Salted Print Collection

The ladder, April 1844 (salt paper print from calotype negative)
STC379317 The ladder, April 1844 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; The Stapleton Collection; English, out of copyright

Nicols Henneman contemplates his move in a game of chess
STC379314 Nicols Henneman contemplates his move in a game of chess, september 1841 (salt paper print from calotype negative) by Talbot

No. 8. Ye-nan-gyoung [Yenangyaung] Kyoung, 1855 (salted paper print
2972880 No. 8. Ye-nan-gyoung [Yenangyaung] Kyoung, 1855 (salted paper print, from the album views of Burma (1856)) by Tripe, Linnaeus (1822-1902); 26x34.8 cm; The Art Institute of Chicago, IL

Fence and Trees in Colinton Wood (salt paper print from calotype negative)
STC224282 Fence and Trees in Colinton Wood (salt paper print from calotype negative) by Hill, David Octavius (1802-70) & Adamson

Fishermen Ashore, c. 1843-47 (salt paper print from calotype negative)
STC224274 Fishermen Ashore, c.1843-47 (salt paper print from calotype negative) by Hill, David Octavius (1802-70) & Adamson, Robert (1821-48); 19.5x14.2 cm; Victoria & Albert Museum, London

Portrait of Auguste Vacquerie (salt and albumen print and other media)
989914 Portrait of Auguste Vacquerie (salt and albumen print and other media) by Hugo, Victor (1802-85); 14.3x21.5 and smaller cm; Private Collection; (add.info)

Aime Millet, 1855-59 (salted paper print)
5642988 AimeMillet, 1855-59 (salted paper print) by Nadar (Gaspard Felix Tournachon) (1820-1910); 22.5 A-- 15.7 cm; J. Paul Getty Museum, Los Angeles

Artilleryman and Highlander, Edinburgh Castle (salt paper print from calotype negative)
STC224281 Artilleryman and Highlander, Edinburgh Castle (salt paper print from calotype negative) by Hill, David Octavius (1802-70) & Adamson

Oyster Woman, 1843-47 (salt paper print from calotype negative) (see also 224278, 224280)
STC224279 Oyster Woman, 1843-47 (salt paper print from calotype negative) (see also 224278, 224280) by Hill, David Octavius (1802-70) & Adamson

The Woodcutters, 1845 (salt paper print from calotype negative)
STC379319 The Woodcutters, 1845 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info)

Walter Chamberlain hiding behind Bredicot pump, mid-1850s (salt print from paper negative
487736 Walter Chamberlain hiding behind Bredicot pump, mid-1850s (salt print from paper negative) by Turner, Benjamin Brecknell (1815-94)

Caryatid by Victor Vilain, Decoration of the Louvre, Paris, 1852-57 (salted paper print)
3611963 Caryatid by Victor Vilain, Decoration of the Louvre, Paris, 1852-57 (salted paper print) by Baldus, Edouard-Denis (c.1813-c.1889); J

The Bedfellows, c. 1843-47 (salted paper print from calotype negative)
STC224273 The Bedfellows, c.1843-47 (salted paper print from calotype negative) by Hill, David Octavius (1802-70) & Adamson, Robert (1821-48); 15.8x21 cm; Victoria & Albert Museum, London

An elegantly set table, c. 1841 (salt paper print from calotype negative)
STC379315 An elegantly set table, c.1841 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; The Stapleton Collection; English, out of copyright

The Ancient Vestry, september 1845 (salt paper print from calotype negative)
STC379318 The Ancient Vestry, september 1845 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info.: Reverend Calvert Jones in the cloisters)

Lacock Abbey in reflection, c. 1840 (salt paper print from calotype negative)
STC379313 Lacock Abbey in reflection, c.1840 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info)

Jean-Francois Millet, 1856-58 (salted paper print)
5642989 Jean-FranAzois Millet, 1856-58 (salted paper print) by Nadar (Gaspard Felix Tournachon) (1820-1910); 26.3 A-- 19.7 cm; J

