Reverence Collection

Carthusian monks process to matins at 2 am
Carthusian monks in cowls and habits process to matins at 2 am

Nicolas II and Kneeling troops - WWI
WWI - Emperor (Tsar) Nicholas (Nicolas) II of Russia holds up a sacred icon to his troops, who drop to their knees in penitence. Date: circa 1915

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

St Augustine with his mother St Monica, 1855 (1926). Artist: Ary Scheffer
St Augustine with his mother St Monica, 1855 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 2: Builders of the Church, edited by RG Parsons and AS Peake

Two people in fancy dress. The girl on the left is in a fanciful Pierrot type outfit reminiscent of Paul Poiret, or at least the more flamboyant fashions of the First World War, while in contrast

Holy Trinity Ukrainian Orthodox Church Vita, Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

St. Michael's Ukrainian Greek Orthodox Church (first permanent Ukrainian church erected in Canada), Manitoba, Canada

A King Enthroned on a Terrace, Folio from a Shahnama (Book of Kings), 18th century. Creator: Unknown
A King Enthroned on a Terrace, Folio from a Shahnama (Book of Kings), 18th century

A European Woman and a Visitor, between c1700 and c1725. Creator: Unknown
A European Woman and a Visitor, between c1700 and c1725

L'Ascension, 1879. Creator: Gustave Doré
L'Ascension, 1879

A Cheyenne Peyote leader, c1927. Creator: Edward Sheriff Curtis
A Cheyenne Peyote leader, c1927. Man, three-quarter length, seated, facing left

Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, c
2956917 Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, c.1484 (marble with gilding) by Briosco, Benedetto (c.1460-1514) & Cazzaniga

Louis XIV Receiving Ambassadors from Siam at Versailles, c. 1865-67 (oil on canvas)
LIT389807 Louis XIV Receiving Ambassadors from Siam at Versailles, c.1865-67 (oil on canvas) by Leman, Jacques Edmond (1829-99); 124.5x242.5 cm; Chakri Throne Hall, Grand Palace, Bangkok

Our Lady of Victory Parish is also known as the Igloo Church (Catholic) Inuvik Northwest Territories, Canada

Turkey. Ottoman Empire. Turkish army troops. From left to right: Chatir, Pasha, militiaman, Harbagi, Egyptian soldier and another militiaman. Engraving by Lemaitre, Lalaisse and Chaillot

Queen Victoria - Mourning card 1901
A sombre postcard published on the death of Queen Victoria in January 1901 (sent on 18th February 1901) - quotes by Alfred Austin

Charles Darwin (1809 - 1882), receiving birthday homage (after his death) from the German biologist Ernst Haeckel. Date: 1909

How may I reverently worship thee enough?, illustration from Shakespeare's stories of the English Kings
IL274565 How may I reverently worship thee enough?, illustration from Shakespeare's stories of the English Kings, published by George Harrap & Son, 1912 (colour litho) by Hammond, Gertrude E

Detail of the Donor, right panel of the Triptych of the Virgin and Child with Saints Catherine and Barbara
862495 Detail of the Donor, right panel of the Triptych of the Virgin and Child with Saints Catherine and Barbara (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

Detail of the Triumph of Christ (oil on panel)
829079 Detail of the Triumph of Christ (oil on panel) by Coxie or Coxcie, Michiel I (1499-1592); Museums of Louvain, Belgium; © Art in Flanders

The Raising of Lazarus, 1570s-80s (oil on canvas)
3711251 The Raising of Lazarus, 1570s-80s (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94) (studio of); 180x275 cm; Minneapolis Institute of Arts, MN

Crucifixion, 1635 (oil on canvas) (for detail see 277389)
IND277392 Crucifixion, 1635 (oil on canvas) (for detail see 277389) by Coello, Claudio (1642-93); Prado, Madrid, Spain; Index Fototeca

Self Portrait, 1635 (oil on canvas) (detail of 277392)
IND277389 Self Portrait, 1635 (oil on canvas) (detail of 277392) by Coello, Claudio (1642-93); Prado, Madrid, Spain; Index Fototeca

St. Charles Borromee, n. d. Creator: Gerard Edelinck
St. Charles Borromee, n.d

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
STC357942 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

Alexander the Great visits Jerusalem, 1879 (oil on canvas)
1265843 Alexander the Great visits Jerusalem, 1879 (oil on canvas) by Bakalowicz, Stefan Vladislavovich (1857-1947); 61.5x106 cm; Museum of the Academy of Fine Arts

Corpus Domini (Altar of San Marco, Venice), 1929 (pastel on paper)
1196135 Corpus Domini (Altar of San Marco, Venice), 1929 (pastel on paper) by Giacometti, Augusto (1877-1947); 31x22.5 cm; Private Collection; (add.info.: Giacometti)

