Responsibility Collection (page 5)

CS_C08-2378
Variety not identified Green subject

CS_C08-2370
Variety not identified Green subject

CS_C08-2391
Variety not identified Green subject

CS_C06-2079
Malus domestica - variety not identified Apple

CS_C06-2045
Variety not identified Brown subject

CS_C06-2044
Variety not identified Brown subject

CS_C06-1239
Lythrum salicaria Purple loosestrife Purple subject

CS_C06-2844
Variety not identified Brown subject

CS_C07-5354
Centaurea cyanus Annual Flowering season - Summer Cottage garden plant Edible Herb Culinary uses Medicinal uses Wild flower Colour Nobody Colour - Vivid colour Creative Daytime Editorial Favourite

CS_C07-5356
Centaurea cyanus Annual Flowering season - Summer Cottage garden plant Edible Herb Culinary uses Medicinal uses Wild flower Colour Nobody Colour - Vivid colour Creative Daytime Editorial Favourite

CS_C07-5283
Brassica oleracea acephala Kale - Black kale / Cavalo nero Green subject

CS_C07-5352
Centaurea cyanus Annual Flowering season - Summer Cottage garden plant Edible Herb Culinary uses Medicinal uses Wild flower Colour Nobody Colour - Vivid colour Creative Daytime Editorial Favourite

CS_C06-2008
Allium giganteum Allium Purple subject Blue b/g

CS_C06-1990
Allium giganteum Allium Purple subject Blue b/g

CS_2546
Hyacinthoides - variety not idetified Bluebell wood Mauve subject

CS_2582
varieties not identified Meadow Gold subject

CS_2048
Fagus sylvatica Beech Brown subject

CS_2061
Larix - variety not identified Larch Brown subject Blue b/g

AB_09
Viola wittrockiana Pansy Green subject

A Flower Girl, 1872. Creator: Gustave Doré
A Flower Girl, 1872. From, " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold. [Grant and Co. 72-78, Turnmill Street, E.C. 1872]

Broken Down, 1872. Creator: Gustave Doré
Broken Down, 1872. From, " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold. [Grant and Co. 72-78, Turnmill Street, E.C. 1872]

Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773. King Edwy (died 959) is returned to the banquet following his coronation from his Consort

Syrian Shepherd (Abu Mustapha) Carrying a Lamb on His Shoulders, 1902. Creator: John Fulleylove
Syrian Shepherd (Abu Mustapha) Carrying a Lamb on His Shoulders, 1902. From " The Holy Land", painted by John Fulleylove, R.I. [Adam & Charles Black, London, 1902]

Flaam, 1914. Creator: Unknown
Flaam, 1914. Village in Sogn og Fjordane. From " Norge - Turistruter I 65 Billeder". [Mittet & Co, Kunstforlag - Kristania, 1914]

Oil Refinery

Pumpjack In A Field, Alberta, Canada

Nelsons Column with National Service recruitment poster, London, 1939. The poster on the base of the column claims National Service - its up to YOU. St Martin-in-the-Fields is in the background, left

Landscape, c1630. Artist: Nicolas Poussin
Landscape, c1630. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Landscape with Sheep, 18th century, (1935). Artist: Thomas Gainsborough
Landscape with Sheep, 18th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

The Young Shepherd, c1915. Artist: Francois Pieter Ter Meulen
The Young Shepherd, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

The Goatherd, 1895. Artist: John MacAllan Swan
The Goatherd, 1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Feeding Chickens, c1788. Artist: Peltro William Tomkins
Feeding Chickens, c1788. After James Russell. From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

The Return of the Flock, c1899. Artist: Jozef Israels
The Return of the Flock, c1899. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]

The Shepherd, 19th century. Artist: Jean Francois Millet
The Shepherd. From the pastel by J. F. Millet. 1902. From The Studio Volume 26, [London Offices of the Studio, London, 1902]

