Satyrs Collection (page 9)

Landscape with Nymphs and Satyrs, 1623 (oil on canvas)
ALM289708 Landscape with Nymphs and Satyrs, 1623 (oil on canvas) by Brill or Bril, Paul (1554-1626); 70.5x106.7 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Nymphs and a Satyr, or Amor Vincit Omnia, c. 1625-27 (oil on canvas)
491117 Nymphs and a Satyr, or Amor Vincit Omnia, c.1625-27 (oil on canvas) by Poussin, Nicolas (1594-1665); 97x127.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: A cupid tugs the mischievous)

The Sleeping Faun, modeled 1864, carved c. 1870 (marble)
500227 The Sleeping Faun, modeled 1864, carved c.1870 (marble) by Hosmer, Harriet Goodhue (1830-1908); 127x152.4 wt: 1500 lbs cm; Cleveland Museum of Art, OH

Faun and Nymph, c. 1886 (plaster)
MMT181508 Faun and Nymph, c.1886 (plaster) by Rodin, Auguste (1840-1917); 34x25 cm; Musee Marmottan Monet, Paris, France; (add.info)

Statue of a Satyr at Versailles, 1675, from Vues et Plans de Versailles
STC170892 Statue of a Satyr at Versailles, 1675, from Vues et Plans de Versailles, published c.1675-89 (engraving) (see also 170893) by Lepautre

Angel offering a wicker cage with an open door allowing the song birds to escape
DGC452003 Angel offering a wicker cage with an open door allowing the song birds to escape, Contents page design of Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri
AIS5391033 Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri, 1st century BC (fresco) by Roman, (1st century BC); Villa dei Misteri, Pompeii

The Atonement for the Corsican Attacks in 1664, Ceiling Painting from the Galerie des
XIR165134 The Atonement for the Corsican Attacks in 1664, Ceiling Painting from the Galerie des Glaces by Le Brun, Charles (1619-90); Chateau de Versailles

Cupid and Psyche with their daughter Voluptuousness, waited on by Ceres who pours water
BEN78422 Cupid and Psyche with their daughter Voluptuousness, waited on by Ceres who pours water into a basin held by Juno, detail of the noble banquet, from the Sala di Amore e Psiche

The noble banquet celebrating the marriage of Cupid and Psyche
BEN78421 The noble banquet celebrating the marriage of Cupid and Psyche, detail showing Dionysius and Silenus to the right of a table bearing the dinner service, from the Sala di Amore e Psiche

Pan, c. 1895 (w / c)
6198066 Pan, c.1895 (w/c) by Duncan, John (1866-1945); 44.7x50.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Advertisement for Bock Beer from Lowenbrau Brewery, Munich (colour litho)
SNG127460 Advertisement for Bock Beer from Lowenbrau Brewery, Munich (colour litho) by German School, (19th century); Private Collection; Photo eBarbara Singer; German, out of copyright

Reproduction of a poster advertising When Hearts are Trumps
STC138034 Reproduction of a poster advertising When Hearts are Trumps by Tom Hall (colour litho) (see 41529) by Bradley, William (fl.1872-89); 56x44 cm; Private Collection; (add.info)

Classical print, sold on Old London Bridge (engraving)
5236346 Classical print, sold on Old London Bridge (engraving) by English School, (18th century); Private Collection; (add.info.: Classical print, sold on Old London Bridge)

La Bacchanale des Andriens (et Ariane endormie) - The Bacchanal of the Andrians - Rubens
FIA5399094 La Bacchanale des Andriens (et Ariane endormie) - The Bacchanal of the Andrians - Rubens, Pieter Paul (1577-1640) - 1630s - Oil on canvas - 200x215 - Nationalmuseum Stockholm by Rubens

La procession triomphale de Bacchus - The Triumphal Procession of Bacchus par Heemskerck
FIA5404876 La procession triomphale de Bacchus - The Triumphal Procession of Bacchus par Heemskerck, Maarten Jacobsz, van (1498-1574)