Hoisting the Union Jack in the Far North, illustration from The Romance of Canada (colour litho)
IL283072 Hoisting the Union Jack in the Far North, illustration from The Romance of Canada (colour litho) by Stott, W.R.S. (1878-1939); Private Collection; British, out of copyright

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
IL340188 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

John Talbot, Earl of Shrewsbury, presenting his Book to Queen Margaret, illustration from Dresses
LAL441188 John Talbot, Earl of Shrewsbury, presenting his Book to Queen Margaret, illustration from Dresses and Decorations by Henry G

Angels Adoring Mary & The Baby Jesus, c. 1872 (stained glass)
3475597 Angels Adoring Mary & The Baby Jesus, c.1872 (stained glass) by Holiday, Henry (1839-1927); St Mary Magdalene Church, Paddington, London

Easter Morning, Mary Magdalen, 1876 (stained glass)
3475475 Easter Morning, Mary Magdalen, 1876 (stained glass) by Burne-Jones, Edward Coley (1833-98); Chateau Impney, Droitwich, UK; (add.info.: Morris & Co.); eAlastair Carew-Cox; English

Adoration of The Lamb, 1884 (stained glass)
3475428 Adoration of The Lamb, 1884 (stained glass) by Holiday, Henry (1839-1927); Church of St Thomas the Martyr, Upholland, Lancashire, UK; (add.info.: Up Holland, St Thomas, JPS, HH)

Prayer, 1862 (oil on canvas)
3822253 Prayer, 1862 (oil on canvas) by Brooks, Thomas (1818-92); 71x61 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Adoration of the Child, c. 1490 (oil on wood panel)
704118 Adoration of the Child, c.1490 (oil on wood panel) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c
938086 Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c.1420 (fresco) by Modena, Giovanni da (fl.1409-56); San Petronio, Bologna, Italy; eGiuliano Valsecchi; Italian

The English Prince Conan taking leave of his father (pen & ink over chalk on paper)
CTS413058 The English Prince Conan taking leave of his father (pen & ink over chalk on paper) by Carpaccio, Vittore (c.1460/5-1523/6); 12.9x17.1 cm; eThe Devonshire Collections

The Holy Family (pen & ink on paper)
CTS413041 The Holy Family (pen & ink on paper) by Campagnola, Domenico (fl.1517-62); 15.7x17.5 cm; eThe Devonshire Collections

The Madonna del Bacio at San Marco, Venice, 1882 (oil on canvas)
XIR375724 The Madonna del Bacio at San Marco, Venice, 1882 (oil on canvas) by Meissonier, Jean-Louis Ernest (1815-91); 49 x 36 cm; Louvre, Paris

Detail of a mural - Buddha confounds the heretics, 1734 (paint on stone)
LIT389771 Detail of a mural - Buddha confounds the heretics, 1734 (paint on stone) by Siamese School, (18th Century); Wat Ko Keo Suttharam, Petchaburi, Thailand; Photo eLuca Tettoni; Thai

Adoration of the Shepherds, 1510 (oil on canvas)
3248482 Adoration of the Shepherds, 1510 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 124.2x161.3 cm; Fitzwilliam Museum, University of Cambridge

Girl saying grace before meal (chromolitho)
2811566 Girl saying grace before meal (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl saying grace before meal)

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"Moments of Reverence: A Glimpse into Sacred Devotion and Honoring Legacies" In the stillness of the night, Carthusian monks process to matins at 2 am, their solemn footsteps echoing reverence through ancient corridors. Amidst the chaos of World War I, Nicolas II kneels alongside his loyal troops, a poignant display for their sacrifice and unwavering loyalty. Two figures adorned in exquisite attire; the girl on the left dons a fanciful Pierrot outfit, evoking an air of whimsical reverence for artistry and imagination. Cardinal Wolsey's dignified presence exudes reverence as he navigates intricate webs of power during turbulent times in history. The Turkish army troops stand tall with unwavering devotion to their cause, embodying reverence for their homeland within the vast Ottoman Empire. Queen Victoria's mourning card from 1901 encapsulates a nation's collective grief and profound respect for a monarch who reigned with grace and dignity. Even after Charles Darwin's passing, German biologist Ernst Haeckel pays homage to his groundbreaking work—a reverent tribute to scientific progress transcending time. The ceremony of investiture bestows knighthood upon deserving individuals—an age-old tradition steeped in honor and deep-rooted reverence for chivalry and valor. Our Lady of Victory Parish stands proudly as an Igloo Church in Canada's remote Northwest Territories—a testament to faith that embraces nature's beauty with humble veneration. "How may I reverently worship thee enough?" asks Shakespeare through captivating illustrations depicting English kings' stories—inviting readers into realms where admiration knows no bounds. Detailing every brushstroke meticulously, "The Annunciation" painting from 1894 captures divine moments with ethereal light—eliciting awe-inspiring reverence towards sacred events depicted.