Scimitar Collection (page 4)

King Munza In Full Dress. He Reigned In The Late 19Th Century Over The Monbuttoo, A Tribe Of Cannibals In Central Africa. From The Worlds Inhabitants By G.T. Bettany Published 1888

Ancient British Woman (lithograph)
BAL109995 Ancient British Woman (lithograph) by White, John (fl.1570-93) (after); 22.1x15.3 cm; Private Collection; English, out of copyright

Supermarine Scimitar XD26ja at Farnborough in 1959
Supermarine Scimitar, XD26ja, at Farnborough in 1959. Date: 1959

SERINGAPATAM, 1799. The death of Tipu Sultan during the storming of Seringapatam by the British, 4 May 1799: wood engraving, 19th century

A Mamluk of Cairo, Egypt. A Mamluk was a soldier who converted to Islam and served the Muslim Arab caliphs from the 9th to the 16th centuries

Sultan Osman I (1300 - 1326). First of the Ottoman Dynasty

Mameluke on horseback, Bedouin Arab soldier
A Mameluke (Mameluk) on horseback with a Bedouin Arab soldier. 1817

Religious shrine, Arequipa, Peru, South America
Religious shrine in the city of Arequipa, southern Peru, South America. Date: circa 1920

Kabard prince, Circassian, wearing helmet, chain-mail and tabard.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Prince of Imereti, Georgia, with musket and scimitar.. Handcolored woodcut from Auguste Wahlens Manners, Customs and Costumes of all the People of the World, Brussels, 1845

Turkish cavalry, artillery man, and Turkish women and children.. Handcolored lithograph from Friedrich Wilhelm Goedsches Complete Gallery of Peoples in True Pictures, Meissen, circa 1835-1840

Prince Boris Nikolaevich Yusupov (1794-1849) 1809 (oil)
BAL34649 Prince Boris Nikolaevich Yusupov (1794-1849) 1809 (oil) by Gros, Baron Antoine Jean (1771-1835); Private Collection; French, out of copyright

The Grand Vizier, 1829 (coloured engraving)
XIR241503 The Grand Vizier, 1829 (coloured engraving) by Gurk, Eduard (1801-41); Bibliotheque Nationale, Paris, France; Austrian, out of copyright

Battle Scene (oil on canvas)
XIR188732 Battle Scene (oil on canvas) by Courtois, Jacques (Le Bourguignon) (1621-76); Musee Bonnat, Bayonne, France; French, out of copyright

Allegory of the Vanities of the World, 1663 (oil on canvas)
XIR167802 Allegory of the Vanities of the World, 1663 (oil on canvas) by Boel, Pieter or Peter (1622-74); 207x260 cm; Musee des Beaux-Arts, Lille

Portrait of Kara Mustafa Pasha, Jacob Gole, Nicols Visscher (II), Republiek der Zeven Verenigde Nederlanden, 1670 - 1724

Turkish Man (lithograph)
BAL109997 Turkish Man (lithograph) by White, John (fl.1570-93) (after); 22.6x15.6 cm; Private Collection; English, out of copyright

Death of the Rohilla Chief in 1781 (engraving) (b&w photo)
XJF108281 Death of the Rohilla Chief in 1781 (engraving) (b&w photo) by English School, (19th century); Private Collection; English, out of copyright

The Battle of Aboukir, 25th July 1799
XIR20123 The Battle of Aboukir, 25th July 1799 by Gros, Baron Antoine Jean (1771-1835); 578x968 cm; Chateau de Versailles, France; French, out of copyright

GOYA: SECOND OF MAY 1808. The Second of May 1808 (The Charge of the Mamelukes). Mamluks of the French Imperial Guard attack a crowd of civilians on Calle de Alcala, Madrid, Spain

Tchete - Turkish Peasant from Cilicia, Syria
A Tchete - Turkish Peasant brigand from Cilicia photographed in Syria (very close by) Date: circa 1910s

