Sebastiaen Collection

Ruins of St Croix de Jerusalem, 17th century. Creator: Wenceslaus Hollar
Ruins of St Croix de Jerusalem, 17th century

Baths of Diocletian, Rome, 17th century. Creator: Wenceslaus Hollar
Baths of Diocletian, Rome, 17th century

Ruins of a Round Building, 1673. Creator: Wenceslaus Hollar
Ruins of a Round Building, 1673

Roman Ruins, second version of title-page, ca. 1650. Creator: Unknown
Roman Ruins, second version of title-page, ca. 1650

Ruins and a barred gate on the Esquiline Hill in Rome, 1673. Creator: Wenceslaus Hollar
Ruins and a barred gate on the Esquiline Hill in Rome, 1673

Roman remains at Tivoli, 1673. Creator: Wenceslaus Hollar
Roman remains at Tivoli, 1673

Temple of the Tiburtine Sybil, 1650. Creator: Wenceslaus Hollar
Temple of the Tiburtine Sybil, 1650

Roman Ruins, 1673. Creator: Wenceslaus Hollar
Roman Ruins, 1673

St. Croix de Jerusalem, 1650. Creator: Wenceslaus Hollar
St. Croix de Jerusalem, 1650

Palati maioris (Palatine Palace, Rome), 1650. Creator: Wenceslaus Hollar
Palati maioris (Palatine Palace, Rome), 1650

Thermaru diocletiani Ruinae (Baths of Diocletian), 1651. Creator: Wenceslaus Hollar
Thermaru diocletiani Ruinae (Baths of Diocletian), 1651

Amphitiatri Romani, ca. 1650. Creator: Wenceslaus Hollar
Amphitiatri Romani, ca. 1650

Ruinae Coliseum, ca. 1650. Creator: Wenceslaus Hollar
Ruinae Coliseum, ca. 1650

Title: Roman Ruins, ca. 1650. Creator: Unknown
Title: Roman Ruins, ca. 1650

Antwerp, 1625-77. Creator: Wenceslaus Hollar
Antwerp, 1625-77

Classical Ruins, 1673. Creator: Wenceslaus Hollar
Classical Ruins, 1673

Habitus Lusitanorum Peculiaris, from Fashions of Different Nations. n. d
Habitus Lusitanorum Peculiaris, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations. n. d
Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Germanicus Habitus, from Fashions of Different Nations. n. d. Creator: Pieter de Jode I
Germanicus Habitus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations. n. d
Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Gallica in Vestitu Varietas, from Fashions of Different Nations. n. d
Gallica in Vestitu Varietas, from Fashions of Different Nations.n.d. Mercatoris Belgae Eiusque Coniugis Vestitus. After Sebastiaen Vrancx

Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations. n. d
Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Viri et Mulieris apud Florentinos Habitus, from Fashions of Different Nations. n. d
Viri et Mulieris apud Florentinos Habitus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations. n. d
Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations. n. d
Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations.n.d. After Sebastiaen Vrancx

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"Sebastiaen: Capturing the Timeless Beauty of Ancient Rome" Step into a world frozen in time, where the echoes of ancient civilizations still resonate. Through the masterful artistry of Wenceslaus Hollar, we are transported to the ruins that tell tales of a glorious past. In his depiction of the Ruins of St Croix de Jerusalem, Hollar's meticulous attention to detail brings forth the grandeur and majesty that once adorned this sacred site. The crumbling walls stand as silent witnesses to centuries gone by. The Baths of Diocletian, another masterpiece by Hollar, reveal a glimpse into Roman life during its zenith. These sprawling structures were once bustling with activity and opulence; now they lie in serene decay amidst nature's embrace. Hollar's Ruins of a Round Building captivate us with their enigmatic allure. What secrets does this circular structure hold? Its weathered facade hints at stories untold, inviting our imagination to wander through history's corridors. Roman Ruins beckon us with their timeless charm; an unknown artist captures their essence on a second version title-page from around 1650. Each stone tells a story - triumphs and tragedies etched upon every surface. A barred gate guards the Esquiline Hill in Rome - an image immortalized by Hollar in 1673. Beyond lies mystery and wonder; what treasures lay hidden behind those iron bars? Our curiosity is piqued as we yearn for more glimpses into antiquity. Journeying further outwards towards Tivoli, we encounter Roman remains captured by Hollar in 1673. Amidst lush greenery, these remnants whisper tales from long ago - fragments waiting to be pieced together like an archaeological puzzle. The Temple of Tiburtine Sybil stands tall against time's relentless march forward - depicted beautifully by Hollar in 1650. Its majestic columns evoke a sense of reverence, reminding us of the spiritual significance these ancient structures held.