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Representation Collection (page 5)

"Embracing the Divine: A Tapestry of Representation" In a world as diverse as ours, representation is an essential thread that weaves together cultures and beliefs

Background imageRepresentation Collection: Stone elements decorated with coats of arms, bas reliefs and inscriptions from the tomb of

Stone elements decorated with coats of arms, bas reliefs and inscriptions from the tomb of Giovanni da Legnano, lecturer at the University of Bologna Bologna Low Relief, Basrelief

Background imageRepresentation Collection: Interior of a richly furnished study decorated in line with Nineteenth century canons of taste

Interior of a richly furnished study decorated in line with Nineteenth century canons of taste. To be noted the tapestries, chandeliers, a plant and numerous books piled up on a table

Background imageRepresentation Collection: Upper portion of the portal of the Church of Santo Stefano, in Venice

Upper portion of the portal of the Church of Santo Stefano, in Venice: part of the cornice that encloses the wooden door and, above, the entire polylobed arch decorated with acanthus leaves

Background imageRepresentation Collection: Via Cavour in Florence with Palazzo Medici-Riccardi to the left, with Palazzo Pucci opposite

Via Cavour in Florence with Palazzo Medici-Riccardi to the left, with Palazzo Pucci opposite Florence. Date of Photograph:30/04/1910

Background imageRepresentation Collection: Wedding dress, state of Kerala, southern India

Wedding dress, state of Kerala, southern India India State of Kerala. Date of Photograph:1965

Background imageRepresentation Collection: 'Contrada della Civetta'. The photograph shows the banner of Contrada della Civetta in Siena

"Contrada della Civetta". The photograph shows the banner of Contrada della Civetta in Siena. The flag is hanging in front of a door. Siena. Date of Photograph:1965 ca

Background imageRepresentation Collection: Geometrical problems, plants, ribbons and spirals, drawings and pen inscriptions on the back of a

Geometrical problems, plants, ribbons and spirals, drawings and pen inscriptions on the back of a paper preserved at the Royal Library of Windsor

Background imageRepresentation Collection: Geometrical problems, allegory of Truth, masks and figures, drawings

Geometrical problems, allegory of Truth, masks and figures, drawings and pen inscriptions by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageRepresentation Collection: Celebration held in Florence in 1619. Engraving by Jacques Callot

Celebration held in Florence in 1619. Engraving by Jacques Callot, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery

Background imageRepresentation Collection: Roses; work of Henri Fantin-Latour. Muse des Beaux-Arts, Lyon, France

Roses; work of Henri Fantin-Latour. Muse des Beaux-Arts, Lyon, France Painting Romanticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:2002

Background imageRepresentation Collection: Still life of fruit basket and chestnuts, with vines and bunches of grapes as the background

Still life of fruit basket and chestnuts, with vines and bunches of grapes as the background. Painting by Michelangelo Cerquozzi

Background imageRepresentation Collection: Basket of flowers; painting of Rachel Ruysch. Uffizi Gallery, Florence

Basket of flowers; painting of Rachel Ruysch. Uffizi Gallery, Florence Painting Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Background imageRepresentation Collection: Still life with fruit; painting by Rachel Ruysch. Deposit of the Uffizi Gallery, Florence

Still life with fruit; painting by Rachel Ruysch. Deposit of the Uffizi Gallery, Florence Painting Eighteenth Century, Renaissance-Baroque styles and periods, Europe

Background imageRepresentation Collection: Youth bitten by a green lizard; painting by Caravaggio. Longhi Foundation, Florence

Youth bitten by a green lizard; painting by Caravaggio. Longhi Foundation, Florence Painting Naturalism of XVII century, Renaissance-Baroque styles and periods, Europe

Background imageRepresentation Collection: Youth with fruit basket; work of Caravaggio. Galleria Borghese, Rome

Youth with fruit basket; work of Caravaggio. Galleria Borghese, Rome Painting Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002

Background imageRepresentation Collection: A bass tuba. In the background, a few of the memeber of a military band, during a concert

A bass tuba. In the background, a few of the memeber of a military band, during a concert Europe. Date of Photograph:1960

Background imageRepresentation Collection: Table full of food

Table full of food France. Date of Photograph:1907-1910

Background imageRepresentation Collection: Table arrayed with vases of flowers

Table arrayed with vases of flowers France. Date of Photograph:1907-1910

Background imageRepresentation Collection: Exedra of the Palazzina Reale of the Station of Florence by Michelucci

Exedra of the Palazzina Reale of the Station of Florence by Michelucci Florence. Date of Photograph:10/1951

