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Rosicrucian Collection

The Rosicrucian tradition is a fascinating blend of ancient wisdom and mystical symbolism

Background imageRosicrucian Collection: Rosicrucian Symbol

Rosicrucian Symbol
SYMBOLIC REPRESENTATION OF THE ROSY CROSS Symbol of the Rosicrucians

Background imageRosicrucian Collection: Hermes Trismegistus, classical god

Hermes Trismegistus, classical god
Engraving depicting Hermes Trismegistus, a syncretism (joining) of the Greek god Hermes and the Egyptian god Thoth. The writings attributed to Hermes Trismegistus were hugely influential on mediaeval

Background imageRosicrucian Collection: Symbolic designs on the lid of the Pastos in the vault of the Adepts, c

Symbolic designs on the lid of the Pastos in the vault of the Adepts, c
RGL212699 Symbolic designs on the lid of the Pastos in the vault of the Adepts, c.1895 (coloured ink on paper) by English School

Background imageRosicrucian Collection: Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618

Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618
XJF354286 Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618 by German School, (17th century); Private Collection; (add.info)

Background imageRosicrucian Collection: Symbolic diagram of the Garden of Eden before the Fall of Man, c

Symbolic diagram of the Garden of Eden before the Fall of Man, c
RGL212690 Symbolic diagram of the Garden of Eden before the Fall of Man, c.1892 (coloured ink on paper) by Burnett, Elizabeth (fl.1890s); Private Collection; (add.info)

Background imageRosicrucian Collection: 17th century engraving

17th century engraving. Engraved plate depicting Rosicrucians from the publication Vitus del capo de la bona speranza, published in 1677

Background imageRosicrucian Collection: Charter of the Osiris Temple No. 4 of the Hermetic Order of the Golden Dawn

Charter of the Osiris Temple No. 4 of the Hermetic Order of the Golden Dawn
RGL212691 Charter of the Osiris Temple No.4 of the Hermetic Order of the Golden Dawn, 1888 (pen & ink on card) by Mathers

Background imageRosicrucian Collection: Official diagram of the layout of The Golden Dawn Temple for working the first part of

Official diagram of the layout of The Golden Dawn Temple for working the first part of
RGL212683 Official diagram of the layout of The Golden Dawn Temple for working the first part of the 4=7 degree of Philosophus, c.1895 (litho) by Westcott, William Wynn (1848-1925) (attr)

Background imageRosicrucian Collection: The Jewel of the Rose Croix, published in 1928 (colour litho)

The Jewel of the Rose Croix, published in 1928 (colour litho)
5974497 The Jewel of the Rose Croix, published in 1928 (colour litho) by Knapp, John Augustus (1853-1938); Newberry Library, Chicago, Illinois, USA; (add.info.: An encyclopedic outline Masonic)

Background imageRosicrucian Collection: Samuel Liddell Mathers (1854-1918) 1889 (b / w photo)

Samuel Liddell Mathers (1854-1918) 1889 (b / w photo)
RGL212682 Samuel Liddell Mathers (1854-1918) 1889 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageRosicrucian Collection: Original rough design for the Rose-croix lamen, 1888 (ink & w / c on paper)

Original rough design for the Rose-croix lamen, 1888 (ink & w / c on paper)
RGL212696 Original rough design for the Rose-croix lamen, 1888 (ink & w/c on paper) by Westcott, William Wynn (1848-1925); Private Collection; (add.info.: worn by adepts of the Second)

Background imageRosicrucian Collection: Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari

Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari
RGL212685 Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari, working the Rites of Isis, Paris, 1899 (pen & ink on paper) by English School

Background imageRosicrucian Collection: In 1747, the Companions are told, the pretender Charles-Edward Stuart (1720-1788)

In 1747, the Companions are told, the pretender Charles-Edward Stuart (1720-1788)
CHT224705 In 1747, the Companions are told, the pretender Charles-Edward Stuart (1720-1788) established a Chapter of the Rose Cross in Arras

Background imageRosicrucian Collection: Allegory of human hearing and music, from Utriusque Cosmi Historia Tractatus

Allegory of human hearing and music, from Utriusque Cosmi Historia Tractatus
CHT360253 Allegory of human hearing and music, from Utriusque Cosmi Historia Tractatus Secundus de naturae Simia seu Tecnica Macrocosmi, published in Frankfurt, 1617-24 (engraving) by German School

Background imageRosicrucian Collection: Portrait of Valentine Andreae (1568-1643), copy of a German engraving illustrated in

Portrait of Valentine Andreae (1568-1643), copy of a German engraving illustrated in
STC202518 Portrait of Valentine Andreae (1568-1643), copy of a German engraving illustrated in History of Magic, published late 19th century (litho) by German School

