack, a talented artist of yesteryears, skillfully crafted portraits that have stood the test of time. Robert Cecil, First Earl of Salisbury; John Digby, First Earl of Bristol; Edward, the Black Prince; Edmund Sheffield - all captured through Elstrack's brushstrokes - remind us that Renier was surrounded by influential figures who shaped history itself. Count it also played a pivotal role in religious events as he bore Saint Veronica's body to St. Waudru Church in Mons. This noble act echoes through centuries thanks to a 15th-century miniature brought back to life by Paul Lacroix's publication. Even royalty could not escape Renier's presence as seen when James I sat for a regal portrait beside Anne of Denmark. Their majestic attire reflects power intertwined with the enigmatic aura that Renier seems to exude.