Robert Walter Weir Collection

The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527, 1834

Portrait of Robert Walter Weir, c1885. Creator: Julian Alden Weir
Portrait of Robert Walter Weir, c1885. Born in New York, New York, in 1803. He studied for three years in Florence and Rome, returning to New York in 1827

Study for "The Bailey Family". Creator: Robert Walter Weir. Study for "The Bailey Family"
Study for "The Bailey Family"

Praying Figures in a Church, Florence, c. 1824/1827. Creator: Robert Walter Weir
Praying Figures in a Church, Florence, c. 1824/1827

Tis but Fancy's Sketch, 1850s. Creator: Robert Walter Weir
Tis but Fancy's Sketch, 1850s

Castle on a River, early 19th century. Creator: Robert Walter Weir
Castle on a River, early 19th century

Study for "War and Peace", c. 1836. Creator: Robert Walter Weir. Study for "War and Peace", c
Study for "War and Peace", c. 1836

Aaron Converting His Staff into a Serpent, c. 1860s. Creator: Robert Walter Weir
Aaron Converting His Staff into a Serpent, c. 1860s

Group of Figures, early 19th century. Creator: Robert Walter Weir
Group of Figures, early 19th century

When Other Friends Are Round Thee, c. 1853. Creator: Robert Walter Weir
When Other Friends Are Round Thee, c. 1853

Knight's Encounter, 1855. Creator: Robert Walter Weir
Knight's Encounter, 1855

Prof. Robert Weir, between 1855 and 1865. Creator: Unknown
Prof. Robert Weir, between 1855 and 1865. [Artist, painter]

Professor Robert Weir, between 1855 and 1865. Creator: Unknown
Prof. Robert Weir, between 1855 and 1865. [Artist, painter]

Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York
822694 Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York, (oil on canvas) by Weir, Robert Walter (1803-89); 84x122 cm; Private Collection; (add.info)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

(Moses Viewing the Promised Land), ca. 1860-1865. Creator: Robert Walter Weir
(Moses Viewing the Promised Land), ca. 1860-1865

St. Nicholas, ca. 1837. Creator: Robert Walter Weir
St. Nicholas, ca. 1837

The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly, 1830

The Dying Greek, ca. 1830. Creator: Asher Brown Durand
The Dying Greek, ca. 1830

Robert C. Sands, ca. 1829. Creator: Asher Brown Durand
Robert C. Sands, ca. 1829

Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX, 1831

The Entrance to a Wood, 1836. Creator: Robert Walter Weir
The Entrance to a Wood, 1836

General Winfield Scott, ca. 1855. Creator: Robert Walter Weir
General Winfield Scott, ca. 1855

Robert Walter Weir, Study for The Bailey Family, American, 1803 - 1889
Robert Walter Weir, Study for " The Bailey Family", American, 1803 - 1889, watercolor over graphite with touches of pen and black ink

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Robert Walter Weir was a renowned American artist and professor, known for his exceptional talent in painting. Born between 1855 and 1865, the creator of this extraordinary individual remains unknown. Weir's artistic prowess is evident in his various works, such as "Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York" and "Saint Nicholas, " both showcasing his ability to capture historical events with precision. One of Weir's notable pieces is "Moses Viewing the Promised Land, " created around 1860-1865. This masterpiece exemplifies Weir's attention to detail and skillful brushwork. Another remarkable creation by him is "St. Nicholas, " painted circa 1837. It portrays the iconic figure with depth and emotion. Weir's versatility as an artist extends beyond historical scenes and religious subjects; he also delved into theatrical themes like "The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly" from 1830. In this piece, he captures the essence of Shakespearean characters with vibrant colors and expressive gestures. Collaborating with fellow artist Asher Brown Durand on occasions resulted in stunning portraits like "The Dying Greek" from around 1830 and "Robert C. Sands" dating back to approximately 1829. Aside from being an accomplished painter, Weir contributed to literature through his work on the title page for "The New York Mirror. " This weekly journal dedicated to literature showcased not only written art but also visual artistry through its captivating cover design. Nature enthusiasts will appreciate Weir's landscape painting titled "The Entrance to a Wood, " completed in 1836. The artwork transports viewers into a serene forest setting filled with lush greenery that evokes tranquility. We cannot overlook Weir's portrait skills either; one example is his depiction of General Winfield Scott around 1855.