The Triumph of Bacchus and Ariadne par Carracci, Annibale (1560-1609). Fresco, ca
FIA5404633 The Triumph of Bacchus and Ariadne par Carracci, Annibale (1560-1609). Fresco, ca. 1597, Palazzo Farnese, Rome by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome

The Marriage of Bacchus and Ariadne (oil on canvas)
5895281 The Marriage of Bacchus and Ariadne (oil on canvas) by Cazes, Pierre Jacques (1676-1754); 66.6x86.6 cm; The Holburne Museum, Bath

The Ivory Group, ascribed to Fiamingo, and representing infant bacchanals
5199368 The Ivory Group, ascribed to Fiamingo, and representing infant bacchanals and satyrs playing with the ass which carried Silenus (engraving) by English School

Nymph and Faun, 1878 (oil on canvas)
3932141 Nymph and Faun, 1878 (oil on canvas) by Josephson, Ernst (1851-1906); 41.5x51.5 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Satyrs and Satyresses in a Landscape, c. 1770 (pen & iron gall ink with brown & grey washes on laid paper)
995950 Satyrs and Satyresses in a Landscape, c.1770 (pen & iron gall ink with brown & grey washes on laid paper) by Tiepolo

A Bacchanalian Revel (oil on canvas)
869419 A Bacchanalian Revel (oil on canvas) by Etty, William (1787-1849); 111x143.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Vase (soft-paste porcelain with paint & gilt)
877651 Vase (soft-paste porcelain with paint & gilt) by Boizot, Louis Simon (1743-1809); height: 42.6 cm; Walters Art Museum, Baltimore, USA; (add.info.: Decorated by Jean-Louis Morin (1732-87)

The satyr and the traveller (engraving)
3624893 The satyr and the traveller (engraving) by English School, (19th century); Private Collection; (add.info.: The satyr and the traveller. Illustration for Aesops Fables (Bliss Sands, 1897)

School of Pan (engraving)
3626408 School of Pan (engraving) by Signorelli, Luca (c.1450-1523); Private Collection; (add.info.: School of Pan. Illustration from The Early Italian)

Satyr resting, Roman copy in marble from the original by Greek sculptor Praxiteles
3433299 Satyr resting, Roman copy in marble from the original by Greek sculptor Praxiteles, 4th century BC, Roman Civilization by Praxiteles (c.400-c.330 BC) (after); Musei Capitolini, Rome

Cameo Glass Skyphos, c. 1 AD (glass)
3545849 Cameo Glass Skyphos, c.1 AD (glass) by Roman Imperial Period (27 BC-476 AD); 10.5 high cm; J. Paul Getty Museum, Los Angeles

The Andrians, c. 1635 (oil on canvas)
3588402 The Andrians, c.1635 (oil on canvas) by Rubens, Peter Paul (1577-1640); 200x215 cm; National Museum, Stockholm, Sweden; (add.info)

A satyress asleep under a tree (black chalk with heightening in white body colour
615289 A satyress asleep under a tree (black chalk with heightening in white body colour on carta azzurra) by Parmigianino (Francesco Mazzola) (1503-40); 21x15.5 cm; eThe Devonshire Collections

Bacchanal
AII79462 Bacchanal by Teniers, David the Elder (1582-1649); Palazzo Pitti, Florence, Italy; (add.info.: copy of Titian " The Andrians" ; ); Flemish, out of copyright

The Drunkenness of Bacchus, 1496-97 (marble)
BEN52672 The Drunkenness of Bacchus, 1496-97 (marble) by Buonarroti, Michelangelo (1475-1564); height: 20 cm; Museo Nazionale del Bargello, Florence, Tuscany

