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Sanzio Collection (page 4)

Raphael, also known as Sanzio, was a renowned Italian painter and architect during the High Renaissance period

Background imageSanzio Collection: Bindo Altoviti, c1515. Artist: Raphael

Bindo Altoviti, c1515. Artist: Raphael
Bindo Altoviti, c1515. Bindo Altoviti (1491-1557), papal banker. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

Background imageSanzio Collection: The Alba Madonna, 1510. Artist: Raphael

The Alba Madonna, 1510. Artist: Raphael
The Alba Madonna, 1510. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageSanzio Collection: Papst Julus II. 1443-1513, 1934

Papst Julus II. 1443-1513, 1934. Pope Julius II. Julius II (1443-1513), was born Giuliano della Rovere and was pope from 1503 to 1513

Background imageSanzio Collection: Papst Leo X. 1475-1521, 1934

Papst Leo X. 1475-1521, 1934. Pope Leo X (1475-1521), Giulio de Medici (the future Pope Clement VII; 1478-1534) and Cardinal de Rossi. From Die Groszen der Weltgelchichte

Background imageSanzio Collection: The Sistine Madonna, 1512, (1911). Artist: Raphael

The Sistine Madonna, 1512, (1911). Artist: Raphael
The Sistine Madonna, 1512, (1911). The Sistine Madonna was commissioned by Pope Julius II in honour of his late uncle, Pope Sixtus IV (1414-1484)

Background imageSanzio Collection: Raphael Sanzio, Italian Renaissance artist, 18th or 19th century (1894). Artist: Raphael Morghen

Raphael Sanzio, Italian Renaissance artist, 18th or 19th century (1894). Artist: Raphael Morghen
Raphael Sanzio (1483-1520), Italian Renaissance artist, 18th or 19th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageSanzio Collection: El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Background imageSanzio Collection: Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Background imageSanzio Collection: The Last Moments of Raphael, 1866, (1917). Artist: Henry Nelson O Neil

The Last Moments of Raphael, 1866, (1917). Artist: Henry Nelson O Neil
The Last Moments of Raphael, 1866, (1917). Painting held at the Bristol Museum & Art Gallery, Britstol. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageSanzio Collection: The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael

The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael
The Madonna Del Cardellino, 1505-1506, (1911). The Madonna del cardellino or Madonna of the Goldfinch is a painting by the Italian renaissance artist Raphael (1483-1520)

Background imageSanzio Collection: The Ansidei Madonna, 1505, (1911). Artist: Raphael

The Ansidei Madonna, 1505, (1911). Artist: Raphael
The Ansidei Madonna, 1505. This painting is part of the group which makes up The Ansidei Altarpiece, San Fiorenzo, Perugia. Painting held in The National Gallery, London

Background imageSanzio Collection: The Virgin and Child, study for the Madonna di Foligno, c1511. (1903). Artist: Raphael

The Virgin and Child, study for the Madonna di Foligno, c1511. (1903). Artist: Raphael
The Virgin and Child, study for the Madonna di Foligno, c1511. After a chalk study by Raphael (1483-1520). Original housed in the British Museum, London

Background imageSanzio Collection: St Cecilia, 1514 (1870). Artist: Quesnel

St Cecilia, 1514 (1870). Artist: Quesnel
St Cecilia, 1514 (1870). After the painting by Raphael in the collection of the Pinacoteca Nazionale, Bologna. St Cecilia was a Roman noblewoman martyred in either the 2nd or the 3rd century

Background imageSanzio Collection: Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven

Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven
Madonna of the Blue Diadem, 1510-1511 (1870). Also known as The Virgin of the Veil and The Virgin, Child and young St John. From the collection of the Musee du Louvre, Paris

Background imageSanzio Collection: The Sibyls, c1514 (1870). Artist: J Ansseau

The Sibyls, c1514 (1870). Artist: J Ansseau
The Sibyls, c1514 (1870). After the painting by Raphael in the Church of Santa Maria della Pace, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageSanzio Collection: Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy

Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood
Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy. The mosaic is a reproduction of Raphaels painting of the Transfiguration (1520)

Background imageSanzio Collection: Raphael, Italian Renaissance artist, c1880-1882. Artist: Hans Makart

Raphael, Italian Renaissance artist, c1880-1882. Artist: Hans Makart
Raphael, Italian Renaissance artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageSanzio Collection: The Mackintosh Madonna, c1510-1512, (1929). Artist: Raphael

The Mackintosh Madonna, c1510-1512, (1929). Artist: Raphael
The Mackintosh Madonna, c1510-1512, (1929). From the collection of the National Gallery, London. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageSanzio Collection: Giuliano de Medici, early 16th century, (1929). Artist: Raphael

Giuliano de Medici, early 16th century, (1929). Artist: Raphael
Giuliano de Medici, early 16th century, (1929). Portrait of Giuliano (1479-1516), one of the sons of Lorenzo the Magnificent. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageSanzio Collection: The Triumph of Galatea, 1512 (1849). Artist: L Delaistre

