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Scaffold Collection (page 9)

"Scaffold: A Testament to Human Ingenuity and Progress" Throughout history

Background imageScaffold Collection: The Rebuilding of St. Paul s, (1897). Creator: Unknown

The Rebuilding of St. Paul s, (1897). Creator: Unknown
The Rebuilding of St. Paul s, (1897). The medieval cathedral church of the City of London was destroyed in the Great Fire of 1666. Sir Christopher Wren was commissioned to design the new cathedral

Background imageScaffold Collection: House under construction, c1935. Creator: Kirk & Sons of Cowes

House under construction, c1935. Creator: Kirk & Sons of Cowes
House under construction, c1935

Background imageScaffold Collection: Individuality in Ecclesiastical Architecture Carried to Extremes, c1935. Artist: GPA

Individuality in Ecclesiastical Architecture Carried to Extremes, c1935. Artist: GPA
Individuality in Ecclesiastical Architecture Carried to Extremes, c1935. From Our Wonderful World, Volume III, edited by J.A. Hammerton. [The Amalgamated Press, Ltd. London]

Background imageScaffold Collection: A Nest of Steel. Cunard White Star liner Georgic in construction, 1927-1929, (1936)

A Nest of Steel. Cunard White Star liner Georgic in construction, 1927-1929, (1936)
A Nest of Steel. The illustration on the opposite page shows the giant Cunard White Star liner Georgic (27, 759 tons) in course of construction, surrounded by cranes and scaffolding, 1936

Background imageScaffold Collection: Workmen tiling the Rotherhithe Tunnel, London, December 1907

Workmen tiling the Rotherhithe Tunnel, London, December 1907. Workmen using scaffolding to fix tiles to the tunnel roof and walls in a section under the River Thames

Background imageScaffold Collection: The Rotherhithe Tunnel under construction, London, 1906

The Rotherhithe Tunnel under construction, London, 1906. Men constructing the caisson for Shaft 4 of the tunnel under the River Thames

Background imageScaffold Collection: Westminster Bridge and the Palace of Westminster with Big Ben, London, 1934

Westminster Bridge and the Palace of Westminster with Big Ben, London, 1934. View from the terrace in front of the old County Hall across the Thames; the Palace of Westminster

Background imageScaffold Collection: The building of the new Chelsea Bridge, London, 1937

The building of the new Chelsea Bridge, London, 1937. Construction of the new bridge in progress, with scaffolding and cranes

Background imageScaffold Collection: East front of the Almonry office, Middle Scotland Yard, Westminster, London, 1884

East front of the Almonry office, Middle Scotland Yard, Westminster, London, 1884. The stone work is the remaining portion of Whitehall Palace

Background imageScaffold Collection: The Man of Taste, 1731

The Man of Taste, 1731. Burlington Gate, surmounted by a statue of William Kent brandishing a palette. Standing on a scaffold below, whitewashing the front, is Alexander Pope

Background imageScaffold Collection: Demolition of the Church of St Dunstan in the West, Fleet Street, City of London, c1830

Demolition of the Church of St Dunstan in the West, Fleet Street, City of London, c1830

Background imageScaffold Collection: St Pauls Cathedral, City of London, 1822. Artist: Samuel Rawle

St Pauls Cathedral, City of London, 1822. Artist: Samuel Rawle
St Pauls Cathedral, City of London, 1822. The top and bottom images show an observatory erected over the cross of the cathedral

Background imageScaffold Collection: View of the scaffolding in Westminster Hall, London, c1760

View of the scaffolding in Westminster Hall, London, c1760

Background imageScaffold Collection: Cross-readings at Charing-Cross, London, 1835. Artist: IP

Cross-readings at Charing-Cross, London, 1835. Artist: IP
Cross-readings at Charing-Cross, London, 1835. View of the National Gallery in Trafalgar Square shown under construction, with boarding in front of it covered with advertisements

Background imageScaffold Collection: Holborn Viaduct being constructed across Farringdon Street, Holborn, London, 1869

Holborn Viaduct being constructed across Farringdon Street, Holborn, London, 1869
View looking east of Holborn Viaduct being constructed across Farringdon Street, Holborn, London, 1869

Background imageScaffold Collection: The Nelson at the Royal Dockyard, Woolwich, London, 1815

The Nelson at the Royal Dockyard, Woolwich, London, 1815. The Nelson in dry dock undergoing repairs

Background imageScaffold Collection: St Martin within Ludgate, London, c1896

St Martin within Ludgate, London, c1896
Rooftop view of St Martin within Ludgate, London, c1896; showing scaffolding during repairs and St Pauls Cathedral in the background

Background imageScaffold Collection: Anticipations for the Pillory, 1813

Anticipations for the Pillory, 1813. A pillory stands on a scaffold in Chesterfield Walk outside Montague House, Blackheath, residence of the Princess of Wales