Background imageRepresentation Collection: Egyptian sarcophagus located at the Archaeological Museum in Florence

Egyptian sarcophagus located at the Archaeological Museum in Florence. Florence The Archaeological Museum Sarcophagus Late Period, Egypt - Egyptian Art, Africa, Ancient Civilization

Background imageRepresentation Collection: Detail of an Egyptian sarcophagus at the Archaeological Museum in Florence

Detail of an Egyptian sarcophagus at the Archaeological Museum in Florence. Florence The Archaeological Museum Sarcophagus Late Period, Egypt - Egyptian Art, Africa, Ancient Civilization

Background imageRepresentation Collection: Still life with flowers and objects. Intarsia by Giovanni da Verona in the choir stalls of

Still life with flowers and objects. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia

Background imageRepresentation Collection: Still life with fruit. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in

Still life with fruit. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia, Marquetry Renaissance

Background imageRepresentation Collection: BGA-F-023809-0000

BGA-F-023809-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Background imageRepresentation Collection: BGA-F-023807-0000

BGA-F-023807-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Background imageRepresentation Collection: BGA-F-023806-0000

BGA-F-023806-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Background imageRepresentation Collection: Detail of the mosaic floor, in the presbytery of the Cathedral of Saints John and Paul in Ferentino

Detail of the mosaic floor, in the presbytery of the Cathedral of Saints John and Paul in Ferentino. Ferentino Cathedral of Saints John and Paul Paving Romanesque, Middle Ages, Europe

Background imageRepresentation Collection: Geometric figure, detail of the old choir stalls, restored in 1616, after the fire of 1595

Geometric figure, detail of the old choir stalls, restored in 1616, after the fire of 1595, in the choir of the Cathedral of Pisa

Background imageRepresentation Collection: Still life with grapes and objects. Intarsia by Giovanni da Verona in the choir stalls of

Still life with grapes and objects. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia

Background imageRepresentation Collection: Renaissance tabernacle in marble, in Capranica's Cathedral (Saint John the Evangelist)

Renaissance tabernacle in marble, in Capranica's Cathedral (Saint John the Evangelist). Capranica Cathedral Tabernacle Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageRepresentation Collection: Detail, with animals (right corner), of the Nile Mosaic in the Colonna Barberini Palace in

Detail, with animals (right corner), of the Nile Mosaic in the Colonna Barberini Palace in Palestrina. Palestrina Colonna Barberini Palace Mosaic Roman Art, Europe, Ancient Civilization

Background imageRepresentation Collection: Detail, with animals (left corner) of the Nile Mosaic in the Colonna Barberini Palace in Palestrina

Detail, with animals (left corner) of the Nile Mosaic in the Colonna Barberini Palace in Palestrina. Palestrina Colonna Barberini Palace Mosaic Roman Art, Europe, Ancient Civilization

Background imageRepresentation Collection: Detail of the mosaic of the apse of the Church dei Santi Cosma e Damiano, Rome

Detail of the mosaic of the apse of the Church dei Santi Cosma e Damiano, Rome. Rome Santi Cosma e Damiano Church Mosaic Early Christian Art, Europe, First and Second Millennium A.D

Background imageRepresentation Collection: Mosaic of the triumphal arch and the apse of the Church dei Santi Cosma e Damiano, Rome

Mosaic of the triumphal arch and the apse of the Church dei Santi Cosma e Damiano, Rome. Rome Santi Cosma e Damiano Church Mosaic Early Christian Art, Europe, First and Second Millennium A.D

Background imageRepresentation Collection: Cardinal Niccol Forteguerri's tomb in the Church of Saint Cecilia in Trastevere in Rome

Cardinal Niccol Forteguerri's tomb in the Church of Saint Cecilia in Trastevere in Rome. Rome Church of Saint Cecilia Funerary Monument Renaissance, Renaissance-Baroque styles and periods

Background imageRepresentation Collection: Decorations from the Monument to Gastone De Foix, located at the Sforzesco Castle Museum of

Decorations from the Monument to Gastone De Foix, located at the Sforzesco Castle Museum of Ancient Art in Milan. Milan Sforzesco Castle Low Relief, Basrelief High Renaissance, Renaissance

Background imageRepresentation Collection: Third window of the faade of the Certosa of Pavia: detail with shoots of fruit

Third window of the faade of the Certosa of Pavia: detail with shoots of fruit. Pavia Monastery Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageRepresentation Collection: Monument to Girolamo Savonarola in Piazza Savonarola in Florence