The Triumph of Galatea, 1512 (1849). Artist: L Delaistre
The Triumph of Galatea, 1512 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageSanzio Collection: The Madonna in San Sisto, c1512, (1893). Artist: John L Stoddard

The Madonna in San Sisto, c1512, (1893). Artist: John L Stoddard
The Madonna in San Sisto, c1512, (1893). The Sistine Madonna by Raphael. Illustration from Portfolio of Photographs of Famous Cities, Scenes and Paintings, (The Werner Company, Chicago, c1893)

Background imageSanzio Collection: The Transfiguration, c1520, (1893). Artist: John L Stoddard

The Transfiguration, c1520, (1893). Artist: John L Stoddard
The Transfiguration, c1520, (1893). Thought to be the last painting by Raphael, left unfinished by him and completed after his death

Background imageSanzio Collection: Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Artist: John L Stoddard

Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Artist: John L Stoddard
Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Visible here is Raphaels painting, the Madonna of the Chair. Illustration from Portfolio of Photographs of Famous Cities, Scenes and Paintings

Background imageSanzio Collection: Nicolas De Tolentino, 1913. Artist: Raphael

Nicolas De Tolentino, 1913. Artist: Raphael
Nicolas De Tolentino, 1913. In the Stadel institute, Frankfort. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageSanzio Collection: Study of a Monk, 1913. Artist: Raphael

Study of a Monk, 1913. Artist: Raphael
Study of a Monk, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageSanzio Collection: Study for an Entombment, attributed to Raphael, 1913. Artist: Raphael

Study for an Entombment, attributed to Raphael, 1913. Artist: Raphael
Study for an Entombment, attributed to Raphael, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageSanzio Collection: Study for The Entombment, 1913. Artist: Raphael

Study for The Entombment, 1913. Artist: Raphael
Study for The Entombment, 1913. From a drawing at the University of Oxford. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageSanzio Collection: The Fall on the Road to Calvary, c1820s. Artist: W Holl

The Fall on the Road to Calvary, c1820s. Artist: W Holl
The Fall on the Road to Calvary, c1820s

Background imageSanzio Collection: Pythagoras (580-500 BC), drawing for the School of Athens, 16th century. Artist: Raphael

Pythagoras (580-500 BC), drawing for the School of Athens, 16th century. Artist: Raphael
Pythagoras (580-500 BC), drawing for the School of Athens, 16th century

Background imageSanzio Collection: Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson

Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson
Raphael, Italian Reanaissance artist, (c1836). Raphael or Raffaello of Urbino (1483-1520) was a master painter and architect of the Florentine school in the Italian High Renaissance

Background imageSanzio Collection: Episodes of the Life of Famous Painters: Raphael, (c1900)

Episodes of the Life of Famous Painters: Raphael, (c1900). Raphael Sanzio (1483-1520) joins Pope Giulio II in admiring the statue of Apollo di Belvedere, recently discovered

Background imageSanzio Collection: Renaissance Art in Italy: Raphael, (c1900)

Renaissance Art in Italy: Raphael, (c1900). Raphael Sanzio (1483-1520) working on his portrait of Pope Leo X and Cardinals Giulio de Medici and Rossi. French advertisement for Liebigs extract of meat

Background imageSanzio Collection: Two male nude studies, 1515, (1912). Artist: Raphael

Two male nude studies, 1515, (1912). Artist: Raphael
Two male nude studies, 1515, (1912). A drawing given by Raphael to Durer, with autograph of Raphael, and dated 1515. A print from The Connoisseur, (London, 1912)

Background imageSanzio Collection: Raphael or Raffaello, master painter and architect of the Florentine School, (1825)

Raphael or Raffaello, master painter and architect of the Florentine School, (1825). Artist: John Corner
Raphael or Raffaello, master painter and architect of the Florentine School, (1825). An engraving from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageSanzio Collection: Raffaelle, 19th century. Artist: J Thomson

Raffaelle, 19th century. Artist: J Thomson
Raffaelle, 19th century. Raphael or Raffaello of Urbino (1483-1520) was a master painter and architect of the Florentine school in the Italian High Renaissance

Background imageSanzio Collection: Raphael, Florentine master painter, (1834). Artist: W Holl

Raphael, Florentine master painter, (1834). Artist: W Holl
Raphael, Florentine master painter, (1834). A 19th-century engraving after a self-portrait by Raphael or Raffaello, (1483-1520), one of the most important artists of the Renaissance

Background imageSanzio Collection: Marcantonio Raimondi, Italian engraver, 19th century. Artist: C Cook

Marcantonio Raimondi, Italian engraver, 19th century. Artist: C Cook
Marcantonio Raimondi, Italian engraver, 19th century. Portrait of Raimondi (c1480-c1534)