Background imageRosicrucian Collection: Masonic apron with various symbols (embroidered silk)

Masonic apron with various symbols (embroidered silk)
CHT221397 Masonic apron with various symbols (embroidered silk) by French School, (19th century); Musee de la Franc-MaAzonnerie, Paris

Background imageRosicrucian Collection: Telesmatic angelic figure, c. 1892 (watercolour on paper)

Telesmatic angelic figure, c. 1892 (watercolour on paper)
RGL212693 Telesmatic angelic figure, c.1892 (watercolour on paper) by Ayton, W.A. (fl.1880s); Private Collection; (add.info.: Hermetic Order of the Golden Dawn; ); English, out of copyright

Background imageRosicrucian Collection: Colour wheel used for divination, 1894 (w / c & ink on card)

Colour wheel used for divination, 1894 (w / c & ink on card)
RGL212689 Colour wheel used for divination, 1894 (w/c & ink on card) by Westcott, William Wynn (1848-1925); Private Collection; (add.info.: practised in the Second, or Inner Order of the Golden Dawn)

Background imageRosicrucian Collection: Samuel Liddell MacGregor Mathers (1854-1918) in ceremonial regalia relating to ritual

Samuel Liddell MacGregor Mathers (1854-1918) in ceremonial regalia relating to ritual
RGL212681 Samuel Liddell MacGregor Mathers (1854-1918) in ceremonial regalia relating to ritual magic, c.1895 (oil on paper) by Mathers

Background imageRosicrucian Collection: Original design for the symbolic Great Seal on the parchment roll of the Second Order of

Original design for the symbolic Great Seal on the parchment roll of the Second Order of
RGL212697 Original design for the symbolic Great Seal on the parchment roll of the Second Order of the Golden Dawn, 1891 (w/c on paper) by Mathers

Background imageRosicrucian Collection: Interior of the New York Temple of the Societas Rosicruciana in America, c

Interior of the New York Temple of the Societas Rosicruciana in America, c
RGL212694 Interior of the New York Temple of the Societas Rosicruciana in America, c.1913 (b/w photo) by American Photographer

Background imageRosicrucian Collection: Frontispiece to George Withers Emblems, 1635 (engraving)

Frontispiece to George Withers Emblems, 1635 (engraving)
XJF359062 Frontispiece to George Withers Emblems, 1635 (engraving) by Marshall, William (fl.1617-49); Private Collection; (add.info.: George Wither (1588-1667) English poet and satirist; ); English

Background imageRosicrucian Collection: De elementorum forma, from Robert Fludds Utriusque Cosmi Historia

De elementorum forma, from Robert Fludds Utriusque Cosmi Historia
XJF447335 De elementorum forma, from Robert Fludds Utriusque Cosmi Historia, 1617-19 (engraving) by English School, (17th century); Private Collection; (add.info)

Background imageRosicrucian Collection: Frontispiece from Monas Hieroglyphica by John Dee, published in 1564 (print)

Frontispiece from Monas Hieroglyphica by John Dee, published in 1564 (print)
XJF365356 Frontispiece from Monas Hieroglyphica by John Dee, published in 1564 (print) by English School, (16th century); Private Collection; (add.info.: the Monas Hieroglyphica)

Background imageRosicrucian Collection: The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator

The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator
RGL212698 The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator) of the Hermetic Order of the Golden Dawn, c.1895 (collage) (see also 212684) by English School

Background imageRosicrucian Collection: Rose-croix lamen (collar jewel) 1888 (w / c & ink on coloured card with silk)

Rose-croix lamen (collar jewel) 1888 (w / c & ink on coloured card with silk)
RGL212687 Rose-croix lamen (collar jewel) 1888 (w/c & ink on coloured card with silk) by Westcott, William Wynn (1848-1925); Private Collection; (add.info)

Background imageRosicrucian Collection: Johphiel, Merefool, Skelton and Scogan, c. 1625 (pen & ink on paper)

Johphiel, Merefool, Skelton and Scogan, c. 1625 (pen & ink on paper)
CTS407553 Johphiel, Merefool, Skelton and Scogan, c.1625 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageRosicrucian Collection: De tribus prioribus creationis diebus, from Robert Fludds

De tribus prioribus creationis diebus, from Robert Fludds
XJF447341 De tribus prioribus creationis diebus, from Robert Fludds Utriusque Cosmi Historia, 1617-19 (engraving) by English School

Background imageRosicrucian Collection: The Tree of knowledge of good and evil (engraving) (b / w photo)

The Tree of knowledge of good and evil (engraving) (b / w photo)
CHT223761 The Tree of knowledge of good and evil (engraving) (b/w photo) by German School, (17th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; German, out of copyright

