Rowlandson Collection (page 52)

Dr. Syntax At Free Masons Hall, London, UK, Which Has A Masonic Meeting Place Since 1775, Drawn By Rowlandson, Circa 1820

Pidgeon Hole. A Convent [sic] Garden Contrivance To Coop Up The Gods, Rowlandson, Thomas, 1756-1827, Engraving 1811, A Close-up View Of One Of The pigeon Holes Which Flanked The Upper Gallery At

Comedy In The Country. Tragedy In London, Rowlandson, Thomas, 1756-1827, Engraving 1807, Two Designs On One Plate. Above, Two Rows Of Burlesqued Yokels (with Two Comely Women, And An Ugly Old One)

Public characters, Rowlandson, Thomas, 1756-1827, engraving 1801, Heads of well-known people, arranged in a medley, placed behind lines intersecting diagonally which simulate crossed tapes forming a

Thomas Rowlandson (british, 1756 - 1827 ), A Cart Race, 1788, Hand-colored Etching, Rosenwald Collection

MRS. ROWLANDSON AND THE INDIANS, US, USA, 1870s engraving

Dropsy Courting Consumption. Etching, 1810, by Thomas Rowlandson
ROWLANDSON: CARTOON, 1810. Dropsy Courting Consumption. Etching, 1810, by Thomas Rowlandson

The Dying Patient or Doctors Last Fee. Caricature etching by Thomas Rowlandson, 1786
ROWLANDSON: QUACK DOCTOR. The Dying Patient or Doctors Last Fee. Caricature etching by Thomas Rowlandson, 1786

The Anatomist: caricature etching by Thomas Rowlandson
ROWLANDSON CARTOON. The Anatomist: caricature etching by Thomas Rowlandson

The Last Gasp or Toadstools Mistaken For Mushrooms. Caricature etching by Thomas Rowlandson, late 18th century
ROWLANDSON: QUACK DOCTOR. The Last Gasp or Toadstools Mistaken For Mushrooms. Caricature etching by Thomas Rowlandson, late 18th century

Medical Dispatch or Doctor Doubledose Killing Two Birds With One Stone. Caricature etching by Thomas Rowlandson
ROWLANDSON: QUACK DOCTOR. Medical Dispatch or Doctor Doubledose Killing Two Birds With One Stone. Caricature etching by Thomas Rowlandson, late 18th century

A Visit to the Doctor. Caricature etching by Thomas Rowlandson, late 18th century
ROWLANDSON: CARTOON. A Visit to the Doctor. Caricature etching by Thomas Rowlandson, late 18th century

A Going! A Going!. Caricature etching by Thomas Rowlandson, late 18th century
ROWLANDSON: QUACK DOCTOR. A Going! A Going!. Caricature etching by Thomas Rowlandson, late 18th century

Giving Up the Ghost or One Too Many: caricature by Thomas Rowlandson
ROWLANDSON CARTOON. Giving Up the Ghost or One Too Many: caricature by Thomas Rowlandson

Comforts of Bath, plate I. Caricature etching by Thomas Rowlandson, 1798
ROWLANDSON: QUACK DOCTOR. Comforts of Bath, plate I. Caricature etching by Thomas Rowlandson, 1798

Description of a Boxing Match : etching, 1812, by Thomas Rowlandson
BOXING MATCH, 1812. Description of a Boxing Match : etching, 1812, by Thomas Rowlandson

ROWLANDSON: BOOKSELLER. Bookseller and Author. Watercolor by Thomas Rowlandson and Henry Wigstead, 1784

JAMES BOSWELL (1740-1795). Scottish writer and lawyer. Caricature, 1786, by Thomas Rowlandson showing a boastful Boswell hawking his publications

SAMUEL JOHNSON (1709-1784). English man of letters. Walking Up High Street. Caricature of Samuel Johnson (left) and James Boswell designed by Samuel Collings and etched by Thomas Rowlandson, 1786

GREAT BRITAIN: PARLIAMENT. The House of Commons. A 19th century French engraving after Augustus Pugin and Thomas Rowlandson, 1809

GREAT BRITAIN: PARLIAMENT. The House of Lords. Aquatint engraving, 1809, after Augustus Pugin and Thomas Rowlandson

PLIT2A-00125
Fieldings Tom Jones refused admittance by the noblemans porter. Hand-colored woodcut of an illustration by Thomas Rowlandson

Doctor Syntax turned nurse, holding two infants

Rowlandson / Glass House
Dr Syntax in the glass-house

Syntax / Rowlandson / Party
Doctor Syntax: Quae Genus committed, with a riotous dancing Party, to the Watch-House

Syntax / Rowlandson / Court
Doctor Syntax Presented at Court

Barbers / Rowlandson
Customers mill around and tie up horses before going into a barbers shop in Alresford, Hampshire

Shearing (Rowlandson)
Shearing sheep

Ward V Quirk / Rowlandson
Description of a boxing match between Ward and Quirk

Rowlandson / Syntax / Cards
Doctor Syntax at a card party

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Rowlandson, a renowned artist of the late 18th and early 19th centuries, captured the essence of society through his vivid illustrations. His works encompassed various themes and subjects, showcasing his versatility as an artist. In "The Contrast, " December 1792, Rowlandson depicted the stark differences between social classes with intricate detail. This piece highlighted the disparities prevalent in society during that time. One of Rowlandson's earlier works was set in Cuckfield, Sussex in 1789. The artwork showcased the picturesque beauty of this English village and demonstrated Rowlandson's ability to capture landscapes with precision. "Modern Athenians plate 1 - Edinburgh" portrayed the vibrant city life of Edinburgh during that era. Through this illustration, Rowlandson revealed his talent for capturing bustling urban scenes filled with people going about their daily lives. Hare coursing at Waterloo Cup was another subject that fascinated Rowlandson. His depiction of this popular sport showcased both the excitement and intensity surrounding it. It also delved into historical events such as an English gentleman on trial in France during the 18th century. With meticulous attention to detail, he brought to life courtroom drama from a bygone era. "The Corsican Spider in His Web. " dated July 12, 1808, depicted Napoleon Bonaparte as a cunning spider entangling Europe within his grasp. This satirical portrayal reflected Rowlandson's political commentary on Napoleon's ambitions and power. Through "Stamford Lincolnshire" from Sketches from Nature (1822), Rowlandson displayed his love for nature by capturing its serene beauty through detailed sketches. Rugby Union became another subject matter for Rowlandson as he illustrated players engaged in intense matches on the field – showcasing not only their physical prowess but also highlighting teamwork and sportsmanship.