Samuel John Collection

Fruit and Wine, c. 1922 (oil on canvas)
657146 Fruit and Wine, c. 1922 (oil on canvas) by Peploe, Samuel John (1871-1935); 50.8x50.8 cm; Private Collection; (add.info.: Fruit and Wine. Samuel John Peploe (1871-1935). Oil on canvas

Aspidistra, c. 1924 (oil on canvas)
657149 Aspidistra, c. 1924 (oil on canvas) by Peploe, Samuel John (1871-1935); 50.8x40.6 cm; Private Collection; (add.info.: Aspidistra. Samuel John Peploe (1871-1935). Oil on canvas

Pink and Tangerine Roses in a Blue and White Beaker Vase with Oranges in a Bowl
657148 Pink and Tangerine Roses in a Blue and White Beaker Vase with Oranges in a Bowl and a Black Fan, c. 1924 (oil on canvas) by Peploe

Street in Paris, c. 1907 (oil on artists board)
657145 Street in Paris, c. 1907 (oil on artists board) by Peploe, Samuel John (1871-1935); 27.2x22.2 cm; Private Collection; (add.info.: Street in Paris. Samuel John Peploe (1871-1935)

Pink Roses in a Glass Vase, c. 1924 (oil on canvas)
657147 Pink Roses in a Glass Vase, c. 1924 (oil on canvas) by Peploe, Samuel John (1871-1935); 50.8x40.6 cm; Private Collection; (add.info.: Pink Roses in a Glass Vase)

Mrs. W. West as Desdemona, 1818. Creator: John Peter Thompson
Mrs. W. West as Desdemona, 1818. Portrait of British actress Sarah West (1790-1876) as Desdemona in William Shakespeares " Othello". [Simpkin & Marshall, London, 1818]

Dining Room with Finnish furniture, 1938. Arranged by Finmar Ltd, furniture designed by Alvar Aalto, made of cellulosed birch. Table legs and trolley framework bent from single pieces

Roses and Fruit, c1931. Artist: Samuel John Peploe
Roses, c1931. From The Studio Volume 126. [London Offices of the Studio, London, 1943]

Still Life, c1919. Artist: Samuel John Peploe
Still Life, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

Still Life, c1900. Artist: Samuel John Peploe
Still Life, c1900. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

The Gipsy, c1900. Artist: Samuel John Peploe
The Gipsy, c1900. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

Still Life, c1891-1935, (1936). Artist: Samuel John Peploe
Still Life. From The Studio Volume 112 [London Offices of the Studio, London, 1936.]

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Samuel John, a renowned artist of his time, captured the essence of beauty and elegance in his masterpieces. With a keen eye for detail and a passion for art, he created timeless works that continue to mesmerize viewers even today. In "Fruit and Wine, " painted around 1922, Samuel John skillfully portrays an exquisite arrangement of luscious fruits alongside a tantalizing bottle of wine. The vibrant colors and meticulous brushstrokes bring this still life composition to life. Another captivating piece by Samuel John is "Aspidistra, " completed circa 1924. This oil on canvas artwork showcases the graceful presence of an aspidistra plant against a richly textured background. The artist's ability to capture the delicate play of light and shadow adds depth to this stunning creation. One cannot help but be enchanted by "Pink and Tangerine Roses in a Blue and White Beaker Vase with Oranges in a Bowl. " In this masterpiece, Samuel John combines different elements seamlessly – the softness of roses contrasting with the vibrancy of tangerines creates an enchanting visual symphony. Transporting us back in time, "Street in Paris" (c. 1907) captures the bustling energy and charm of one of Europe's most iconic cities. Through bold strokes and vivid colors, Samuel John brings alive the atmosphere that permeates every corner. With "Mrs. W. West as Desdemona" (1818), we witness Samuel John's talent for portraiture as he immortalizes Mrs. West's portrayal of Shakespeare's tragic heroine on canvas. Every expression is meticulously rendered, revealing both her inner turmoil and strength. Moving into interior spaces, we find ourselves immersed in the elegant ambiance depicted in "Dining Room with Finnish furniture" from 1938. Here, Samuel John showcases his versatility by capturing not only people but also their surroundings with equal finesse. Returning to still lifes, "Roses and Fruit" (c.