Background imageRosicrucian Collection: Freemasons apron with masonic and rosicrucian symbols (embroidered silk)

Freemasons apron with masonic and rosicrucian symbols (embroidered silk)
741500 Freemasons apron with masonic and rosicrucian symbols (embroidered silk) by French School, (19th century); Musee de la Franc-MaAzonnerie, Paris, France; (add.info.: Symbols include cross)

Background imageRosicrucian Collection: Robert Fludd, 1626 (engraving)

Robert Fludd, 1626 (engraving)
XJF447334 Robert Fludd, 1626 (engraving) by Merian, Matthaus the Elder (1593-1650) (attr. to); Private Collection; (add.info.: Robert Fludd (1574-1637) fellow of the Society of Physicians

Background imageRosicrucian Collection: Dr. William R. Woodman (1828-91) with his family at their London home, c. 1887 (b / w photo)

Dr. William R. Woodman (1828-91) with his family at their London home, c. 1887 (b / w photo)
RGL212686 Dr. William R. Woodman (1828-91) with his family at their London home, c.1887 (b/w photo) by English Photographer

Background imageRosicrucian Collection: The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius

The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius
RGL212684 The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius) of the Hermetic Order of the Golden Dawn, c.1895 (collage) (see also 212698) by English School

Background imageRosicrucian Collection: Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageRosicrucian Collection: Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageRosicrucian Collection: Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageRosicrucian Collection: Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageRosicrucian Collection: Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageRosicrucian Collection: Reproduction Of A Freemason-Rosicrucian Compass 1779 From The Book The Freemason By Eugen Lennhoff

Reproduction Of A Freemason-Rosicrucian Compass 1779 From The Book The Freemason By Eugen Lennhoff Published 1932

Background imageRosicrucian Collection: Black and white digital illustration of Rosicrucian or Rose Cross symbol

Black and white digital illustration of Rosicrucian or Rose Cross symbol

Background imageRosicrucian Collection: The day and night of the Microcosm, from Robert Fludds Utriusque Cosmi Historia

The day and night of the Microcosm, from Robert Fludds Utriusque Cosmi Historia
XJF447342 The day and night of the Microcosm, from Robert Fludds Utriusque Cosmi Historia, 1617-19 (engraving) by English School

Background imageRosicrucian Collection: Rosicrucian mystical symbol

Rosicrucian mystical symbol
Thorny rose symbol. 17th century engraving depicting a rose and bees. The text reads The rose gives honey to the bees. This is a symbol of the Rosicrucian Order

Background imageRosicrucian Collection: John Heydon, Astrologer

John Heydon, Astrologer
John Heydon, astrologer and Rosicrucian

Background imageRosicrucian Collection: Rosicrucians / Stuart 1747

Rosicrucians / Stuart 1747
Charles Stuart, the Young Pretender, allegedly admitted to the Rosicrucian Order


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The Rosicrucian tradition is a fascinating blend of ancient wisdom and mystical symbolism. It traces its roots back to the legendary figure of Hermes Trismegistus, the classical god known for his profound knowledge in alchemy and esoteric teachings. One of the most recognizable symbols associated with Rosicrucianism is the Rosicrucian Symbol itself. This intricate design represents the union of spirit and matter, symbolizing the quest for spiritual enlightenment within physical existence. Delving deeper into their secretive practices, we find symbolic designs on the lid of the Pastos in the vault of the Adepts. These enigmatic diagrams hold hidden meanings that only initiates can fully comprehend, offering glimpses into higher realms of consciousness. Another intriguing depiction is a symbolic diagram showcasing Eden before humanity's fall from grace. This illustration serves as a reminder that mankind once existed in harmony with nature and divine principles—a state worth striving to reclaim. In exploring related orders, we encounter artifacts such as The Charter of Osiris Temple No. 4 from The Hermetic Order of Golden Dawn—an organization dedicated to studying occult sciences and magical rituals. The visual allure continues with an enchanting front cover illustration from "Les Mysteres de la Franc-Maconnerie" by Leo Taxil—a captivating engraving that captures both mystery and intrigue surrounding Freemasonry. Moving forward through time, we come across "The Jewel of Rose Croix, " published in 1928—a vibrant lithograph showcasing intricate details representing spiritual transformation within this mystical tradition. Notable figures also emerge within this rich tapestry—Samuel Liddell Mathers stands out with his black-and-white photograph taken in 1889; he was instrumental in reviving interest in ancient occult knowledge during his lifetime. Furthermore, an original rough design for Rose-croix lamen catches our attention—an ink and watercolor creation dating back to 1888—showcasing meticulous craftsmanship intertwined with esoteric symbolism.