Supermarine Scimitar, XD212

Supermarine 544 N113, WT859, which became the Scimitar

An 803 Squadron Supermarine Scimitar during sea trials aboard HMS Ark Royal

Supermarine 544 N113, WT854, which became the Scimitar

Supermarine 544 N113 WT854 which became the Scimitar
Supermarine 544 N113, WT854, which became the Scimitar

The Pit and the Pendulum (1843) story by Edgar Allan Poe (1809-1849) American poet and story writer, creator of the American Gothic story

Scimitar dagger with handle decorated with animal figures in flint and ivory
Egyptian civilization, Predynastic Period. Scimitar dagger with handle decorated with animal figures in flint and ivory. Length 10.4 cm

SPAIN: GRANADA, 1492. The surrender of Granada to King Ferdinand and Queen Isabella of Castile in 1492. Wood engraving, American, late 19th century

BATTLE OF ASSAYE, 1803. The victory of British and Sepoy forces under General Arthur Wellesley (the future Duke of Wellington) at the village of Assaye, India, during the Second Maratha War

TRIPOLITAN WAR, 1804. A wounded American seaman (not Reuben James, in spite of the tattoo) saving American Commodore Stephen Decatur from a scimitar stroke during the Tripolitan War of 1804-1805

Female Initiation - 5
A candidate is initiated into the Sublime Scottish Rite, vowing on her scimitar to honour the Modern Rite of Adoption. Date: 1891

Sword Sellers - Hyderabad, India Date: 1904

A man and Woman of Hindustan (India). A book of national types and costumes from the early 19th century

A man and Woman of Iran (Persia). A book of national types and costumes from the early 19th century

Mongol Warrior in Armour
A Mongol warrior in chain armour, carrying a scimitar and some sort of polearm

Hyder Ali (Haidar)
HYDER ALI Indian ruler and soldier. Helped form first corps of sepoys with European aid

Kurdish Horseman / Royal
A Kurdish Horseman - One of the escort during a Royal Hunt in 19th century Persia

An Arab by Mallet 1683
A portrait of a Mahomet of Arabia wearing a bejewelled turban with feather and a fur- lined tunic and coat

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"Unleashing the Power: The Mighty Scimitar" Step into a world of ancient warriors and timeless elegance with the scimitar, a weapon that has left its mark throughout history. From swords to daggers, maces to tanks, this curved blade has stood as a symbol of strength and precision. In the realm of artistry, costume designers for Ballets Russes brought Scheherazade to life with their exquisite interpretation. A vivid lithograph showcases dancers adorned in vibrant costumes wielding scimitars, captivating audiences with every graceful movement. But beyond the stage, the scimitar's legacy extends far and wide. In 1823, during the death of Botsaris, this formidable weapon played a pivotal role in battles fought by courageous warriors. Shah Abbas himself recognized its power during his reign from 1557-1628. Even modern warfare embraced its might; Alvis Scimitar light reconnaissance tank became an indomitable force on battlefields worldwide. Its sleek design and lethal capabilities proved invaluable in strategic operations. Yet it is not only on battlegrounds where this iconic blade makes an appearance. Muslim women bathing in public baths find solace knowing they are protected by their faith and perhaps even concealed within their garments lies a hidden scimitar – a silent guardian against any threat that may arise. The skies too have witnessed the prowess of this legendary weapon. Royal Aircraft Establishment introduced Supermarine Scimitar F. 1 aircraft - soaring through clouds like avian predators armed with deadly precision. Traveling across continents reveals more tales woven around these blades; two Eritrean Warriors stand tall in East Africa brandishing their trusty scimitars while Household Cavalry Regiment maneuvers through Salisbury Plain during Ex Iron Scout 3 exercises showcasing both tradition and adaptability. Whether it be ballet or battlefield, cultural heritage or military might – there is no denying that the scimitar holds an enduring place in history.