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Roman Art Collection (page 59)

Roman art is a captivating blend of beauty, skill, and historical significance

Background imageRoman Art Collection: The Roman Wall and Roman Art in Britain (engraving)

The Roman Wall and Roman Art in Britain (engraving)
2812330 The Roman Wall and Roman Art in Britain (engraving) by English School, (19th century); Private Collection; (add.info.: The Roman Wall and Roman Art in Britain)

Background imageRoman Art Collection: Roman Temple in Barcelona, Spain, early 2nd century AD (photo)

Roman Temple in Barcelona, Spain, early 2nd century AD (photo)
AIS5342621 Roman Temple in Barcelona, Spain, early 2nd century AD (photo) by Roman, (2nd century AD); Barcelona, Spain; (add.info.: Roman architecture)

Background imageRoman Art Collection: Roman Amphitheatre of Tarragona, 1st and 2nd century AD (photo)

Roman Amphitheatre of Tarragona, 1st and 2nd century AD (photo)
AIS5342663 Roman Amphitheatre of Tarragona, 1st and 2nd century AD (photo) by Roman, (1st-2nd Century AD); Tarragona, Catalonia

Background imageRoman Art Collection: Aqueduct of Segovia, Spain, 1st centuary AD (photo)

Aqueduct of Segovia, Spain, 1st centuary AD (photo)
AIS5342653 Aqueduct of Segovia, Spain, 1st centuary AD (photo) by Roman, (1st century AD); Segovia, Spain; (add.info.: Roman architecture: view of the aqueduct of Segovia (1st)

Background imageRoman Art Collection: Capital of a column, from the Church of Santa Maria de l Estany, Spain

Capital of a column, from the Church of Santa Maria de l Estany, Spain
AIS5342643 Capital of a column, from the Church of Santa Maria de l Estany, Spain, 12th century (stone) by Spanish School, (12th century); L Estany, Barcelona

Background imageRoman Art Collection: Plaster reproduction of an inhabitant of Pompeii died during the eruption of Vesuvius

Plaster reproduction of an inhabitant of Pompeii died during the eruption of Vesuvius

Background imageRoman Art Collection: Remains of the Roman road used by the pilgrims at the exit of the village

Remains of the Roman road used by the pilgrims at the exit of the village

Background imageRoman Art Collection: God Pan as a child playing the flute, fragment of the relief in Amalthea fountain

God Pan as a child playing the flute, fragment of the relief in Amalthea fountain

Background imageRoman Art Collection: Celtiberian Roman rock city of Tiermes, detail of the rock digged houses

Celtiberian Roman rock city of Tiermes, detail of the rock digged houses

Background imageRoman Art Collection: Rome, Arch of Constantine, it commemorates the victory of Milvian Bridge over Maxentius

Rome, Arch of Constantine, it commemorates the victory of Milvian Bridge over Maxentius (313) and it is mostly decorated with waste of other previous monuments

Background imageRoman Art Collection: Ulysses and his fleet attacked by Lestrygonians

Ulysses and his fleet attacked by Lestrygonians

Background imageRoman Art Collection: Mosaic with the representation of a chariot drawn by birds

Mosaic with the representation of a chariot drawn by birds

Background imageRoman Art Collection: Dying Gaul, Roman copy in marble of a Greek original in bronze

Dying Gaul, Roman copy in marble of a Greek original in bronze

Background imageRoman Art Collection: Cardus Maximus Street with underground conduction of water, in the Phoenician-Punic-Roman

Cardus Maximus Street with underground conduction of water, in the Phoenician-Punic-Roman city of Tharros

Background imageRoman Art Collection: Overview of the forum with the Basilica of Constantine in Rome

Overview of the forum with the Basilica of Constantine in Rome

Background imageRoman Art Collection: Termopolio ruins, hot food shop, located on Cardo V street, located on the ruins of Herculaneum

Termopolio ruins, hot food shop, located on Cardo V street, located on the ruins of Herculaneum

Background imageRoman Art Collection: Remains of Cardo V street from the ruins of Herculaneum

Remains of Cardo V street from the ruins of Herculaneum

Background imageRoman Art Collection: Ruins of the amphitheater where the revolt of Spartacus left, its the second largest

Ruins of the amphitheater where the revolt of Spartacus left, its the second largest one in the world

Background imageRoman Art Collection: Tomb of Cecilia Metella on the Appian Road in Rome, it was converted into a fortress

Tomb of Cecilia Metella on the Appian Road in Rome, it was converted into a fortress in the 14th century

Background imageRoman Art Collection: Exterior view of the Ara Pacis Augustae in Rome

Exterior view of the Ara Pacis Augustae in Rome

Background imageRoman Art Collection: Model of the Baths of Caracalla

Model of the Baths of Caracalla

Background imageRoman Art Collection: Apoxyomenos, Roman copy of a Greek original by Lysippus

Apoxyomenos, Roman copy of a Greek original by Lysippus

Background imageRoman Art Collection: Basrelief in the Arch of Titus representing men carrying a menorah, located in the

Basrelief in the Arch of Titus representing men carrying a menorah, located in the Via Sacra of the Rome Forum

Background imageRoman Art Collection: The Galata, a Roman copy of a Greek original of the 3rd - 2nd century BC, detail

The Galata, a Roman copy of a Greek original of the 3rd - 2nd century BC, detail

Background imageRoman Art Collection: The Galata, Dying Gaul, a Roman copy of a Greek original from Pergamum, 3rd-2nd century BC

The Galata, Dying Gaul, a Roman copy of a Greek original from Pergamum, 3rd-2nd century BC