Monument to Girolamo Savonarola in Piazza Savonarola in Florence. Florence Piazza Savonarola, Florence Statue Romanticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Background imageRepresentation Collection: Altar dedicated to Saints Gamaliel, Nicodemus and Abdias, a Renaissance sculpture in the Cathedral

Altar dedicated to Saints Gamaliel, Nicodemus and Abdias, a Renaissance sculpture in the Cathedral of Pisa, Tuscany Pisa Cathedral Altar Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageRepresentation Collection: A relief of the Schola Cantorum in the Basilica of S. Clemente, Rome

A relief of the Schola Cantorum in the Basilica of S. Clemente, Rome. Rome Basilica of San Clemente Relief Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Background imageRepresentation Collection: St. Augustine, fragment of the high-relief of the monument to Callisto III, Vatican Grottoes

St. Augustine, fragment of the high-relief of the monument to Callisto III, Vatican Grottoes. The saint is holding the model of a church in one of his hands

Background imageRepresentation Collection: Detail of the transenna of the Sistine Chapel in Vatican City

Detail of the transenna of the Sistine Chapel in Vatican City. High-relief by Mino da Fiesole depicting two putti lifting the papal blazon of the Rovere family

Background imageRepresentation Collection: Detail with the papal arm of the Rovere family, held up by puttos

Detail with the papal arm of the Rovere family, held up by puttos and rounded by garland of spikes and fruits. High-relief work by Mino da Fiesole in the marble transenna of the Sistine Chapel

Background imageRepresentation Collection: Iconostasis of the Coptic church of St Sergio in Cairo

Iconostasis of the Coptic church of St Sergio in Cairo Egypt Cairo, Church of St Sergio Iconostasis. Date of Photograph:1870 - 1880 ca.. Date of Artwork:IX - XIII, XVIII secc

Background imageRepresentation Collection: Two sculpted capitals in the cloister of the Cathedral of Cefal, Sicily

Two sculpted capitals in the cloister of the Cathedral of Cefal, Sicily. Below it, the geminate columns are visible. Cefalu Cathedral, cloister Capital Romanesque, Middle Ages, Europe

Background imageRepresentation Collection: Detail of the cosmatesque mosaic floor of the Basilica of St. Clemente, Rome

Detail of the cosmatesque mosaic floor of the Basilica of St. Clemente, Rome. The decoration of the floor consists of circles and diamonds. Rome Basilica of S

Background imageRepresentation Collection: Detail of the mosaic floor in the Funerary Chapel of Pio IX, in the Basilica of S

Detail of the mosaic floor in the Funerary Chapel of Pio IX, in the Basilica of S. Lorenzo outside the Wall of Rome, with circles decorated with stylized plant motifs. Rome Basilica of S

Background imageRepresentation Collection: St. Francis preching to the Sultan, detail of the stucco decorations by Giacomo Serpotta in

St. Francis preching to the Sultan, detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo



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"Embracing the Divine: A Tapestry of Representation" In a world as diverse as ours, representation is an essential thread that weaves together cultures and beliefs. These captivating images capture the essence of Hindu gods and goddesses, reminding us of their significance in Indian culture and beyond. The picture showcases the revered Hindu deities Laksman, Rama, Sita, and Hanuman. Their presence reflects not only religious devotion but also serves as a reminder of the rich mythological tapestry that has shaped India for centuries. Moving on to another frame, we witness Parvati, Lakshmi, and Saraswati - powerful goddesses who embody strength, prosperity, knowledge respectively. Their divine grace resonates with devotees seeking guidance in various aspects of life. A statue depicting Annapurna (Parvati) giving food at Lakshman temple reminds us of the importance of nourishment both physically and spiritually. It symbolizes generosity and abundance within Hinduism's vibrant traditions. Lakshmi gracefully sits holding lotus flowers; she represents wealth and fortune while being Lord Vishnu's beloved consort. Her image radiates opulence while inspiring believers to seek prosperity through righteous means. Krishna and Rada stand side by side in yet another mesmerizing portrayal capturing love's transcendental beauty. This enchanting depiction evokes emotions that go beyond boundaries – a testament to how art can bridge gaps between cultures. Delving into geological strata from 19C reveals nature's own artistic marvels etched over time—a reminder that even Earth itself carries stories waiting to be discovered by those who pay attention. Visnu stands tall alongside his eternal companion Lakshmi—depicting harmony between masculine divinity and feminine energy—an embodiment of balance cherished within Hindu belief systems worldwide. Ganesh, Ayappa, Subramania—three distinct deities united by faith—are captured here exuding their unique qualities.