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Robinson Collection (page 13)

"Robinson: A Master of Ingenious Contraptions and Sporting Feats" Step into the whimsical world of Robinson

Background imageRobinson Collection: Advert for Robinson & Cleaver Ltd mens collars 1910 Advert for Robinson & Cleaver

Advert for Robinson & Cleaver Ltd mens collars 1910 Advert for Robinson & Cleaver
Collars that wear well, made of strong, tough, untearable and heavy linen. Date: 1910

Background imageRobinson Collection: PAPILLON / 1985

PAPILLON / 1985
COQUETTA RICKI OF DIVELISH Owned by Robinson. Date: 1985

Background imageRobinson Collection: FALL / BORZOIS / BY A TREE

FALL / BORZOIS / BY A TREE
Three Mythe Borzois belonging to Miss E. M. Robinson under a tree - two stand and one lies down, all are panting. Date: 1939

Background imageRobinson Collection: BORZOI / MYTHE CHAMPIONS

BORZOI / MYTHE CHAMPIONS
CHAMPIONS MYTHE MITYA (LEFT) AND MYTHE PETCHORA. Owned by Miss Robinson. Date: 1936

Background imageRobinson Collection: SIR CLIFTON ROBINSON

SIR CLIFTON ROBINSON Chief engineer of London United Electric Tramways: The Tramway King Date: 1849 - 1910

Background imageRobinson Collection: Mrs. Robinson as Perdita, ca. 1779. Creator: Richard Cosway

Mrs. Robinson as Perdita, ca. 1779. Creator: Richard Cosway
Mrs. Robinson as Perdita, ca. 1779

Background imageRobinson Collection: Widow Bird, from The Comic Natural History of the Human Race, 1851

Widow Bird, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Old Shad & Young, from The Comic Natural History of the Human Race, 1851

Old Shad & Young, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Same Old Coon (Henry Clay), from The Comic Natural History of the Human Race, 1851

Same Old Coon (Henry Clay), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Son Fish and Sucker, from The Comic Natural History of the Human Race, 1851

Son Fish and Sucker, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: One of the Rats, from The Comic Natural History of the Human Race, 1851

One of the Rats, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851

Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Woodpecker (William B. Gihon), from The Comic Natural History of the Human Race, 1851

Woodpecker (William B. Gihon), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Milliner Bird (Minnie Doyle), from The Comic Natural History of the Human Race, 1851

Milliner Bird (Minnie Doyle), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Sun Bird (James S. Wallace), from The Comic Natural History of the Human Race, 1851

Sun Bird (James S. Wallace), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: King Bird (Robert P. King and Alexander Baird), from The Comic Natural History of the

King Bird (Robert P. King and Alexander Baird), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Little Dear, from The Comic Natural History of the Human Race, 1851

Little Dear, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Gallows Bird, from The Comic Natural History of the Human Race, 1851

Gallows Bird, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Wharf Rat, from The Comic Natural History of the Human Race, 1851

Wharf Rat, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Lark, from The Comic Natural History of the Human Race, 1851

Lark, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Jail Bird, from The Comic Natural History of the Human Race, 1851

Jail Bird, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Humming Bird (Thomas B. Florence), from The Comic Natural History of the Human Race, 1851

Humming Bird (Thomas B. Florence), from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Alms House Bird, from The Comic Natural History of the Human Race, 1851

Alms House Bird, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Night Hawk, from The Comic Natural History of the Human Race, 1851

Night Hawk, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Vampyre, from The Comic Natural History of the Human Race, 1851

Vampyre, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: Butcher Birds, from The Comic Natural History of the Human Race, 1851

Butcher Birds, from The Comic Natural History of the Human Race, 1851

Background imageRobinson Collection: EyeUbiquitous_20121621

EyeUbiquitous_20121621
Ireland, North, Belfast, Taxi cabs outside Cafe Parisien in the former Robinson & Cleaver building

Background imageRobinson Collection: Scene from Robinson Crusoe at the Folly Theatre, London. Date: 1876

Scene from Robinson Crusoe at the Folly Theatre, London. Date: 1876

Background imageRobinson Collection: Lydia Thompson in the role of Robinson Crusoe. Date: 1899

Lydia Thompson in the role of Robinson Crusoe. Date: 1899

Background imageRobinson Collection: Calendar for 1877, Theatre Royal and Queens Theatre, London

Calendar for 1877, Theatre Royal and Queens Theatre, London, with production details on the reverse for pantomimes, The House That Jack Built and the Old Woman Who Lived in a Shoe (Theatre Royal)

Background imageRobinson Collection: At the Piano, ca. 1887. Creator: Theodore Robinson

At the Piano, ca. 1887. Creator: Theodore Robinson
At the Piano, ca. 1887

Background imageRobinson Collection: Self-Portrait, ca. 1884-87. Creator: Theodore Robinson

Self-Portrait, ca. 1884-87. Creator: Theodore Robinson
Self-Portrait, ca. 1884-87

Background imageRobinson Collection: The Old Mill (Vieux Moulin), ca. 1892. Creator: Theodore Robinson

The Old Mill (Vieux Moulin), ca. 1892. Creator: Theodore Robinson
The Old Mill (Vieux Moulin), ca. 1892

Background imageRobinson Collection: Evening at the Lock, Napanoch, New York, 1893. Creator: Theodore Robinson

Evening at the Lock, Napanoch, New York, 1893. Creator: Theodore Robinson
Evening at the Lock, Napanoch, New York, 1893

Background imageRobinson Collection: Low Tide, Riverside Yacht Club, 1894. Creator: Theodore Robinson

Low Tide, Riverside Yacht Club, 1894. Creator: Theodore Robinson
Low Tide, Riverside Yacht Club, 1894

