Richard Parkes Collection

Quentin Durward and the Disguised Louis XI (recto); Study of male figure (verso), 1825 or 1826

View near Rouen, ca. 1825. Creator: Richard Parkes Bonington
View near Rouen, ca. 1825

On the Balcony, Venice, c1826. Painting housed at the Walker Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
986398 Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Rouen, seen from Bon-Secours; Rouen)

A View of Prince Maffeis Palace, Verona (oil on canvas)
1765051 A View of Prince Maffeis Palace, Verona (oil on canvas) by Bonington, Richard Parkes (1802-28); 36.3x30.5 cm; Private Collection; (add.info.: A View of Prince Maffeis Palace, Verona)

A View of the Grand Canal Venice, from the Palazzo Bernardo Looking Towards the Rialto
652166 A View of the Grand Canal Venice, from the Palazzo Bernardo Looking Towards the Rialto Bridge, (oil on millboard) by Bonington

Promenade venitienne (Venetian Promenade), 1863. Creator: Felix Bracquemond
Promenade venitienne (Venetian Promenade), 1863

Vallee de Glenfinlas (Glenfinlas Valley), 1826. Creator: Richard Parkes Bonington
Vallee de Glenfinlas (Glenfinlas Valley), 1826. After Francois-Alexandre Pernot

View of Rouen from St. Catherines Hill, 1821-22

Peasant Women from Ragusa, 1848-1866. Creator: Edward Lear
Peasant Women from Ragusa, 1848-1866

Roadside Halt, 1826. Creator: Richard Parkes Bonington
Roadside Halt, 1826

Fisherfolk on the Coast of Normandy, France, c1824, (1934). Creator: Richard Parkes Bonington
Fisherfolk on the Coast of Normandy, France, c1824, (1934). Painting in Nottingham Castle Museum Art Gallery. From " The Connoisseur", Vol 93, No 389, January 1934. [The Connoisseur Ltd

R. P. Bonington. Creator: Unknown
R.P. Bonington. Portrait print of British artist Richard Parkes Bonington (1801-1828), after a painting made c1827-1830 by Margaret Carpenter, in the National Portrait Gallery in London

View on a Canal, c1826, (c1900). Creator: Unknown
View on a Canal, c1826, (c1900). Buildings in Venice, Italy. Print after a painting by Richard Parkes Bonington. From English water-colour with reproductions of drawings by eminent painters

London Bridge, 1893, (c1915). Formerly attributed to Richard Parkes Bonington (1802-1828). Held by the British Museum, London. From International Art: Past and Present by Alfred Yockney

Street Scene, c1826, (1923). Artist: Richard Parkes Bonington
Street Scene, c1826, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

La Place du Molard, Geneva, c1830. Artist: Richard Parkes Bonington
La Place du Molard, Geneva, c1830. Painting held at the Victoria and Albert Museum, London. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

Sunset, 1826. Artist: Richard Parkes Bonington
Sunset, 1826. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Boulogne Sands, 1827. Artist: Richard Parkes Bonington
Boulogne Sands, 1827. Painting held at The National Trust, Anglesey Abbey, Cambridge. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Venice: Ducal Palace with a Religious Procession, c1828. Artist: Richard Parkes Bonington
Venice: Ducal Palace with a Religious Procession, c1828. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I

View on the Grand Canal, 19th century. Artist: Richard Parkes Bonington
View on the Grand Canal, 19th century. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

Landscape in Normandy, 19th century (1934). Artist: Richard Parkes Bonington
Landscape in Normandy, 19th century (1934). From The Studio Volume 107. [The Offices of the Studio Ltd. London, 1934]

Don Quixote in his Study, 1831. After a painting by Richard Parkes Bonington (1801-1828)

The Undercliff, 1828, (1924). Artist: Richard Parkes Bonington
The Undercliff, 1828. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]

The Church of St Ambrogio, Milan, early 19th century, (1929). Artist: Richard Parkes Bonington
The Church of St Ambrogio, Milan, early 19th century, (1929). Illustration from the Apollo Volume IX, no 53, (May 1929)

The Fish Market, c1820s. Artist: Charles Lewis
The Fish Market, c1820s

Boats at the Normandy Shore, 1823. Artist: Richard Parkes Bonington
Boats at the Normandy Shore, 1823. Found in the collection of the State Hermitage, St Petersburg

Paris seen from the Pere Lachaise cemetery, c1825. Artist: Richard Parkes Bonington
Paris seen from the Pere Lachaise cemetery, c1825. From the Victoria and Albert Museum, London

Riva degli Schiavoni San Biagio Venice Richard Parkes
Riva degli Schiavoni, from near San Biagio, Venice; Richard Parkes Bonington (British, 1802 - 1828); Italy, Europe; 1826; Watercolor over graphite

Salt Marshes Trouville Richard Parkes Bonington
The Salt Marshes near Trouville; Richard Parkes Bonington (British, 1802 - 1828); France; 1826; Watercolor over graphite; 10.8 × 22.2 cm (4 1, 4 × 8 3, 4 in.)

Wharfe Bolton Abbey 1858 Watercolor sheet 9 15 / 16 x 14
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Richard Parkes Bonington was a renowned British artist known for his exquisite landscape paintings and captivating scenes of Venice. His talent and skill are evident in works such as "Quentin Durward and the Disguised Louis XI" where he masterfully captures the essence of historical events. In "View near Rouen, ca. 1825, " Bonington transports us to the picturesque French countryside, showcasing his ability to depict nature's beauty with remarkable precision. One cannot help but be enchanted by Bonington's depiction of Venice in "On the Balcony, Venice, c1826. " The vibrant colors and intricate details transport viewers to this enchanting city, evoking a sense of wonder and awe. Similarly, in "A View of Prince Maffeis Palace, Verona, " Bonington showcases his mastery over oil on canvas technique while capturing the grandeur of Italian architecture. Bonington's fascination with Venetian landscapes is further showcased in "A View of the Grand Canal Venice from Palazzo Bernardo Looking Towards the Rialto. " Through his brushstrokes, he brings alive the bustling canals and iconic landmarks that make Venice so unique. While primarily known for his landscapes, Bonington also dabbled in other subjects like figures and daily life scenes. In "Promenade venitienne (Venetian Promenade), " Felix Bracquemond pays homage to Bonington's style by depicting a charming scene reminiscent of Richard Parkes' work. In addition to landscapes and figures, Richard Parkes Bonington also explored Scottish scenery as seen in "Vallee de Glenfinlas (Glenfinlas Valley). " Here we witness his ability to capture not only natural beauty but also convey a sense of tranquility through delicate brushwork. Bonington's connection with Rouen is evident throughout his career; one example being "View of Rouen from St. Catherines Hill.