Sandby Collection

Knole Park in Kent, the Seat of His Grace the Duke of Dorset, 1775. Artist: Michael Angelo Rooker
Knole Park in Kent, the Seat of His Grace the Duke of Dorset, 1775. In the early 17th century Knole was transformed from a late medieval archbishops palace into a Renaissance mansion

Encampment on Blackheath, Greenwich, London, 1780. Artist: Paul Sandby
View of an army encampment on Blackheath, Greenwich, London, 1780. Showing a windmill on the right and soldiers playing cards with a farmer in front

West view of Nottingham Castle, Nottinghamshire, 1776. Artist: William Watts
West view of Nottingham Castle, Nottinghamshire, 1776

Windsor Castle from the Great Park Near the End of the Long Walk, 1740-1798, (1934). The deer park at Windsor in Berkshire, with the Castle in the distance

A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour)
824095 A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour) by Sandby, Paul (1725-1809); 44.4x57.8 cm; Private Collection; (add.info)

Going to Market, (pen and brown ink and watercolour heightened with white)
652041 Going to Market, (pen and brown ink and watercolour heightened with white) by Sandby, Paul (1725-1809); 29.2x47.3 cm; Private Collection; (add.info.: Going to Market. Paul Sandby (1725-1809)

The Deputy Rangers Lodge, Windsor Great Park, (pencil
651966 The Deputy Rangers Lodge, Windsor Great Park, (pencil, pen and grey ink and watercolour heightend with white) by Sandby

Figures on a Lane Before Rochester Castle, (pen and ink and watercolour)
651883 Figures on a Lane Before Rochester Castle, (pen and ink and watercolour) by Sandby, Paul (1725-1809); 49.5x63.2 cm; Private Collection; (add.info.: Figures on a Lane Before Rochester Castle)

A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)
651896 A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 31.2x48.5 cm; Private Collection; (add.info)

St Georges Gate, Canterbury (pencil, pen and grey ink and watercolour)
651882 St Georges Gate, Canterbury (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 32.2x50.8 cm; Private Collection; (add.info.: St. Georges Gate, Canterbury)

A Peasant Girl gathering Faggots, and Figures Seated by the Bole of an Ancient Gnarled
824096 A Peasant Girl gathering Faggots, and Figures Seated by the Bole of an Ancient Gnarled Beech Tree, (pencil and bodycolour) by Sandby, Paul (1725-1809); 44.4x57.8

A Carriage in the Park at Luton being met by Riders and Frisking Foals
824094 A Carriage in the Park at Luton being met by Riders and Frisking Foals, (pencil with watercolour and bodycolour) by Sandby, Paul (1725-1809); 39.1x97.8

On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil
652013 On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil, pen and grey ink and watercolour) by Sandby

Caernarvon Castle, with a Harper in the Foreground, (bodycolour)
651807 Caernarvon Castle, with a Harper in the Foreground, (bodycolour) by Sandby, Paul (1725-1809); 49.5x70.5 cm; Private Collection; (add.info.: Caernarvon Castle, with a Harper in the Foreground)

Chepstow Castle, 1790s (pencil and bodycolour on paper)
824135 Chepstow Castle, 1790s (pencil and bodycolour on paper) by Sandby, Paul (1725-1809); 47x64.2 cm; Private Collection; (add.info.: Chepstow Castle. Paul Sandby (1731-1809)

Caernarvon Castle, 1790s (pencil and bodycolour)
824134 Caernarvon Castle, 1790s (pencil and bodycolour) by Sandby, Paul (1725-1809); 49.5x79.2 cm; Private Collection; (add.info.: Caernarvon Castle. Paul Sandby (1731-1809). Pencil and bodycolour

Windsor Castle: the North Terrace Looking East, with Elegant Figures
651945 Windsor Castle: the North Terrace Looking East, with Elegant Figures, 1803 (pencil and bodycolour) by Sandby, Paul (1725-1809); 63.5x88.9 cm; Private Collection; (add.info.: Windsor Castle)

Riders in an Avenue in the Park at Luton, with Figures in a Phaeton
824093 Riders in an Avenue in the Park at Luton, with Figures in a Phaeton and Rustics on the Left, (pencil and watercolour and bodycolour) by Sandby

Study of Mrs Mercier seated in a Chair, and her youngest son
824081 Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her, (pencil, black and red chalk with grey wash) by Sandby, Paul (1725-1809); 17.2x14.3

Montreal, near Sevenoke, in the County of Kent, from Edward Hasted s, The History and Topographical Survey of the County of Kent, vols. 1-3, 1777-90

Design for Wallpaper "L Innocent Badinage, or Boys at Play", ca. 1745-50. ca
Design for Wallpaper " L Innocent Badinage, or Boys at Play", ca. 1745-50

The Moat Island, Windsor Great Park, 1754-55 (?). Creator: Thomas Sandby
The Moat Island, Windsor Great Park, 1754-55 (?)

Valle Crucis Abbey, Denbighshire, 1770-79 (?). Creator: Paul Sandby
Valle Crucis Abbey, Denbighshire, 1770-79 (?)