Facade of a Romanesque house in Saint-Gilles du Gard, 1852 (salted paper print)
996336 Facade of a Romanesque house in Saint-Gilles du Gard, 1852 (salted paper print) by Negre, Charles (1820-80); 24.6x15.6 cm; Art Gallery of Ontario, Toronto

Portrait of Roger Fenton (1819-1869), 1856 (salt paper photographic print, mounted)
990432 Portrait of Roger Fenton (1819-1869), 1856 (salt paper photographic print, mounted) by Diamond, Hugh Welch (1809-86); 22.2x17.14 cm; Private Collection; (add.info)

Scott Monument, Edinburgh, during construction, 1840-44
2916268 Scott Monument, Edinburgh, during construction, 1840-44 (salted paper print from calotype negative) by Hill, David Octavius (1802-70) & Adamson

Mrs Hall, Newhaven, 1843-47 (salt paper print from calotype negative) (see also 224278
STC224280 Mrs Hall, Newhaven, 1843-47 (salt paper print from calotype negative) (see also 224278, 224279) by Hill, David Octavius (1802-70) & Adamson

House and garden in the French Quarter, Egypt, 1850 (salt paper print from wax paper
STC224298 House and garden in the French Quarter, Egypt, 1850 (salt paper print from wax paper negative) by Du Camp, Maxime (1822-94); Private Collection; (add.info)

Church ruins with three men (salted paper print)
992888 Church ruins with three men (salted paper print) by Fenton, Roger (1819-69); Private Collection; English, out of copyright

Mrs. Anna Brownell Jameson, 1844 (salted paper print)
2970952 Mrs. Anna Brownell Jameson, 1844 (salted paper print) by Hill, David Octavius (1802-70) & Adamson, Robert (1821-48); The Art Institute of Chicago, IL

Nelsons Column under construction, c. 1841 (salt paper print from calotype negative)
STC379316 Nelsons Column under construction, c.1841 (salt paper print from calotype negative) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info)

Mrs Hall, Newhaven, c. 1843-47 (salt paper print from calotype negative) (see also 224279
STC224278 Mrs Hall, Newhaven, c.1843-47 (salt paper print from calotype negative) (see also 224279, 224280) by Hill, David Octavius (1802-70) & Adamson

Church of Notre-Dame, XII century, c. 1852 (salt print)
991461 Church of Notre-Dame, XII century, c.1852 (salt print) by Le Secq, Henri Jean-Louis (1818-82) (attr.to); 22.54x31.75 cm; Private Collection; (add.info.: Church of Notre-Dame, XII century)

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"Capturing History: The Art of Salted Prints" Step back in time with these captivating salted prints, each telling a unique story through the lens of early photography. From the Zanzibar Slave Market in 1860 to the serene Colinton Wood, these images transport us to different eras and places. In "Zanzibar Slave Market, 1860, " a stereoscopic non-matt salted paper print exposes the harsh reality of human trafficking. It serves as a haunting reminder of our past and an important document for future generations. "The ladder, April 1844" showcases the delicate beauty of a salt paper print from a calotype negative. Its soft tones and intricate details create an ethereal atmosphere that draws us into this mysterious scene. Nicols Henneman contemplates his move in a game of chess captured in another salted paper print. This intimate moment freezes time, allowing us to witness his concentration and contemplate what lies behind those thoughtful eyes. Traveling further east, "No. Ye-nan-gyoung [Yenangyaung] Kyoung, 1855" presents an exotic landscape through its salted paper print technique. The texture and depth bring out every detail, immersing us in this foreign world. "Fence and Trees in Colinton Wood" transports us to nature's sanctuary with its calotype negative turned into a mesmerizing salt paper print. The play between light and shadow creates an enchanting ambiance that invites exploration. The fishermen ashore depicted in "Fishermen Ashore, c. 1843-47" capture their daily struggles on fragile boats amidst turbulent waters—a testament to their resilience preserved by this salt paper print from a calotype negative. Portraits also find their place among these historical treasures; Auguste Vacquerie's soulful gaze is immortalized through various media including albumen prints alongside traditional salts prints—an artistic fusion that captures his essence.