Sanquirico Collection

Set design for the ballet "L'alunno della giumenta" by Salvatore Vigano, at Teatro alla Scala, 1812, 1827. Private Collection

Set design for the ballet "Cleopatra in Tarso" by Jean-Pierre Aumer, at Teatro alla Scala, 1821, 1827. Private Collection

Set design for the ballet "Numa Pompilio" by Salvatore Vigano, at Teatro alla Scala, 1815, 1827. Private Collection

Ferdinand I in coronation robe as King of Lombardy-Venetia, 1838. Creator: Sanquirico, Alessandro (1777-1849)
Ferdinand I in coronation robe as King of Lombardy-Venetia, 1838. Private Collection

Choragic Monument and the Tower of the Winds, Athens, Greece
Plans and elevations of the Lysicrates Choragic Monument 2 and the Tower of the Winds or the Horologion of Andronikos Kyrrhestes 1, Athens, Greece. Monumento di Lisicrate e Torre de Venti

View of the Beb-kar (Bab Bhar), Gate to
View of the Beb-kar, Gate to the Marina in Tunis, Tunisia, 19th century. Drawn by Alessandro Sanquirico after Nanini. Handcoloured copperplate engraving from Giulio Ferrarios Costumes Ancient

Charlemagnes Paladins saying their goodbyes
Paladins, warriors of Charlemagnes court, saying their last goodbyes to their bridesmaids in the gallery of the Palace of Bourgtheroude, Normandy

1623490

The Coronation of Emperor Ferdinand I of Austria as King of Lombardy-Veneto in the Cathedral of Milan, 1838. Private Collection

Stage design for the Opera seria Le zingare dell Asturia by Carlo Evasio Soliva
Stage design for the Opera seria " Le zingare dell Asturia" by Carlo Evasio Soliva. Teatro alla Scala, 1817. Private Collection

Stage design for the Opera seria I due Valdomiri by Peter Winter. Teatro alla Scala
Stage design for the Opera seria " I due Valdomiri" by Peter Winter. Teatro alla Scala, 1818. Private Collection

Stage design for the opera Castore e Polluce by Francesco Bianchi. Creator: Sanquirico
Stage design for the opera " Castore e Polluce" by Francesco Bianchi. Private Collection

Tombs of the Knights Templar, c1820-1839. Artist: Alessandro Sanquirico
Tombs of the Knights Templar, c1820-1839

Appartamento nella casa del console murena Raccolta di
Appartamento nella casa del console murena, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R. Teatro alla Scala di Milano, Durelli, gaetano Marco Innocenzo, 1789-1855

Atrio della casa di Salustio Raccolta di varie
Atrio della casa di Salustio, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R. Teatro alla Scala di Milano, Pacini, signor (Antonio Francesco Gaetano Saverio), 1778-1866

Atrio del tempio di Giove Stratore Raccolta di
Atrio del tempio di Giove Stratore, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R. Teatro alla Scala di Milano, Durelli, Gaetano Marco Innocenzo, 1789-1855, Mozart

Camera nella reggia di Tito Raccolta di varie
Camera nella reggia di Tito, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R. Teatro alla Scala di Milano, Castellini, Giuseppe, Mozart, Wolfgang Amadeus, 1756-1791, Sanquirico

Giardino della casa di Diomede presso alle mura di Pompei, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R

Sotterraneo destinato al supplizio de rei Raccolta di
Sotterraneo destinato al supplizio de rei, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R. Teatro alla Scala di Milano, Pacini, signor (Antonio Francesco Gaetano Saverio)

Tempio di Vesta col simulacro della dea dinanzi alla
Tempio di Vesta, col simulacro della dea, dinanzi alla quale arde il fuoco sacro, Raccolta di varie decorazioni sceniche inventate ed eseguite per il R

Stage Set Opera Fedra Raccolta di varie decorazioni
Stage Set for the Opera Fedra, Raccolta di varie decorazioni sceniche: inventate ed eseguite per il R. Teatro alla Scala di Milano, Castellini, Giuseppe, Sanquirico, Alessandro, 1777-1849, Aquatint

descritta e rappresentata dall architetto-pittore scenico Alessandro Sanquirico... Incoronazione di S. M. I. R. A. Ferdinando I

Alessandro Sanquirico (Italian, 1780 - 1849), Piazza with an Equestrian Monument and a Palace, c. 1810, pen and black ink with gray wash over graphite, squared in graphite for transfer, on laid paper

SEMIRAMIDE SET DESIGN, 1824. Set design by Alessandro Sanquirico for Act II, scene iv of Gioacchino Rossinis opera Semiramide, an interior view of the sanctuary

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Sanquirico, the renowned artist and stage designer, was a master of capturing the essence of diverse cultures and historical moments in his works. From Athens to India, from Charlemagne's era to the coronation of Emperor Ferdinand I, Sanquirico transported audiences through time and space with his vivid imagination. In one masterpiece, he recreated the Choragic Monument and the Tower of the Winds in Athens, Greece. The intricate details brought these ancient architectural wonders back to life on stage, allowing spectators to marvel at their grandeur. Another captivating piece depicted Mughal Muslims visiting a tomb in India. With meticulous attention to cultural nuances and vibrant colors, Sanquirico honored this rich heritage while evoking a sense of reverence for those who came before. Charlemagne's Paladins saying their goodbyes became an emotional tableau under Sanquirico's brush. The tender expressions on their faces conveyed both camaraderie and melancholy as they prepared for battle or distant journeys. The Coronation of Emperor Ferdinand I as King of Lombardy-Veneto showcased Sanquirico's ability to capture regal pomp and ceremony. Every detail exuded majesty - from ornate thrones to opulent robes - transporting viewers into this historic event. Not limited to history alone, it also lent his talents to opera productions. His stage designs for Le zingare dell Asturia by Carlo Evasio Soliva were enchanting landscapes that set the mood for dramatic performances filled with passion and intrigue. Similarly impressive were his designs for I due Valdomiri by Peter Winter at Teatro alla Scala. These elaborate sets created immersive worlds where music intertwined with visual splendor. One cannot overlook Sanquirico's contribution to Castore e Polluce by Francesco Bianchi either. His imaginative staging transformed mythological tales into breathtaking spectacles that left audiences spellbound. Outside theater walls, Alessandro Sanquirico explored other subjects, such as the Tombs of the Knights Templar.