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Roger De La Fresnaye Collection

Roger de la Fresnaye was a French artist known for his diverse range of works, including sculptures, paintings, and drawings

Background imageRoger De La Fresnaye Collection: Still Life, 1913. Creator: Roger de la Fresnaye

Still Life, 1913. Creator: Roger de la Fresnaye
Still Life, 1913

Background imageRoger De La Fresnaye Collection: Castor and Pollux, 1922 (oil on canvas)

Castor and Pollux, 1922 (oil on canvas)
988762 Castor and Pollux, 1922 (oil on canvas) by La Fresnaye, Roger de (1885-1925); 28x19 cm; Private Collection; (add.info.: Castor and Pollux; Castor et Pollux. Roger de la Fresnaye (1885-1925)

Background imageRoger De La Fresnaye Collection: The Clown; Le Pierrot, 1922 (oil on canvas)

The Clown; Le Pierrot, 1922 (oil on canvas)
653028 The Clown; Le Pierrot, 1922 (oil on canvas) by La Fresnaye, Roger de (1885-1925); 54.4x65.1 cm; Private Collection; (add.info.: The Clown; Le Pierrot. Roger de la Fresnaye (1885-1925)

Background imageRoger De La Fresnaye Collection: Study for Paludes, 1917-1920 (watercolour and pencil on tracing paper)

Study for Paludes, 1917-1920 (watercolour and pencil on tracing paper)
988380 Study for Paludes, 1917-1920 (watercolour and pencil on tracing paper) by La Fresnaye, Roger de (1885-1925); 37.8x26 cm; Private Collection; (add.info.: Study for Paludes; Etude pour Paludes)

Background imageRoger De La Fresnaye Collection: The Italian Girl, three quarter length, Looking to the Right; L Italienne

The Italian Girl, three quarter length, Looking to the Right; L Italienne
826455 The Italian Girl, three quarter length, Looking to the Right; L Italienne, de Trois Quarts Regardant vers la Droite, c.1910-11 (oil on canvas) by La Fresnaye

Background imageRoger De La Fresnaye Collection: The Bathers, 1912. Creator: Roger de la Fresnaye

The Bathers, 1912. Creator: Roger de la Fresnaye
The Bathers, 1912

Background imageRoger De La Fresnaye Collection: Village at the Waters Edge, 1910. Creator: Roger de la Fresnaye

Village at the Waters Edge, 1910. Creator: Roger de la Fresnaye
Village at the Waters Edge, 1910

Background imageRoger De La Fresnaye Collection: The Watering Can (Emblems: The Garden), 1913. Creator: Roger de la Fresnaye

The Watering Can (Emblems: The Garden), 1913. Creator: Roger de la Fresnaye
The Watering Can (Emblems: The Garden), 1913

Background imageRoger De La Fresnaye Collection: The Bathers, 1912. Artist: Roger de la Fresnaye

The Bathers, 1912. Artist: Roger de la Fresnaye
The Bathers, 1912

Background imageRoger De La Fresnaye Collection: Roger de La Fresnaye, Still Life, French, 1885 - 1925, probably 1920, graphite and pen

Roger de La Fresnaye, Still Life, French, 1885 - 1925, probably 1920, graphite and pen and white ink on brown paper


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Roger de la Fresnaye was a French artist known for his diverse range of works, including sculptures, paintings, and drawings. One of his notable pieces is the "Large Nude; Grand Nu, " created in 1949 as a bronze sculpture. This artwork showcases de la Fresnaye's mastery in capturing the human form with grace and elegance. In another work titled "Man Writing: Study for Paludes; Homme Ecrivant: Etude pour Paludes, " de la Fresnaye explores the theme of creativity and introspection. The painting depicts a man engrossed in writing, symbolizing the artist's own process of creation. "Castor and Pollux, " an oil on canvas piece from 1922, reveals de la Fresnaye's fascination with mythology. The painting portrays the twin brothers Castor and Pollux from Greek mythology, highlighting their bond as well as their contrasting personalities. "The Clown; Le Pierrot" is another captivating oil on canvas artwork by de la Fresnaye. Created in 1922, it showcases a melancholic clown figure known as Pierrot. Through this piece, the artist delves into themes of sadness and introspection within the realm of performance art. De la Fresnaye also explored various mediums such as watercolor and pencil on tracing paper in his work titled "Study for Paludes. " Created between 1917-1920, this study exemplifies his meticulous approach to composition and form. "The Italian Girl" captures a three-quarter-length portrait looking to the right. This painting demonstrates de la Fresnaye's ability to capture individuality through portraiture while showcasing his skillful use of color and light. In "Man in the Country: Study for Paludes, " we see an exploration of landscape alongside human presence—a recurring theme throughout many of de la Fresnaye's works—highlighting our connection with nature.