Background imageScaffold Collection: The Stationers Almanack for 1769, c1768

The Stationers Almanack for 1769, c1768. Including a calendar below. Above is Caius Gabriel Cibbers allegorical relief on the west side of Monuments base

Background imageScaffold Collection: Rudder and screws of S. S. Imperator, c. 1912

Rudder and screws of S. S. Imperator, c. 1912
Rudder and screws of S.S. Imperator, c.1912 (b/w photo). Built for the Hamburg America line and launched 23rd May, 1912. It became RMS Berengaria in 1920 under the Cunard flag

Background imageScaffold Collection: Entrance of the Railway at Edge Hill, Liverpool, 1831. Artist: Thomas Talbot Bury

Entrance of the Railway at Edge Hill, Liverpool, 1831. Artist: Thomas Talbot Bury
Entrance of the Railway at Edge Hill, Liverpool, published 1831 (hand coloured engraving). From Six Coloured Views on the Liverpool and Manchester Railway with a plate of The Coaches, Machines

Background imageScaffold Collection: Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. Artist

Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. Artist
Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. The refurbishment of Oxford house, a city centre office block in Barkers Pool

Background imageScaffold Collection: Walshs department store in Sheffield prior to its redevelopment, South Yorkshire, 1966

Walshs department store in Sheffield prior to its redevelopment, South Yorkshire, 1966. The front of the store was to be demolished

Background imageScaffold Collection: Early 1950s Bedford M Tipper delivering aggregates to a building site, South Yorkshire, July 1954

Early 1950s Bedford M Tipper delivering aggregates to a building site, South Yorkshire, July 1954. The site was the National Coal Boards (NCB)

Background imageScaffold Collection: Commercial shop unit construction in Rotherham, South Yorkshire, 1962

Commercial shop unit construction in Rotherham, South Yorkshire, 1962. Wade Construction working on the new offices of Pearl Assurance in central Rotherham

Background imageScaffold Collection: Retail regeneration in Rotherham, South Yorkshire, 1962. Artist: Michael Walters

Retail regeneration in Rotherham, South Yorkshire, 1962. Artist: Michael Walters
Retail regeneration in Rotherham, South Yorkshire, 1962. Construction work taking place in central Rotherham by Wade construction in 1962

Background imageScaffold Collection: Protome of half horse, the Apadana, Persepolis, Iran

Protome of half horse, the Apadana, Persepolis, Iran. The capital of Achaemenid Persia, Persepolis was predominantly built during the reigns of the dynastys founder

Background imageScaffold Collection: Iona Abbey, Argyll and Bute, Scotland

Iona Abbey, Argyll and Bute, Scotland. The island of Iona in the Inner Hebrides is one of the holiest sites associated with Christianity in Britain

Background imageScaffold Collection: The Magpie on the Gallows. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)

The Magpie on the Gallows. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)
The Magpie on the Gallows. Found in the collection of Hessisches Landesmuseum Darmstadt

Background imageScaffold Collection: Wigmore Street, Westminster, London, 1820 (1878). Artist: Thomas Hosmer Shepherd

Wigmore Street, Westminster, London, 1820 (1878). Artist: Thomas Hosmer Shepherd
Wigmore Street, Westminster, London, 1820 (1878). From Old and New London Illustrated, Vol IV, by Edward Walford. [Cassell Petter & Galpin, London, Paris & New York, 1878]

Background imageScaffold Collection: King George V and Queen Mary at a Sunderland shipyard during World War I, June 15th, 1917, (1935)

King George V and Queen Mary at a Sunderland shipyard during World War I, June 15th, 1917, (1935). King George V (1865-1936) Queen Mary of Teck (1867-1953) at Sunderland shipyard

Background imageScaffold Collection: The Quay, Bristol, c1918. Artist: Frederick Charles Richards

The Quay, Bristol, c1918. Artist: Frederick Charles Richards
The Quay, Bristol, c1918. Drawing held at the Newport Museum and Art Gallery, Wales. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Background imageScaffold Collection: Church of St Germain-l Auxerrois, 1915. Artist: Raymond Ray-Jones

Church of St Germain-l Auxerrois, 1915. Artist: Raymond Ray-Jones
Church of St Germain-l Auxerrois, 1915. From Paris Past and Present. [London Offices of the Studio, London, 1915]

Background imageScaffold Collection: Changing the Interior of the Abbey, 1937

Changing the Interior of the Abbey, 1937. The construction of seating in Westminster abbey for King George VIs coronation

Background imageScaffold Collection: The final stages of the Mast; the street is some quarter mile below, c1931

The final stages of the Mast; the street is some quarter mile below, c1931. Artist: Lewis Wickes Hine
The final stages of the Mast; the street is some quarter mile below, c1931. The final stages of the Mast; the street is some quarter mile below

Background imageScaffold Collection: Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928

Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]

Background imageScaffold Collection: The Gatehouse Rochester, 1925. Artist: Sir Leslie Matthew Ward

