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Rivaud Collection (page 6)

"Exploring the Rich Tapestry of Rivaud: A Glimpse into History" Step back in time and immerse yourself in the captivating world of Rivaud

Background imageRivaud Collection: Erasmus (1469-1536), Dutch humanist and theologian, 16th century (1849)

Erasmus (1469-1536), Dutch humanist and theologian, 16th century (1849). A 19th century version of an original 16th century manuscript illustration found in the collection of the Cabinet des Estampes

Background imageRivaud Collection: University of Oxford, 1849

University of Oxford, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageRivaud Collection: Vice-chancellor and students of different nationalities at the University of Prague, 1849

Vice-chancellor and students of different nationalities at the University of Prague, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageRivaud Collection: Leiden University public library, Leiden (Leyden), 1614 (1849)

Leiden University public library, Leiden (Leyden), 1614 (1849)
Leiden University public library, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Background imageRivaud Collection: Leiden University, Leiden (Leyden), Netherlands, 1614 (1849)

Leiden University, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Background imageRivaud Collection: Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)

Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)
Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques

Background imageRivaud Collection: St Bonaventure, (1221-1274), 15th century, (1849)

St Bonaventure, (1221-1274), 15th century, (1849). A 19th century version of an original 15th century fresco by Jean Fiesole, held at the Chapel of Nicholas V, Vatican

Background imageRivaud Collection: Seal of the Four Nations or the Facutly of Arts, 16th century (1849)

Seal of the Four Nations or the Facutly of Arts, 16th century (1849). A 19th century version of an original held at the Bibliotheque Nationale de France, Paris

Background imageRivaud Collection: The Emperor Charlemagne (742-814), 1849

The Emperor Charlemagne (742-814), 1849. The Motto, In scelus exurgo, sceleris discrimina purgo, is written on a scroll round the sword held in his right hand

Background imageRivaud Collection: Single combat between Maximilien and a German knight, 15th century (1849). Artist: Burgmayer

Single combat between Maximilien and a German knight, 15th century (1849). Artist: Burgmayer
Single combat between Maximilien and a German knight, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Aventures du Chevalier a la Roue

Background imageRivaud Collection: Entrance of the lord chief into the site of the tournament, 15th century (1849)

Entrance of the lord chief into the site of the tournament, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Tournois du Roi Rene

Background imageRivaud Collection: Jousting in the time of Queen Isabeau, 15th century, (1849)

Jousting in the time of Queen Isabeau, 15th century, (1849)
Jousting in the time of Queen Isabeau, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques de Froissart, volume IV

Background imageRivaud Collection: A fight to the death, 15th century (1849)

A fight to the death, 15th century (1849). A 19th century version of an original 15th century manuscript illustration held at the British Museum

Background imageRivaud Collection: Single combat subjected to the judgement of God, 15th century (1849)

Single combat subjected to the judgement of God, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Conquetes de Charlemagne

Background imageRivaud Collection: The Judicial Duel, the plaintiff opening his case before the judge, 15th century (1849)

The Judicial Duel, the plaintiff opening his case before the judge, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Ceremonies des Gages de

Background imageRivaud Collection: A knights armament, 1849

A knights armament, 1849. A 19th century version of an original manuscript illustration held by the British Museum. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageRivaud Collection: Court of Love, Provence, France, 14th century (1849)

Court of Love, Provence, France, 14th century (1849). A 19th century version based on an original manuscript illustration in Guillaume de Machaut held at the Bibliotheque Nationale de France, Paris

Background imageRivaud Collection: German knight, 15th century (1849). Artist: Burgmayer

German knight, 15th century (1849). Artist: Burgmayer
German knight, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

Background imageRivaud Collection: German knights, 15th century (1849). Artist: Burgmayer

German knights, 15th century (1849). Artist: Burgmayer
German knights, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

Background imageRivaud Collection: Le passage du viatique, 1493 (1849). Artist: Pierre Wolgmuth

Le passage du viatique, 1493 (1849). Artist: Pierre Wolgmuth
Le passage du viatique, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageRivaud Collection: Christmas Eve dance, 1493 (1849). Artist: Pierre Wolgmuth

Christmas Eve dance, 1493 (1849). Artist: Pierre Wolgmuth
Christmas Eve dance, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageRivaud Collection: Dream of Childeric, 1849

Dream of Childeric, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageRivaud Collection: Papesse Jeanne, 15th century (1849)

Papesse Jeanne, 15th century (1849). After a 15th century miniature. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageRivaud Collection: Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson

Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson
Beliefs and popular superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels

Background imageRivaud Collection: Beliefs and superstitions, 1493 (1849). Artist: A Bisson

Beliefs and superstitions, 1493 (1849). Artist: A Bisson
Beliefs and superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageRivaud Collection: King Charles VII of France (1403-1461), c1445 (1849)

King Charles VII of France (1403-1461), c1445 (1849). Charles was King of France from 1422 to his death. He was a member of the House of Valois and was the son of Charles VI

Background imageRivaud Collection: Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Artist: H Moulin

Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Artist: H Moulin
Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Le Mans Cathedral is a Roman Catholic cathedral situated in Le Mans, France

Background imageRivaud Collection: Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849

Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageRivaud Collection: A siege assault platform, 15th century (1849)

A siege assault platform, 15th century (1849). A 19th century version based on an original 15th century miniature held by the Bibliotheque Nationale, Paris

Background imageRivaud Collection: Representation of The Last Supper on enamelled copper, 16th century (1849)

Representation of The Last Supper on enamelled copper, 16th century (1849). Artist: Franz Kellerhoven
Representation of The Last Supper on enamelled copper, 16th century (1849). A 19th century version based on an original 16th century engraving found in the collection of Mr Quedeville, Paris

Background imageRivaud Collection: Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin

Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin
Saint Catherine of Alexandria, 15th century (1849). Catherine is a Christian saint and martyr claimed to have been a noted scholar in the early 4th century

Background imageRivaud Collection: English battle dress, 15th-16th century (1849). Artist: Edward May

English battle dress, 15th-16th century (1849). Artist: Edward May
English battle dress, 15th-16th century (1849). Featuring English noblemen, 1426; a banneret of the king, 1550; an archer of Edward IV, an English arquebusier, 1450 and Richard de Beauchamp

Background imageRivaud Collection: Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres

Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres
Womens hats of different classes of society, 13th-16th century (1849). A 19th century version based on original 13th-16th century manuscript illustrations

Background imageRivaud Collection: Sculptor, 16th century (1849). Artist: Jost Amman

Sculptor, 16th century (1849). Artist: Jost Amman
Sculptor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageRivaud Collection: The palace, 16th century (1849)

The palace, 16th century (1849). A 19th century version of an original 16th century engraving found in the collection of the Cabinet des Estampes, Bibliotheque Nationale de France, Paris

Background imageRivaud Collection: The cook, 16th century (1849). Artist: Jost Amman

The cook, 16th century (1849). Artist: Jost Amman
The cook, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageRivaud Collection: Doctors at the Universite de Paris, 1849. Artist: Edward May

Doctors at the Universite de Paris, 1849. Artist: Edward May
Doctors at the Universite de Paris, 1849. A 19th century version of an original miniature from Chants Royaux, held at the Bibliotheque Nationale de France, Paris

Background imageRivaud Collection: Basin maker, 16th century (1849). Artist: Jost Amman

Basin maker, 16th century (1849). Artist: Jost Amman
Basin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud



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"Exploring the Rich Tapestry of Rivaud: A Glimpse into History" Step back in time and immerse yourself in the captivating world of Rivaud, as we unravel its fascinating stories through a collection of exquisite artworks. Marvel at the intricate enamel effigy of Geoffrey V, adorning his tomb at Le Mans Cathedral. Created by Lemercier in 1849, this masterpiece beautifully captures the essence of this noble figure from history. Witness the wear and tear endured by knights through Jost Ammon's depiction from 1565 (1849). The battle scars on their armor tell tales of bravery and valor that echo across centuries. Delve into romance with Agnes Sorel, mistress to King Charles VII of France. This enchanting portrayal from c1450 (1849) transports us to an era where love knew no bounds. Experience regal splendor as you witness the marriage between King Louis XII of France and Mary Tudor. Created in the 16th century (1849), this artwork encapsulates grandeur and union between two powerful dynasties. Trace back to its origins with E Hauger's depiction of the founding of Abbey St Genevieve during the 15th century (1849). Explore how faith shaped Rivaud's landscape throughout history. Unearth leisurely pursuits with E Hauger's illustrations showcasing playing cards used during both 15th and 16th centuries (1849). These images offer glimpses into social gatherings filled with entertainment and merriment among kings and noblemen alike. Let H Moulin transport you to a musical realm as he presents a king serenading his subjects with a harp. This evocative piece from 1849 captures not only melodies but also echoes cultural significance within Rivaud's society. Discover illuminated manuscripts' allure through Kellerhoven's scene from a manuscript dating back to the 15th century (1849).