Rococo Art Collection

Nude Young Woman Sitting, Asleep; Une Jeune Femme Denudee et Assise, Endormie, (black
827621 Nude Young Woman Sitting, Asleep; Une Jeune Femme Denudee et Assise, Endormie, (black, red and white chalk on beige paper) by Boucher

La Retour de Chasse : A Hunting Dog Guarding Dead Game, (oil on canvas)
990343 La Retour de Chasse : A Hunting Dog Guarding Dead Game, (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 263x189 cm; Private Collection; (add.info.: La Retour de Chasse)

The Infant Hercules, (oil on canvas)
652123 The Infant Hercules, (oil on canvas) by Reynolds, Joshua (1723-92); 127x101.6 cm; Private Collection; (add.info.: The Infant Hercules. Sir Joshua Reynolds (1723-1792). Oil on canvas

Almanach Royal, 1756 (morocco leather gilt, mica, gouache)
985925 Almanach Royal, 1756 (morocco leather gilt, mica, gouache) by Derome, Jacques Antoine (1698-1760) (attr.to); 19x122.2 cm; Private Collection; (add.info.: Almanach Royal)

Portrait of a Gentleman, standing three-quarter length, Wearing a White Waistcoat
1765043 Portrait of a Gentleman, standing three-quarter length, Wearing a White Waistcoat, a Red Fur-Lined Cloak and Red Breeches, Pointing to a Map on a Table

Girl Playing with a Dog and a Cat (said to be Marie-Madeline Colombe), (oil on canvas)
991412 Girl Playing with a Dog and a Cat (said to be Marie-Madeline Colombe), (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 69.8 diameter cm; Private Collection; (add.info)

A Young Bather near a Column, (pen and brown ink, waterolour)
991405 A Young Bather near a Column, (pen and brown ink, waterolour) by Robert, Hubert (1733-1808); 27.9x20.8 cm; Private Collection; (add.info.: A Young Bather near a Column)

Le Lions en allant en Guerre, c. 1755-1759 (engraving)
985927 Le Lions en allant en Guerre, c.1755-1759 (engraving) by Oudry, Jean-Baptiste (1686-1755) (after); Private Collection; (add.info.: Le Lions en allant en Guerre. Fable CI)

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S
990131 The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S. Giorgio Magiore, (oil on canvas) by Canaletto

The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas)
990107 The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60.5x92.3 cm; Private Collection; (add.info.: The Bacino di S)

The Head of a Young Girl Inclined to the Left, (red chalk)
990034 The Head of a Young Girl Inclined to the Left, (red chalk) by Greuze, Jean Baptiste (1725-1805); 39.7x30.9 cm; Private Collection; (add.info.: The Head of a Young Girl Inclined to the Left)

A View of a Terrace in Padua, (black chalk, pen and brown ink)
990017 A View of a Terrace in Padua, (black chalk, pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 34.2x43.1 cm; Private Collection; (add.info.: A View of a Terrace in Padua)

Portrait of a Young Man, (red and black chalk on paper)
989998 Portrait of a Young Man, (red and black chalk on paper) by Burrini or Burino, Giovanni Antonio (1657-1727); 25.5x21.9 cm; Private Collection; (add.info.: Portrait of a Young Man)

The Fountain of Love, 1780s (oil on canvas)
990396 The Fountain of Love, 1780s (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 62.2x51.4 cm; Private Collection; (add.info.: The Fountain of Love. Jean-Honore Fragonard (1732-1806)

Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his
990360 Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his Portrait on the Kings Instructions (oil on canvas) by Burrini or Burino

La Halte de Chasseurs : A Huntsman Holding a Gamebird and Resting by a Tree
990336 La Halte de Chasseurs : A Huntsman Holding a Gamebird and Resting by a Tree, his Servant and Hounds Nearby, (oil on canvas) by Lancret

