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Richard Livesay Collection

Richard Livesay, a British artist of the late 18th century, left behind a diverse and intriguing body of work

Background imageRichard Livesay Collection: Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Background imageRichard Livesay Collection: Arms for the Foundling Hospital, December 22, 1781. Creator: Unknown

Arms for the Foundling Hospital, December 22, 1781. Creator: Unknown
Arms for the Foundling Hospital, December 22, 1781

Background imageRichard Livesay Collection: The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British

The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British
The Complicated R_____n, 1794 (?). Mocking the preface of Jonathan Richardson Sr.s " Explanatory Notes and Remarks on Miltons Paradise Lost. After William Hogarth

Background imageRichard Livesay Collection: A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay

A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay
A Parson Joining the Hands of Two People, October 1788. After William Hogarth

Background imageRichard Livesay Collection: Surprised Woman from Hogarths 'Morning', October 1788

Surprised Woman from Hogarths "Morning", October 1788
Surprised Woman from Hogarths " Morning", October 1788

Background imageRichard Livesay Collection: The Parsons Head, October 1788. Creator: Richard Livesay

The Parsons Head, October 1788. Creator: Richard Livesay
The Parsons Head, October 1788. After William Hogarth

Background imageRichard Livesay Collection: Tail-Piece, November 27, 1781. Creator: Richard Livesay

Tail-Piece, November 27, 1781. Creator: Richard Livesay
Tail-Piece, November 27, 1781. After William Hogarth

Background imageRichard Livesay Collection: From an Original Sketch of William Hogarths in the Collection of Mr

From an Original Sketch of William Hogarths in the Collection of Mr. Morrison, March 1, 1782

Background imageRichard Livesay Collection: Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn b

Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, November 27, 1781. After William Hogarth

Background imageRichard Livesay Collection: Frontispiece to 'The Jacobites Journal', November 27, 1781

Frontispiece to "The Jacobites Journal", November 27, 1781
Frontispiece to " The Jacobites Journal", November 27, 1781. After William Hogarth

Background imageRichard Livesay Collection: The Charmers of the Age, March 1, 1782. Creator: Richard Livesay

The Charmers of the Age, March 1, 1782. Creator: Richard Livesay
The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth

Background imageRichard Livesay Collection: Boys Peeping at Nature, 1782. Creator: Richard Livesay

Boys Peeping at Nature, 1782. Creator: Richard Livesay
Boys Peeping at Nature, 1782. After William Hogarth

Background imageRichard Livesay Collection: Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781

Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781. After William Hogarth


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Richard Livesay, a British artist of the late 18th century, left behind a diverse and intriguing body of work. From his etchings to his sketches, Livesay's artistry captured the essence of his time. In "Arms for the Foundling Hospital, " created on December 22, 1781, an unknown artist collaborated with Livesay to depict an act of charity towards abandoned children. This collaboration highlights Livesay's ability to bring together different talents for a common cause. One of Livesay's most notable works is "The Complicated R_____n, " believed to be etched by him in 1794. The mysterious title leaves room for interpretation but showcases Livesay's skill in creating intricate and thought-provoking pieces. Livesay also showcased his talent as both an artist and social commentator in works such as "A Parson Joining the Hands of Two People" from October 1788. Through this piece, he captures the significance and solemnity of marriage ceremonies during that era. Not limited to serious subjects alone, Livesay also delved into humor with pieces like "Surprised Woman from Hogarths 'Morning'" and "The Parsons Head. " These caricatures display his ability to capture expressions and emotions with wit and charm. His versatility shines through in various other works like "Tail-Piece" from November 27, 1781; a sketch inspired by William Hogarth's collection; or even capturing Mr. Ben: Read at the Bedford Arms Tavern - showcasing members of Hogarth's Club. Livesay didn't shy away from political satire either; evident in works such as "Frontispiece to 'The Jacobites Journal'" (November 27, 1781) or "The Charmers of the Age" (March 1, 1782). These pieces demonstrate his keen observation skills when it came to societal trends and figures.