Pan and Psyche, 1870s (oil on canvas)
AGN47152 Pan and Psyche, 1870s (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 60.1x53 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Lovers by a Fountain
BON59253 Lovers by a Fountain by Faustini, Modesto (1839-91); Private Collection; Photo eBonhams, London, UK; Italian, out of copyright

Detail from a Napoleon III console, in the manner of Jacob, by Maison Millet, Paris, c
CH362843 Detail from a Napoleon III console, in the manner of Jacob, by Maison Millet, Paris, c.1865 (ormolu-mounted jasperware, mahogany and marquetry) (see also 362841-362842) by French School

A Capriccio view of Roman ruins, 1737 (oil on canvas)
FIT332195 A Capriccio view of Roman ruins, 1737 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 36.8x69.2 cm; Fitzwilliam Museum, University of Cambridge

satyrs relax under the eye of Dionysus and Demeter, c. 1796 (copper engraving)
DGC394954 satyrs relax under the eye of Dionysus and Demeter, c.1796 (copper engraving) by Tischbein, Johann Heinrich Wilhelm (1751-1829); Private Collection; (add.info)

Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid
STC415873 Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses
STC415817 Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Cover design of Pan-Pipes, A Book of Old Songs
DGC452000 Cover design of Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) by Crane

Silen swinging maiden, illustration from Greek Vase Paintings by J. E. Harrison and D. S
LLM438667 Silen swinging maiden, illustration from Greek Vase Paintings by J. E. Harrison and D. S. MacColl, published 1894 (digitally enhanced image) by English School

Satyrs gathering the vintage, illustration from Greek Vase Paintings by J. E. Harrison and D. S
LLM438502 Satyrs gathering the vintage, illustration from Greek Vase Paintings by J. E. Harrison and D. S. MacColl, published 1894 (digitaly enhanced image) by English School

Pan and Chimera (oil on panel)
CH402621 Pan and Chimera (oil on panel) by Merson, Luc-Oliver (1846-1920); 34x67 cm; Private Collection; (add.info.: Pan et Chimere; ); Photo eChristies Images; French, out of copyright

The Devil, fascimile of a tarot card from the Visconti deck
AGD328113 The Devil, fascimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

Frontispiece for Hudibras including a portrait of Samuel Butler
STC451199 Frontispiece for Hudibras including a portrait of Samuel Butler, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

The Triumph of Galatea, 17th century (ink & red chalk on paper)
AMO269789 The Triumph of Galatea, 17th century (ink & red chalk on paper) by Giordano, Luca (1634-1705); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

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Satyrs, mythical creatures with the body of a man and the legs of a goat, have captivated artists throughout history. In Richard Dadd's masterpiece "The Fairy Fellers Master-Stroke, " these mischievous beings come to life in intricate detail. Carracci's painting "Silenus gathering Grapes" depicts a satyr indulging in one of their favorite pastimes - reveling in nature's bounty. Stefano della Bella captures the playful innocence between a child and a satyr child as they frolic alongside a goat. This charming scene reminds us that even mythical creatures can find joy in companionship. The ancient Greeks celebrated Dionysus, the god of wine and ecstasy, often accompanied by his loyal followers, the Maenads and satyrs. Grottesche decoration at Radnor House transports us to an English estate adorned with whimsical imagery featuring these enchanting creatures. It also found their place among frescoes depicting grand banquets where gods like Cupid and Psyche were honored. Michelangelo's sculpture showcases his mastery over form as he immortalizes the head of a satyr with exquisite precision. Bouguereau's painting "The youth of Bacchus" reveals how these mythical beings continue to inspire artists centuries later. In "Bacchanalia, " we witness wild celebrations filled with music, dance, and unrestrained merriment led by exuberant satyrs. A writing casket from the 16th century is adorned with gilt-bronze figures representing various mythological scenes including those involving Apollo and Muses. From ancient times to more recent periods, stories about they have fascinated humanity across cultures worldwide. These captivating creatures embody both our primal instincts and our connection to nature—a testament to their enduring allure for generations past and present alike.