The Annunciation (oil on canvas)
659398 The Annunciation (oil on canvas) by Piazzetta, Giovanni Battista (1683-1754); 53.3x71.1 cm; Private Collection; (add.info.: The Annunciation. Giovanni Battista Piazzetta (1682-1754)

A Seated Nude with a Staff, a Relief with Putti to the Left, 1738 (red chalk and wash
659258 A Seated Nude with a Staff, a Relief with Putti to the Left, 1738 (red chalk and wash, white chalk on buff paper) by Boucher

A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard
659227 A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard, (black and white chalk on grey paper) by Piazzetta

A Young Woman Seated in Profile to the Left, (black, red
659214 A Young Woman Seated in Profile to the Left, (black, red and white chalk with pastel on buff paper) by Boucher, Francois (1703-70) (circle of); 51.6x36.8 cm; Private Collection; (add.info)

Portrait of a Woman, Bust Length, in a Bonnet, with her Hands Clasped, (red chalk
659201 Portrait of a Woman, Bust Length, in a Bonnet, with her Hands Clasped, (red chalk, reworked in black chalk and grey wash) by Greuze

The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink
659189 The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink, brown wash) by Guardi, Francesco (1712-93); 44x59.3 cm; Private Collection; (add.info)

The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas)
659336 The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 59.5x93.8 cm; Private Collection; (add.info)

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress
652121 Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress, and Lace-Trimmed Shawl, Holding a Fan, in a Landscape, (oil on canvas) by Reynolds

Venus, Cupid and a Faun, 1708-13 (oil on canvas)
827853 Venus, Cupid and a Faun, 1708-13 (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 127.5x102.2 cm; Private Collection; (add.info.: Venus, Cupid and a Faun)

Fear of the Storm; La Peur de l Orage, (oil on panel)
827764 Fear of the Storm; La Peur de l Orage, (oil on panel) by Greuze, Jean Baptiste (1725-1805); 72.3x59.3 cm; Private Collection; (add.info.: Fear of the Storm; La Peur de l Orage)

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
827557 The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink, brown wash) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 17.2x13.8 cm; Private Collection; (add.info)

Old Somerset House from the River Thames, London (oil on canvas)
1766785 Old Somerset House from the River Thames, London (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: Old Somerset House from the River Thames)

Erato, the Muse of Love Poetry (oil on canvas)
1764976 Erato, the Muse of Love Poetry (oil on canvas) by Boucher, Francois (1703-70); 81.5x127.9 cm; Private Collection; (add.info.: Erato, the Muse of Love Poetry)

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length
652187 Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas) by Batoni

Portrait of a Lady, said to be Mrs, (oil on canvas)
827929 Portrait of a Lady, said to be Mrs, (oil on canvas) by Reynolds, Joshua (1723-92); 75.6x63.5 cm; Private Collection; (add.info.: Portrait of a Lady, said to be Mrs)

Marie-Therese de Bourbon, Princesse de Conti (1666-1732), as a River Goddess
827918 Marie-Therese de Bourbon, Princesse de Conti (1666-1732), as a River Goddess, (oil on canvas) by Largilliere, Nicolas de (1656-1746); 137.3x107.4 cm; Private Collection; (add.info)

Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock
824268 Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock and Lace-Edged White Shirt, with His Right Hand Tucked into His Jacket, c.1763 (oil on canvas) by Hogarth

The Head of a Woman looking up to the right, (red chalk)
827578 The Head of a Woman looking up to the right, (red chalk) by Greuze, Jean Baptiste (1725-1805); 43.2x42.2 cm; Private Collection; (add.info.: The Head of a Woman looking up to the right)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Portrait of Empress Catherine I (1684-1727), (oil on canvas)
1195711 Portrait of Empress Catherine I (1684-1727), (oil on canvas) by Nattier, Jean-Marc (1685-1766) (studio of); 90x71 cm; Private Collection; Photo eChristies Images; French, out of copyright