Background imageRobinson Collection: A Bird s-Eye View, 1889. Creator: Theodore Robinson

A Bird s-Eye View, 1889. Creator: Theodore Robinson
A Bird s-Eye View, 1889

Background imageRobinson Collection: Scott Robinson, c2005. Creator: Brian Foskett

Scott Robinson, c2005. Creator: Brian Foskett
Scott Robinson, c2005

Background imageRobinson Collection: Richard Robinson, Primate of Ireland, 1779, (1944). Creator: Sir Joshua Reynolds

Richard Robinson, Primate of Ireland, 1779, (1944). Creator: Sir Joshua Reynolds
Richard Robinson, Primate of Ireland, 1779, (1944). Portrait of English cleric Richard Robinson (1709-1794) who was made Archbishop of Armagh in 1765

Background imageRobinson Collection: Preparing for the Snow-Ball Fight by Charles Robinson

Preparing for the Snow-Ball Fight by Charles Robinson
Illustration titled Preparing for the Snow-Ball Fight. This image shows a group of children making a pile of snow balls in preparation for a fight

Background imageRobinson Collection: Cedric Robinson MBE, Queens Guide to the Kent Sands

Cedric Robinson MBE, Queens Guide to the Kent Sands, Morecambe Bay, Cumbria, England, Cedric has now retired. Date: 2004

Background imageRobinson Collection: Cedric Robinson, Queens Guide to the Kent Sands

Cedric Robinson, Queens Guide to the Kent Sands
Cedric Robinson MBE, Queens Guide to the Kent Sands, Morecambe Bay, leads a walking tour of hundreds of people across the sands. Cedric has now retired Date: 2004

Background imageRobinson Collection: Father, I have sinned against heaven... and am no more worthy to be called thy son, 19th century

Father, I have sinned against heaven... and am no more worthy to be called thy son, 19th century
Father, I have sinned against heaven, and in thy sight, and am no more worthy to be called thy son, 19th century. Biblical scene, from Luke 15: 21: And the son said unto him, Father

Background imageRobinson Collection: Eli perceived that the Lord had called the child, 19th century. Creator: H Robinson

Eli perceived that the Lord had called the child, 19th century. Creator: H Robinson
Eli perceived that the Lord had called the child, 19th century. Biblical scene, from 1 Samuel 3: 8: And the LORD called Samuel again the third time

Background imageRobinson Collection: The meeting of Eliezer and Rebecca at the well, 19th century. Creator: H Robinson

The meeting of Eliezer and Rebecca at the well, 19th century. Creator: H Robinson
The meeting of Eliezer and Rebecca at the well, 19th century. Biblical scene, from Genesis 24: 22: And it came to pass, as the camels had done drinking

Background imageRobinson Collection: They have made them a molten calf and have worshipped it, 19th century Creator: H Robinson

They have made them a molten calf and have worshipped it, 19th century Creator: H Robinson
They have made them a molten calf and have worshipped it, 19th century. Biblical scene, from Exodus 32: 8: They have turned aside quickly out of the way which I commanded them

Background imageRobinson Collection: The Wininng Card on the ace of diamonds, 1910. Creator: W Heath Robinson

The Wininng Card on the ace of diamonds, 1910. Creator: W Heath Robinson
" The Wininng Card" on the ace of diamonds, 1910. Transformation playing card with the diamond featuring as a large patch on the much-mended coat of a card-player

Background imageRobinson Collection: The Young Mother, c1887, (c1930). Creator: Annie Louisa Swynnerton

The Young Mother, c1887, (c1930). Creator: Annie Louisa Swynnerton
The Young Mother, c1887, (c1930). Working woman in an orchard, carrying a child and a terracotta jug. Painting in the Dublin City Gallery, Ireland

Background imageRobinson Collection: Yvonne Robinson, 1938. Creator: Unknown

Yvonne Robinson, 1938. Creator: Unknown
Yvonne Robinson, 1938. From " Modern Beauties"



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"Robinson: A Master of Ingenious Contraptions and Sporting Feats" Step into the whimsical world of Robinson, where dining rooms operate without servants and everyday tasks are transformed into extraordinary adventures. In William Heath Robinson's imaginative illustrations, he brings to life a series of contraptions that redefine the concept of automation. In "Heath Robinson Automated Dining Room without Servants 1 of 4, " we witness a scene straight out of a fantastical dream. With intricate mechanisms and cleverly designed gadgets, this dining room functions flawlessly without any human assistance, and is a testament to Robinson's ability to blend creativity with practicality. But not all inventions go according to plan, as depicted in "A Complete Wash-out. " Here, Robinson humorously portrays an overly complicated washing machine that ends up causing chaos rather than cleanliness. His knack for finding humor in everyday mishaps shines through in this delightful illustration. Moving on from domestic settings, we delve into the realm of transportation with "The Kinecar. " This ingenious vehicle by William Heath Robinson showcases his talent for merging imagination and engineering prowess. The Kinecar takes us on an exhilarating ride through unconventional means while challenging traditional notions of travel. In "An Ideal Home No. I, " part of The Sketch Ideal Home series, Robinson presents us with a vision beyond our wildest dreams – sports without broad acres. He reimagines popular outdoor activities within the confines of urban spaces using his trademark ingenuity. Through these drawings, he invites us to question societal norms and embrace new possibilities. Not limited to just home innovations or sporting escapades, it also explores strategies for deceiving invaders in "Deceiving the Invader as to the State of Tide. " With cunning devices hidden beneath serene coastal scenes, he demonstrates how wit can triumph over force when it comes to protecting one's homeland. Venturing further into his artistic repertoire reveals works like "Ultra-Marine, " where Robinson's vivid imagination takes us underwater.