The Gatehouse Rochester, 1925. Artist: Sir Leslie Matthew Ward
The Gatehouse Rochester. Jaspers Gatehouse, Rochester, Kent. Dating from the early fifteenth century, the gatehouse is the bachelor flat of Cathedral organist John Jasper in Charles Dickenss last

Background imageScaffold Collection: Cathedral of St Stephen (Stephansdom), Vienna, Austria. Artist: HC White

Cathedral of St Stephen (Stephansdom), Vienna, Austria. Artist: HC White
Cathedral of St Stephen (Stephansdom), Vienna, Austria. The Gothic Stephansdom is famous for its magnificent tiled roof and 450 foot high South Tower

Background imageScaffold Collection: Steeplejacks on the spire of All Saints Church, Poplar, London, 1926-1927

Steeplejacks on the spire of All Saints Church, Poplar, London, 1926-1927. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)

Background imageScaffold Collection: Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920)

Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920). Artist: Richard Caton Woodville II
Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

Background imageScaffold Collection: The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell

The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
The Gates of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57, [London Offices of the Studio, London, 1912-13]

Background imageScaffold Collection: Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s

Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s. Artist: John Davies
Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s. This tunnel, seen here under construction ran from Edge Hill to Lime Street, Liverpool

Background imageScaffold Collection: Iron ship, Messrs Samudas yard, Isle of Dogs, London, c1880

Iron ship, Messrs Samudas yard, Isle of Dogs, London, c1880
Iron ship in frame on the stocks, Messrs Samudas yard, Isle of Dogs, London, c1880. A print from Great Industries of Great Britain, Volume I, published by Cassell Petter and Galpin, (London, Paris)

Background imageScaffold Collection: Taste: The Gate of Burlington House, 1731. Artist: William Hogarth

Taste: The Gate of Burlington House, 1731. Artist: William Hogarth
Taste: The Gate of Burlington House, 1731. Contemplations upon a coronet. 1797. Illustration from Social Caricature in the Eighteenth Century

Background imageScaffold Collection: The Clinic of Balneotherapy, Yessentuki, Russia, 1915

The Clinic of Balneotherapy, Yessentuki, Russia, 1915. Situated in the northern Caucasus, Yessentuki has been a popular spa resort since the 19th century due to the properties of the mineral water

Background imageScaffold Collection: Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. Artist: Jean Sorieul

Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. Artist: Jean Sorieul
Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. The coronation of Emperor Alexander II (1818-1881) and Empress Maria Alexandrovna (1824-1880)

Background imageScaffold Collection: New Mormon Temple, Salt Lake City, Utah, late 19th century. Artist: John L Stoddard

New Mormon Temple, Salt Lake City, Utah, late 19th century. Artist: John L Stoddard
New Mormon Temple, Salt Lake City, Utah, late 19th century. View of the Salt Lake Temple under construction Photograph from Portfolio of Photographs, of Famous Scenes

Background imageScaffold Collection: The Old Town Below the Cemetery, Menton, 1890. Artist: Emmanuel Lansyer

The Old Town Below the Cemetery, Menton, 1890. Artist: Emmanuel Lansyer
The Old Town Below the Cemetery, Menton, 1890



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"Scaffold: A Testament to Human Ingenuity and Progress" Throughout history, scaffolds have played a vital role in the construction of some of the world's most iconic structures. Dating back to 1827, bricklayers relied on these temporary frameworks as they meticulously built walls that would stand the test of time. One such example is Big Ben, whose majestic clock tower stood tall under a scaffold during its construction. The sight of this towering landmark shrouded in metal beams only added to its mystique and grandeur. Across the Atlantic Ocean, another symbol of freedom took shape amidst scaffolding - the Statue of Liberty. In Paris, craftsmen carefully assembled each piece under their watchful eyes, ensuring Lady Liberty would rise triumphantly above New York Harbor. Scaffolds also served as platforms for progress in other industries. In 1934, an awe-inspiring view captured Queen Mary at Clydebank shipyard in Glasgow. This giant Cunard liner showcased human achievement and engineering prowess against a backdrop of steel bars. Artists too found inspiration within these temporary structures. Francois Rude immortalized his work on canvas while working on the Arc de Triomphe in 1893. His brushstrokes encapsulated both beauty and labor intertwined within each stroke. Closer to home, bridges like Needle Eye Bridge over M1 at Barnsley stood proud thanks to scaffolding support during their construction phase. These architectural marvels connected communities and paved way for progress across South Yorkshire. In Cornwall's tin mining industry during the 19th century, miners relied on sturdy scaffolds deep underground as they extracted precious resources from Mother Earth's embrace – a testament to human resilience even in treacherous conditions. Religion too found solace within scaffolded walls; St George's Cathedral proudly claimed its title as one of the largest wooden churches globally—a spiritual sanctuary crafted with meticulous precision by skilled hands supported by timber frames reaching towards heaven. Even the most iconic structures required temporary support.