Savior Collection

Noli Me Tangere, c1514. Artist: Titian
Noli Me Tangere, c1514. Saint Mary Magdalene encounters Christ after his resurrection. From the National Gallery, London

Saint Petersburg, Russia, Eurasia. Church of the Savior on spilled blood

TANNER: THE SAVIOUR. Oil on wood by Henry Ossawa Tanner (1859-1937)

RUSSIAN ICONS: THE SAVIOUR. By Andrei Rublev, c1400

Virgin and Child, 16th century. From the Benaki Museum, Athens, Greece

EL GRECO: THE SAVIOUR. Oil on canvas

Christ Appearing to His Mother, c1440. Artist: Rogier Van der Weyden
Christ Appearing to His Mother, c1496. The scene on the right panel of the Miraflores Altarpiece is the only one in this altarpiece that illustrates two events at once

Christ Saviour, c. 1570 (oil on canvas)
BAL140837 Christ Saviour, c.1570 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 96x80 cm; State Hermitage Museum, St

Finding the Savior in the Temple, c 1859 by William Holman Hunt OM (2 April 1827 - 7 September 1910) was an English painter, and one of the founders of the Pre-Raphaelite movement

THE SAVIOR. Icon from the Assumption Cathedral. 14th century

The Crucifixion Of Jesus

Baby Jesus In The Manger

Jesus On The Cross With Two Others

The Holy Family with a Shepherd, c1510. Artist: Titian
The Holy Family with a Shepherd, c1510. From the National Gallery, London

Virgin and Child icon, 1664. Artist: Emmanuel Tzanes
Virgin and Child icon, 1664. From the Byzantine Museum, Athens, Greece

Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. Artist: Hans Baldung
Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. From the Washington National Gallery of Art, USA

Monastery of Santa Maria. Cloister of the Porteria. Built between 1575 and 1578 in Renaissance style. It is attributed to the master Juan de la Sierra the Elder

Spain, Zamora. Cathedral. Illustration by Letre
Spain, Zamora. Cathedral. It was founded by King Alfonso VII and consecrated in 1175. Illustration by Letre. Engraving by Sierra, 19th century

The Savior showing his sores. Gothic. Chapel of The Savior
Gothic image of the Savior showing his sores. It dates from the 14th century and was Integrated in the 1532 polychrome stone altarpiece, work of Juan de Alava

Byzantine Art. Mosaic. The Dormition of the Virgin. Nave of
Byzantine Art. Mosaic. The Dormition of the Virgin, which lies in bed surrounded by the apostles. In the center, Jesus Christ with a child in his arms

DDE-90034979
Europe, Russia, St. Petersburg. Church of the Spilled Blood and trees. Date: 11/12/2008

Elijah raises the son of Zarephath
Vintage engraving from the 1870 of a sdcene from the Old Testament by Gustave Dore showing Elijah raiseing the son of the widow Zarephath

Antependium of altar in the Basilica di Sant Ambrogio
Rear of the antependium of the altar in the Basilica di Sant Ambrogio, Milan. Bas-relief formed of sheets of gold decorated with scenes from St. Ambroses life

Ancient stone doors, Tiberias, A city on Lake Galilee, in the neighborhood of which our Savior... (b / w photo)
2791348 Ancient stone doors, Tiberias, A city on Lake Galilee, in the neighborhood of which our Savior... (b/w photo) by English photographer

Cathedrale du Sauveur, a Moscou (engraving)
2793751 Cathedrale du Sauveur, a Moscou (engraving) by French School, (19th century); Private Collection; (add.info.: Cathedrale du Sauveur, a Moscou)

A Warrior Rescuing a Lady, 1780-85 (pen, ink and wash on paper)
CEC128135 A Warrior Rescuing a Lady, 1780-85 (pen, ink and wash on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 30.4x37 cm; The Higgins Art Gallery & Museum, Bedford

Salvator Mundi, 1475-99 (oil on wood)
3472182 Salvator Mundi, 1475-99 (oil on wood) by Memling, Hans (c.1440-95) (school of); 27.3 diameter cm; Metropolitan Museum of Art, New York, USA; Netherlandish, out of copyright