Windsor Great Park, 1790-99. Creator: Paul Sandby
Windsor Great Park, 1790-99

Travelers Entering a Town, 1751-1809. Creator: Paul Sandby
Travelers Entering a Town, 1751-1809

Windsor Castle: St. Georges Chapel, 1768, (1942). Creator: Paul Sandby
Windsor Castle: St. Georges Chapel, 1768, (1942). View of St Georges Chapel and entrance to Cloister. The high-medieval Gothic Chapel was originally founded in the 14th century

A Military Camp in St. James Park During the Gordon Riots, 1780, c1783, (1944). Troops were stationed in St Jamess Park, Westminster, London, as a response to the Gordon Riots

Edinburgh from the West, in the Time of David Hume, c1750, (1943). Creator: Paul Sandby
Edinburgh from the West, in the Time of David Hume, c1750, (1943). View of the Scottish capital with Edinburgh Castle and Arthurs Seat

Stanton Harcourt, Anno 1750, 1779. Creator: Richard Godfrey
Stanton Harcourt, Anno 1750, 1779. View of Stanton Harcourt Manor in Oxfordshire. [Richard Godfrey, London, 1779]

Landscape near a Lake, 1785, (c1900). Creator: Unknown
Landscape near a Lake, 1785, (c1900). Rural scene with peasants in the foreground, and a lake with hills in the distance. Print after a painting by Paul Sandby

Gate under Queen Elizabeths Picture Gallery, Windsor Castle, Berkshire, 1812. Artist
Gate under Queen Elizabeths Picture Gallery, Windsor Castle, Berkshire, 1812

View from Woolwich Warren, Kent, 1794. Artist: Thomas Tagg
View from Woolwich Warren, Kent, 1794. Cannons can be seen on the left with ships on the River Thames in the distance

Scotland Yard with part of the Banqueting House, Whitehall, Westminster, London, c1776

Army encampment in St Jamess Park, Westminster, London, 1780. Troops were stationed in St Jamess Park in the aftermath of the Gordon Riots

East front of Horse Guards, Westminster, London, c1749. Artist
East front of Horse Guards, Westminster, London, c1749

Army camp in Hyde Park, London, 1780. Artist
Army camp in Hyde Park, London, 1780. View of an army camp in Hyde Park which was set up as a response to the Gordon Riots in 1780

North-west view of Westminster Hall, London, 1808. Artist
North-west view of Westminster Hall, London, 1808

Covent Garden, Westminster, London, 1777. Artist: Edward Rooker
Covent Garden, Westminster, London, 1777. View of Covent Garden showing various street sellers including a shoe shiner, and shoppers

Westminster Abbey and Bridge from the River Thames, London, 1775. Artist
Westminster Abbey and Bridge from the River Thames, London, 1775

The Thatched House Inn and the New River, Islington, London, c1790. The New River scheme was one of Britains first attempts since the Romans to increase Londons water supply

Interior of the Great Room of Freemasons Tavern, Great Queen Street, Holborn, London, c1800
Interior of the Great Room of the Freemasons Tavern, Great Queen Street, Holborn, London, c1800. View with allegorical figures and objects around a table

William Hogarth, 1762. Artist: Paul Sandby
William Hogarth, 1762. The scene satirises William Hogarth and his line of beauty. He is seen precariously balanced at the top of the structure with a variety of other figures beneath

Street entertainers, Cries of London, 1760. Artist: Paul Sandby
Street entertainers, 1760. Ballad singers reciting songs or poems in the street. From Cries of London, 1760

Two spoon sellers, Cries of London, 1760. Artist: Paul Sandby
Two spoon sellers, 1760. A couple selling spoons and asking for old brass or pewter; the man smokes a clay pipe and bangs the base of a pot or saucepan to attract peoples attention

Two oyster sellers, Cries of London, 1760. Artist: Paul Sandby
Two oyster sellers, 1760. Two women carrying baskets of Rare Meltin and Stewing oysters on their heads. From Cries of London, 1760

Flint and steel seller, Cries of London, 1760. Artist: Paul Sandby
Flint and steel seller, 1760. A seller of flint and steel cries his wares. They are good quality: All fire and no Smoke, (for use in lighting fires). From Cries of London, 1760

Mackerel seller, Cries of London, 1760. Artist: Paul Sandby
Mackerel seller, 1760. A mackerel seller with a large basket, crying her wares, or possibly shouting at the person in the doorway. Her dog barks at a cat who has raised its fur

Pudding seller, Cries of London, 1760. Artist: Paul Sandby
Pudding seller, 1760. Street seller sprinkling a pudding as he walks along; his barrow is attached to him by straps, leaving his hands free

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"Exploring the Artistic Landscapes: A Glimpse into Sandby's Masterpieces" Step into the enchanting Knole Park in Kent, where His Grace the Duke of Dorset reigns supreme. In 1775, Michael Angelo Rooker captured its grandeur on canvas, immortalizing this seat of nobility. Travel back to 1780 and find yourself amidst an encampment on Blackheath in Greenwich, London. Paul Sandby's brushstrokes bring to life the bustling atmosphere of this historical location. William Watts takes us on a journey to Nottinghamshire in 1776 with his captivating depiction of West view of Nottingham Castle. Marvel at its architectural splendor against a picturesque backdrop. Transport yourself to Windsor Castle from the Great Park near the End of the Long Walk between 1740-1798. This timeless masterpiece by an unknown artist (1934) showcases Windsor's majestic allure that has stood strong for centuries. Witness a whimsical scene as a young boy makes a dog dance by an ancient gnarled beech tree. The bodycolor painting captures their playful interaction and nature's magic entwined together. Join bustling market-goers through pen and brown ink watercolors heightened with white in "Going to Market. " Experience the vibrant energy as people gather goods and exchange stories along lively streets. Discover tranquility at The Deputy Rangers Lodge nestled within Windsor Great Park. With delicate pencil strokes, it invites you into its serene surroundings—a haven away from worldly chaos. Figures come alive before Rochester Castle in pen and ink watercolors—a testament to artistic mastery capturing everyday life against historic landmarks' backdrop—unveiling tales untold. Eton College reveals itself majestically through pencil, pen, grey ink, and watercolor strokes in "A View of Eton College from Thames. " Its iconic architecture stands proud against tranquil waters—an ode to education's enduring legacy. St.