Scene 5 Collection

Hamlet, Act IV, Scene 5 (engraving)
5211632 Hamlet, Act IV, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Hamlet, Act IV, Scene 5)

"Oh Hamlet, what a falling off was there!"Hamlet, Act I, Scene 5 (colour litho)
969868 " Oh Hamlet, what a falling off was there!" Hamlet, Act I, Scene 5 (colour litho) by English School, (19th century); Private Collection; (add.info.: " Oh Hamlet)

"And my appointments have in them in a need, greater than shows itself at the first view
969849 " And my appointments have in them in a need, greater than shows itself at the first view, to you that know them not" Alls Well that Ends Well, Act II

"Prepared I was not for such a business;therefore am I found so much unsettled"Alls Well that Ends Well
969847 " Prepared I was not for such a business; therefore am I found so much unsettled" Alls Well that Ends Well, Act II, Scene 5 (colour litho) by English School

Merchant of Venice, Act II, Scene v (engraving)
971630 Merchant of Venice, Act II, Scene v (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Merchant of Venice, Act II, Scene v)

Coriolanus, Act 4, Scene 5 (engraving)
5229004 Coriolanus, Act 4, Scene 5 (engraving) by English School, (19th century); Private Collection; (add.info.: Coriolanus, Act 4, Scene 5)

Romeo and Juliet, Act IV, Scene 5 (engraving)
5211660 Romeo and Juliet, Act IV, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Romeo and Juliet, Act IV, Scene 5)

Romeo and Juliet, Act III, Scene 5 (engraving)
5211655 Romeo and Juliet, Act III, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Romeo and Juliet, Act III, Scene 5)

Macbeth, Act V, Scene 5 (engraving)
5211649 Macbeth, Act V, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Macbeth, Act V, Scene 5)

Hamlet, Act I, Scene 5 (engraving)
5211625 Hamlet, Act I, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Hamlet, Act I, Scene 5)

Shelleys Prometheus Unbound, Act II, Scene 5 (engraving)
5218972 Shelleys Prometheus Unbound, Act II, Scene 5 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act II, Scene 5)

Richard II, Act V, Scene V (engraving)
971689 Richard II, Act V, Scene V (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Richard II, Act V, Scene V)

Romeo and Juliet, Act i, Scene 5 (engraving)
5216225 Romeo and Juliet, Act i, Scene 5 (engraving) by English School, (19th century); Private Collection; (add.info.: Romeo and Juliet, Act i, Scene 5)

Shakespeare, Twelfth Night, Act II, Scene 5 (chromolitho)
5213850 Shakespeare, Twelfth Night, Act II, Scene 5 (chromolitho) by English School, (19th century); Private Collection; (add.info.: Twelfth Night, Act II, Scene 5)

Romeo and Juliet, Act III, Scene 5 (engraving)
5211656 Romeo and Juliet, Act III, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Romeo and Juliet, Act III, Scene 5)

Romeo and Juliet, Act I, Scene 5 (engraving)
5211651 Romeo and Juliet, Act I, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: Romeo and Juliet, Act I, Scene 5)

"And hark, what noise the General makes!"Coriolanus, Act I, Scene 5 (colour litho)
969870 " And hark, what noise the General makes!" Coriolanus, Act I, Scene 5 (colour litho) by English School, (19th century); Private Collection; (add.info.: " And hark)

Shakespeares King Henry IV, Part 2, Act V, Scene 5 - Falstaff (coloured engraving)
5197997 Shakespeares King Henry IV, Part 2, Act V, Scene 5 - Falstaff (coloured engraving) by Smirke, Robert (1752-1845) (after); Private Collection; (add.info.: Shakespeares King Henry IV, Part 2)

King Henry IV, Part II, Act V, Scene 5 (engraving)
5211729 King Henry IV, Part II, Act V, Scene 5 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part II, Act V, Scene 5)

Shakespeare, Romeo and Juliet, Act II, Scene 5 (chromolitho)
5213835 Shakespeare, Romeo and Juliet, Act II, Scene 5 (chromolitho) by English School, (19th century); Private Collection; (add.info.: Romeo and Juliet, Act II, Scene 5)

Romeo and Juliet, Act III, Scene V (engraving)
971669 Romeo and Juliet, Act III, Scene V (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Romeo and Juliet, Act III, Scene V)

Scene 5, Jack, Giant Killer, Scenes, Toy Theater, 1870-90
Scene 5, from Jack and the Giant Killer, Scenes for a Toy Theater, 1870-90

Drawings Prints, Print, Lady Macbeth, Shakespeare, Macbeth, Act 1, Scene 5, Boydell shakespeare
Drawings and Prints, Print, Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), Boydell shakespeare Gallery, Sitter, Subject, Engraver, Publisher, Artist, After, Sarah Siddons, William Shakespeare

Romeo Juliet Masquerade Shakespeare Act 1 Scene 5
Artokoloro

Jocund Day Stands Tip Toe Misty Mountain Tops
Artokoloro

Drawings Prints, Print, Fair Circus, scene 5, Artist, Louis-Robert Antral, French
Drawings and Prints, Print, Fair and Circus, scene 5, Artist, Louis-Robert Antral, French, Chalon-sur-Marne 1895-1939 Paris, Antral, Louis-Robert, French, 1895, 1939, early 20th century, 1915

Ophelia, fennel, columbines, Shakespeare, Hamlet, Act 4, Scene 5, William Wynne Ryland
Ophelia: " Theres fennel for you, and columbines" (Shakespeare, Hamlet, Act 4, Scene 5), William Wynne Ryland (British, baptized London 1732-1783 London)

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"Scene 5: A Tapestry of Shakespearean Drama" In this captivating engraving, we are transported to the world of William Shakespeare's most iconic plays. The scene is set with a collection of vivid lithographs and engravings from various acts and scenes, each capturing a momentous turning point in their respective stories. The centerpiece depicts Hamlet, Act IV, Scene As we gaze upon the engraving, we can almost hear Queen Gertrude exclaiming, "Oh Hamlet, what a falling off was there. " This powerful line echoes the profound betrayal that has unfolded before our eyes. Adjacent to it is another color litho portraying Alls Well that Ends Well, Act II, Scene Here we witness a character confessing their hidden motives: "And my appointments have in them in a need greater than shows itself at first view. " It serves as a reminder that not everything is as it seems within the intricate web of Shakespeare's narratives. Further along the tapestry lies an engraving from Merchant of Venice, Act II, Scene V. Its presence adds depth to this visual symphony by showcasing yet another dramatic encounter between characters who navigate themes of justice and mercy. Coriolanus takes its place in this artistic tableau with an engrossing depiction from Act 4, Scene The intensity emanating from this engraving hints at the turmoil faced by its protagonist as he grapples with his own identity and loyalties. Romeo and Juliet make multiple appearances on this vibrant canvas - one featuring Act IV, Scene 5 while another showcases Act III, Scene These engravings capture both moments of heart-wrenching tragedy and tender love amidst societal constraints. Macbeth also finds its rightful spot here through an evocative portrayal from Act V, Scene The image encapsulates Macbeth's descent into madness as he confronts the consequences of his ruthless ambition.