Background imageSanzio Collection: The Holy Family, or Madonna with the Beardless Joseph, c1506. Artist: Raphael

The Holy Family, or Madonna with the Beardless Joseph, c1506. Artist: Raphael
The Holy Family, or Madonna with the Beardless Joseph, c1506. Found in the collection of the State Hermitage, St Petersburg

Background imageSanzio Collection: The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Artist: Raphael

The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Artist: Raphael
The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Found in the collection of the State Hermitage, St Petersburg

Background imageSanzio Collection: The Crowning of Charlemagne (detail), c1514. Artist: Raphael

The Crowning of Charlemagne (detail), c1514. Artist: Raphael
The Crowning of Charlemagne (detail), c1514. Located in the Raphael Rooms, Vatican Museums, Rome

Background imageSanzio Collection: The Crowning of the Virgin (Oddi Altar), 1502-1503. Artist: Raphael

The Crowning of the Virgin (Oddi Altar), 1502-1503. Artist: Raphael
The Crowning of the Virgin (Oddi Altar), 1502-1503. The altarpiece combines two scenes common in Quattrocento iconography

Background imageSanzio Collection: Justification of Leo III, 1514. Artist: Raphael

Justification of Leo III, 1514. Artist: Raphael
Justification of Leo III, 1514. The Oath of Leo III illustrates an episode that took place the day before the crowning of Charlemagne

Background imageSanzio Collection: Saint John the Baptist Preaching, 1505. Artist: Raphael

Saint John the Baptist Preaching, 1505. Artist: Raphael
Saint John the Baptist Preaching, 1505. This picture is one of the three paintings which formed the predella for Raphaels altarpiece the Ansidei Madonna (dated 1505) in the church of San Fiorenzo

Background imageSanzio Collection: Madonna del Cardellino, 1507. Artist: Raphael

Madonna del Cardellino, 1507. Artist: Raphael
Madonna del Cardellino, 1507. The Madonna of the Goldfinch, one of Raphaels Florentine panels, was painted by Raphael for the marriage of his friend Lorenzo Nasi

Background imageSanzio Collection: The Mackintosh Madonna, c1510-1512. Artist: Raphael

The Mackintosh Madonna, c1510-1512. Artist: Raphael
The Mackintosh Madonna, c1510-1512. The painting is also known as the Madonna of the Tower due to the building visible in the left background. From the collection of the National Gallery, London

Background imageSanzio Collection: Saint George and the Dragon, c1506. Artist: Raphael

Saint George and the Dragon, c1506. Artist: Raphael
Saint George and the Dragon, c1506. A Roman soldier of Christian faith, Saint George saved the daughter of a pagan king by subduing a dragon with his lance

Background imageSanzio Collection: The Transfiguration, c1519-1520. Artist: Raphael

The Transfiguration, c1519-1520. Artist: Raphael
The Transfiguration, c1519-1520. Transfiguration is described by Luke (9:28-36): (Jesus) took Peter and John and James, and went up into the mountain to pray

Background imageSanzio Collection: The Ansidei Madonna, 1505. Artist: Raphael

The Ansidei Madonna, 1505. Artist: Raphael
The Ansidei Madonna, 1505. This altarpiece shows the Virgin on a high throne, with Saint John the Baptist on the left, and Saint Nicholas of Bari to the right



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Raphael, also known as Sanzio, was a renowned Italian painter and architect during the High Renaissance period. Born in 1483, he left an indelible mark on the art world with his exceptional talent and innovative techniques. One of Raphael's most famous works is "The Transfiguration of Christ, " created between 1516-1520. This masterpiece showcases his ability to capture divine radiance through vivid colors and intricate details. The painting depicts Jesus' transfiguration on Mount Tabor, where he appears radiant alongside Moses and Elijah. Another notable artwork by Raphael is "The Mond Crucifixion. " Painted with precision and emotion, this piece portrays the crucifixion of Jesus Christ with a sense of solemnity and spiritual depth. In "Pope Leo I, Repulsing Attila, " we witness Raphael's skill in capturing historical events. This detailed depiction shows Pope Leo I persuading Attila the Hun to spare Rome from destruction through his charismatic presence. Raphael's versatility shines through in "Canigiani Holy Family" as well. Created in 1507-1508, it presents a serene scene of Mary holding baby Jesus while Joseph looks on lovingly. The artist's attention to light and shadow adds depth to this religious composition. "Christ Falling on the Way to Calvary" showcases Raphael's ability to convey human suffering with empathy. Through expressive brushstrokes, he captures the moment when Jesus stumbles under the weight of his cross before being crucified. "The Esterhazy Madonna" exemplifies Raphael's mastery in portraying maternal tenderness mixed with gracefulness. In this painting from 1508, Mary cradles baby Jesus against her chest while gazing at him affectionately. Apart from religious themes, Raphael also excelled in portraiture as seen in "Portrait of a Young Man. " With meticulous attention to detail and lifelike representation, he captures the essence of his subject's personality.