Sheet 13, from a portfolio of alphabets, 1929. From 20 Alphabets and Instructive Plates for Pen & Ink. [James Dorn, London, 1929]

The Shepherdess, c1888. Artist: Giovanni Segantini
The Shepherdess, c1888. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

In the Cotswolds, c1909. Artist: Alfred Edward East
In the Cotswolds, c1909. From The Studio Volume 46. [London Offices of the Studio, London, 1909]

Tending the Flocks, c1895. Artist: John William Buxton Knight
Tending the Flocks, c1895. From The Studio Volume 43. [London Offices of the Studio, London, 1908]

Une Gardeuse De Dindons, c19th century. Artist: M Breton
Une Gardeuse De Dindons. Sketch by Jules Breton, 1915. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

Shepherd and Flock, 19th century. Artist: Anton Mauve
Shepherd and Flock, 19th century. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

Interior of a Barn, 19th century. Artist: Anton Mauve
Interior of a Barn, 19th century. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

The Large Dort, c1650. Artist: Aelbert Cuyp
The Large Dort, c1650. Painting held in The National Gallery, London. From A History of Painting, Volume V by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

A Shepherd of the Pyrenees, c19th century. Artist: Elizabeth Adela Forbes
A Shepherd of the Pyrenees, c19th century. From The Studio Volume 18 by Ralph Nevill. [The Offices of the Studio, London, 1899-1900]

A sketch of a shepherd and his flock, 19th century. Artist: Anton Mauve
A sketch of a shepherd and his flock, 19th century. From The Studio Volume 36. [The Offices of the Studio Ltd. London, 1905-6]

Reed Bunting - Embri za schoe niclus, c1910, (1910). Artist: George James Rankin
Reed Bunting - Embri za schoe niclus, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

The Winters Glow, 19th century, (1913). Artist: Joseph Farquharson
The Winters Glow. From The Connoisseur Vol XXXV [Otto Limited, London, 1913.]

Shepherdess with a cow at the Edge of the Forest, 1865-1870. Artist: Jean-Baptiste-Camille Corot
Shepherdess with a cow at the Edge of the Forest, 1865-1870. Corot, Jean-Baptiste Camille (1796-1875). Found in the collection of the State Hermitage, St. Petersburg

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"Responsibility: Nurturing the Seeds of Change" In the Parable of the Sower, we learn that responsibility is not just a word but an action. It calls us to be aware of our surroundings and take care of our environment like never before. A conceptual image emerges, depicting a powerful WW2 poster titled "The Girl Who Isn't There, " reminding us that every individual's responsibility towards environmental awareness can make a significant impact. Looking back at history, we witness school children in 1939 diligently studying their reading lesson, highlighting how education plays a crucial role in instilling responsibility from an early age. Just as a tree grows into a heart shape, so should our sense grow within us for the well-being of our planet. However, it is disheartening to see Planet Earth on human hands breaking down and crumbling under negligence. This reminds us that each one of us has the power to either destroy or protect what lies in our hands. Drawing inspiration from Mattia Preti's painting "Pilate Washing His Hands, " we understand that true responsibility cannot be washed away; it requires action and accountability. Similarly, Abraham Darby's discovery of cast iron symbolizes how responsible actions can lead to groundbreaking advancements for society. As we delve deeper into different realms where responsibilities lie, three women chippers working in a shipbuilding shipyard exemplify gender equality and remind us that everyone deserves equal opportunities and recognition for their contributions. Valentine Cameron Prinsep's artwork "The Goose Girl" transports us to pastoral landscapes where taking care of nature was once second nature. We must reclaim this lost connection with nature by embracing our collective duty towards preserving such serene environments like pastures in the Apuan Alps captured by Alfredo Vaccari. Finally, an abandoned rural branch line signal box serves as both metaphorical and literal evidence that neglecting responsibilities leads to decay and loss. Let this serve as a reminder for us to actively engage in preserving our heritage and the world around us.