La Toilette de Venus, After Francois Boucher, 1783 (etching with engraving printed in
659434 La Toilette de Venus, After Francois Boucher, 1783 (etching with engraving printed in colour (black, blue, red and y) by Janinet

The Loggia Erected in Campo San Zanipolo, Venice, in Front of the Scuola di San Marco for
659399 The Loggia Erected in Campo San Zanipolo, Venice, in Front of the Scuola di San Marco for the Benediction of Pope Pius VI in 1782, (oil on canvas) by Guardi

The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas)
659310 The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47x78.5 cm; Private Collection; (add.info.: The Grand Canal)

Portrait of a Gentleman, Half Length, in Armour, a White Jabot and Crimson Wrap
659263 Portrait of a Gentleman, Half Length, in Armour, a White Jabot and Crimson Wrap, in a Painted Oval, (oil on canvas) by Nattier, Jean-Marc (1685-1766) (attr)

Six Putti at Play, Two Holding Up a Cage, (red chalk)
659234 Six Putti at Play, Two Holding Up a Cage, (red chalk) by Fragonard, Jean-Honore (1732-1806); 30.4x24.4 cm; Private Collection; (add.info.: Six Putti at Play, Two Holding Up a Cage)

A Colonnaded Thermal Building, the Roof Partly Open to the Sky
659229 A Colonnaded Thermal Building, the Roof Partly Open to the Sky, with Girls Washing Clothes at a Fountain Below a Statue, (pencil, pen and black ink and watercolour)

A Boy Holding a Lemon, (black and white chalk on light blue paper)
659222 A Boy Holding a Lemon, (black and white chalk on light blue paper) by Piazzetta, Giovanni Battista (1683-1754); 39x30.8 cm; Private Collection; (add.info.: A Boy Holding a Lemon)

A View of the Molo from the Bacino di San Marco, Venice, (oil on canvas)
659376 A View of the Molo from the Bacino di San Marco, Venice, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 100.5x126.4 cm; Private Collection; (add.info)

Young Lovers, (oil on canvas)
659343 Young Lovers, (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 63.5x50.8 cm; Private Collection; (add.info.: Young Lovers. School of Fragonard. Oil on canvas)

All Professionally Made to Order for Quick Shipping

Rococo Art: A Glimpse into Extravagance and Elegance Step into the world of Rococo art, where opulence and grace intertwine to create a visual feast for the senses. From delicate brushstrokes to intricate engravings, this artistic movement captivates with its lavishness and attention to detail. In "Nude Young Woman Sitting, Asleep, " an ethereal beauty rests peacefully, her vulnerability juxtaposed against the grandeur of her surroundings. The artist's skillful use of black lead, red, black, and white chalk brings forth a sense of intimacy that is both captivating and serene. Transport yourself to the commedia dell'arte in "A scene from the commedia dell'arte: A girl resisting the advances of a comedian. " Here we witness a playful encounter between two characters; one resists while another executes an elegant step. This artwork captures not only their physical movements but also their emotions through vibrant colors and masterful strokes. "The Infant Hercules" portrays strength in its purest form as a young hero emerges amidst swirling clouds. Painted on canvas with meticulous precision, this piece showcases how Rococo artists effortlessly blended mythology with aesthetics. Dive into exotic lands with "From the Four Parts of the World - Africa: A European Merchant Bartering with a Black Chief. " Through oil on canvas, this painting depicts cultural exchange as merchants engage in trade under African skies. It serves as a reminder that Rococo art was not limited by geographical boundaries but rather celebrated diversity. Delve further into society's elite circles through portraits like "Portrait of a Gentleman. " Standing tall in his white waistcoat, he exudes confidence and refinement—a testament to Rococo's ability to capture individuality within societal norms. In contrast, "Girl Playing with a Dog and Cat" reveals innocence at play. Marie-Madeline Colombe becomes immortalized on canvas, her joy radiating through the strokes of oil.