Background imageRoman Art Collection: Reconstruction of the library of a noble Roman house

Reconstruction of the library of a noble Roman house

Background imageRoman Art Collection: Reception at the Senate, fragment in the Arch of Trajan

Reception at the Senate, fragment in the Arch of Trajan

Background imageRoman Art Collection: Satyr asleep in bronze, Roman copy of an Hellenistic original of 3rd century BC

Satyr asleep in bronze, Roman copy of an Hellenistic original of 3rd century BC

Background imageRoman Art Collection: Scene of the sacrifice of a bull to the god Mars, relief on the altar of Domitius Aenobarbus

Scene of the sacrifice of a bull to the god Mars, relief on the altar of Domitius Aenobarbus

Background imageRoman Art Collection: Scene of a census, relief on the altar of Domitius Aenobarbus

Scene of a census, relief on the altar of Domitius Aenobarbus

Background imageRoman Art Collection: Hermes, Roman copy of a work by Praxiteles

Hermes, Roman copy of a work by Praxiteles

Background imageRoman Art Collection: Hercule Farnese, Roman copy of a Greek work by Lysippus

Hercule Farnese, Roman copy of a Greek work by Lysippus

Background imageRoman Art Collection: Apollo Belvedere

Apollo Belvedere

Background imageRoman Art Collection: Satyr embracing a nymph, fresco from the house of Epigram at Pompeii

Satyr embracing a nymph, fresco from the house of Epigram at Pompeii

Background imageRoman Art Collection: Satyr and Maenad. Mosaic from the House of the Faun

Satyr and Maenad. Mosaic from the House of the Faun

Background imageRoman Art Collection: Silenus on a donkey, mosaic

Silenus on a donkey, mosaic

Background imageRoman Art Collection: Mosaics in the House of Neptune and Amfitrita in the Herculaneum

Mosaics in the House of Neptune and Amfitrita in the Herculaneum

Background imageRoman Art Collection: Magician and her customers. Mosaic from Pompeiis Villa of Cicero, c. 100 a. C

Magician and her customers. Mosaic from Pompeiis Villa of Cicero, c. 100 a. C
Magician and her customers. Mosaic from Pompeiis Villa of Cicero, c. 100 a.C

Background imageRoman Art Collection: Sappho, fresh from the Herculaneum

Sappho, fresh from the Herculaneum

Background imageRoman Art Collection: Actor and mask, fresco from the house of the Tragic Poet at Pompeii

Actor and mask, fresco from the house of the Tragic Poet at Pompeii

Background imageRoman Art Collection: Jason presented before his uncle Pelio and his daughters, fresco from Pompeii

Jason presented before his uncle Pelio and his daughters, fresco from Pompeii

Background imageRoman Art Collection: Sacrifice of Iphigenia, fresco from the house of the Tragic Poet in Pompeii

Sacrifice of Iphigenia, fresco from the house of the Tragic Poet in Pompeii

Background imageRoman Art Collection: Ara Pacis Augustae, relief depicting the sacrifice of Aeneas, 9 b. C

Ara Pacis Augustae, relief depicting the sacrifice of Aeneas, 9 b. C
Ara Pacis Augustae, relief depicting the sacrifice of Aeneas, 9 b.C

Background imageRoman Art Collection: Frescoes on the walls of the House of Vettii in Pompeii

Frescoes on the walls of the House of Vettii in Pompeii

Background imageRoman Art Collection: Ara Pacis Augustae, relief depicting Earth fertilized, 9 b. C

Ara Pacis Augustae, relief depicting Earth fertilized, 9 b. C
Ara Pacis Augustae, relief depicting Earth fertilized, 9 b.C

Background imageRoman Art Collection: Ara Pacis Augustae. Detail with a procession of priests, 9 b. C

Ara Pacis Augustae. Detail with a procession of priests, 9 b. C
Ara Pacis Augustae. Detail with a procession of priests, 9 b.C

Background imageRoman Art Collection: Trajans Column, relief representing several boats

Trajans Column, relief representing several boats

Background imageRoman Art Collection: Columns by the current City Council of Cordoba

Columns by the current City Council of Cordoba



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Roman art is a captivating blend of beauty, skill, and historical significance. From the intricate details of Diana the Huntress fresco from the house Stabia at Pompeii to the powerful stance of Doryphoros, Roman art showcases a rich tapestry of creativity. In the Frescoes in the House of Livia Tablinum in Palatine, we are transported back in time as we witness scenes that depict daily life and mythological tales. The Jupiter of Versailles stands tall with its marble grandeur, reminding us of Rome's reverence for gods and goddesses. The Statue of Esculape exudes an aura of healing and wisdom, while Julius Caesar depicted in heroic nudity symbolizes his strength and leadership during turbulent times. A hero combined with a portrait of Aelius Caesar captures both individuality and loyalty to empire. The Captive barbarian sculpture crafted from porphyre and marble serves as a reminder of Rome's military might. Meanwhile, a woman praying between two Ionic columns reflects religious devotion amidst architectural splendor. The Statue of Germanicus immortalizes bravery through its lifelike form, while Titus' marble likeness portrays imperial power with grace. And who can forget the Roman Sarcophagus: Achilles? This masterpiece carved from marble tells stories not only about ancient heroes but also about human mortality. Roman art continues to fascinate us today because it offers glimpses into their culture - their beliefs, values, achievements - all captured within these masterpieces that have stood the test of time, and is through these works that we can truly appreciate the artistic legacy left behind by one civilization that shaped history forever.