Icon of the Virgin Hodegetria (oil on panel & silver)
1216358 Icon of the Virgin Hodegetria (oil on panel & silver) by Russian School (19th century); 32.5x28.5 cm; Ashmolean Museum, University of Oxford

The Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran (Santissimo Salvatore e Santi Giovanni Battista ed Evangelista in Laterano)

The Saviour oil on canvas by Giovanni Bellini

Doubting Thomas, 1634. Artist: Rembrandt Harmensz van Rijn
Doubting Thomas, 1634. Picture illustrating episode related in the in St Johns Gospel (Ch20, vs19-29) where the Apostle Thomas puts his hand in the wound in the risen Saviours side as he doubts what

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Adoration of the Magi, 1380s. Artist: Bartolo di Fredi
Adoration of the Magi, 1380s. From the Pinacoteca Nazionale, Siena, Italy

The Baptism of Christ, 16th century. From the Benaki Museum, Athens, Greece

Processional banner, c1395-1400. Artist: Spinello Aretino
Processional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA

The Crucifixion, (part of a diptych), early 14th century. Artist: Pacino di Bonaguida
The Crucifixion, (part of a diptych), early 14th century. From the Metropolitan Museum of Art, New York, USA

The Madonna in Majesty (Maesta), 1285-1286. Artist: Cimabue
The Madonna in Majesty (Maesta), 1285-1286. From the Uffizi Gallery, Florence, Italy

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

The Crucifixion, St Marks Basilica, Venice, Italy

Appearance of Christ to the Virgin, 1531. Artist: Garcia Fernandes
Appearance of Christ to the Virgin, 1531. Central panel from a triptych. From the Museu Nacional de Machado de Castro, Portugal

Triptych of Santa Clara, 1486. Artist: Mestre Hilarius
Triptych of Santa Clara, 1486. The panels depict Christ praying on the Mount of Olives, St Clare and the Miracle of the Safekeeping and the Lamentation of Christ

Christ on the Cross, 16th century. From Museu Nacional de Soares dos Reis, Portugal

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

Adoration of the Magi, 1507. Artist: Hans Baldung
Adoration of the Magi, 1507. From the Staatliche Museen, Berlin

Annunciation, 1516-1517. Artist: Jean Bellegambe
Annunciation, 1516-1517. From the Hermitage Museum, St Petersburg, Russia

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

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"The Savior: A Journey through Art and Faith" In the realm of art, the concept of a savior has been depicted in various forms throughout history. From religious masterpieces to iconic representations, these artworks have captured the essence of salvation and its profound impact on humanity. One such portrayal is found in Titian's masterpiece "Noli Me Tangere" from 1514. This painting depicts the biblical scene where Mary Magdalene encounters Jesus after his resurrection. With delicate brushstrokes and vibrant colors, Titian captures the transformative power of encountering a savior. Moving across continents to Saint Petersburg, Russia, we find ourselves standing before the breathtaking Church of the Savior on spilled blood. Its intricate mosaics tell stories of redemption and divine intervention, reminding us that even amidst tragedy, there is hope for salvation. Henry Ossawa Tanner's "The Saviour, " an oil painting on wood, transports us to another time and place. Through his skillful use of light and shadow, Tanner invites viewers into a contemplative space where they can connect with their own personal saviors. Andrei Rublev's Russian icon "The Saviour" takes us back centuries to witness spiritual devotion at its purest form. The simplicity yet profoundness of this artwork reminds us that sometimes it is in silence that we find our true savior. Virgin and Child paintings from the 16th century depict Mary as both mother and intercessor—a symbol of comfort for those seeking solace in their personal struggles. These works remind us that within each person lies potential for salvation. El Greco's oil painting simply titled "The Saviour" captivates with its ethereal beauty. Through elongated figures bathed in heavenly light, El Greco conveys a sense of transcendence—inviting viewers to contemplate their own relationship with their chosen savior.