Rijn Collection (page 3)
Discover the masterful works of Rembrandt van Rijn (1606-1669), a renowned Dutch painter who left an indelible mark on the art world
The Sleeping Herdsman, ca. 1644. Creator: Rembrandt Harmensz van Rijn
The Sleeping Herdsman, ca. 1644
The Baptism of The Eunuch, 1641. Creator: Rembrandt Harmensz van Rijn
The Baptism of The Eunuch, 1641
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Discover the masterful works of Rembrandt van Rijn (1606-1669), a renowned Dutch painter who left an indelible mark on the art world. From his iconic self-portraits to captivating landscapes, Rembrandt's talent knew no bounds. In 'A Man in Armour' (1655), he captures the strength and resilience of a warrior through meticulous brushstrokes on canvas. 'Landscape with a Stone Bridge' (c. 1638) transports us to a serene setting where nature meets architecture, showcasing Rembrandt's ability to evoke tranquility through his artistry. Delve into the intricate details of 'The Windmill' (1641), an etching that depicts the beauty and charm of Dutch countryside life. In 'Aristotle with a Bust of Homer' (1653), Rembrandt pays homage to two intellectual giants, immortalizing their wisdom for generations to come. Marvel at his mastery in capturing texture and light in 'The Shell (Conus marmoreus)' (1650), where every stroke brings this seashell to life on canvas. No discussion about Rembrandt is complete without mentioning his magnum opus, 'The Night Watch' (1662). This monumental painting showcases his unparalleled ability to portray movement, emotion, and drama within a single frame. Step back in time as you gaze upon Rembrandt's early self-portrait from 1628; it offers insight into the artist's journey towards self-discovery and artistic expression. The Amsterdam Drapers Guild comes alive in 'The Wardens, ' revealing both their power and elegance under Rembrandt's skilled hand. Immerse yourself in the emotional depth captured by Rembrandt's etchings such as 'The Raising of Lazarus: Small Plate' (1642) or experience profound introspection through 'The Agony in the Garden' (c. 1657).