Sepolcro Collection

Entrance to the Tomb of Lazarus, Bethany, 1800s
Entrance to the Tomb of Lazarus, Bethany, near Bethlehem, 1800s. Ingresso alla tomba di Lazzaro. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366102 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366110 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture
6366100 Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture by Lorenzi, Battista (1527-94) & Cioli

Sepulchre of Leonardo Bruni, Right aisle, detail
6366080 Sepulchre of Leonardo Bruni, Right aisle, detail by Rossellino, Bernardo (1409-64); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366109 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

6366079

Left aisle: Sepulchre of Galielo Galilei, detail of the inscription on the basement, 1734-37
6366112 Left aisle: Sepulchre of Galielo Galilei, detail of the inscription on the basement, 1734-37 by Italian School, (18th century); Santa Croce, Florence

Sepulchre of Michelangelo Buonarroti, detail of the personification of Architecture
6366105 Sepulchre of Michelangelo Buonarroti, detail of the personification of Architecture by Lorenzi, Battista (1527-94); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting
6366104 Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting by Lorenzi, Battista (1527-94); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

6366090

Sepulchre of Leonardo Bruni, Right aisle, detail
6366087 Sepulchre of Leonardo Bruni, Right aisle, detail by Rossellino, Bernardo (1409-64); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

6366078

Italy: Sepolcro di Cicerone (b / w photo)
6011689 Italy: Sepolcro di Cicerone (b/w photo) by Hielscher, Kurt (1881-1948); Private Collection; (add.info.: Sepolcro di Cicerone)

Left aisle: Sepulchre of Galielo Galilei, detail of the bust, 1734-37
6366111 Left aisle: Sepulchre of Galielo Galilei, detail of the bust, 1734-37 by Foggini, Giovanni Battista (1652-1725); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366103 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Knights of the Order of Solomons Temple or Knights Templar. Abiti dei Templari. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient

Tomb of Joseph of Arimathea, 1800s. Tomba di Giuseppe d Arimatea. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World

King Philip II of Spain working on El Escorial, 1584
King Philip II of Spain overseeing the work on the Royal Site of San Lorenzo de El Escorial built in 1584. Surrounded by courtiers, soldiers, magistrates and masons. Scoglio di Filippo II

Doors, windows and walls of the Palace of Persepolis, Syria
Doors, windows and walls in the ruins of the Palace of Persepolis, ceremonial capital of the Achaemenid Empire, Syria. Porte, finestre, mura, del palazzo di Persepoli

Antependium of altar in the Basilica di Sant Ambrogio
Rear of the antependium of the altar in the Basilica di Sant Ambrogio, Milan. Bas-relief formed of sheets of gold decorated with scenes from St. Ambroses life

Magistrates from an ancient Etruscan urn. President with curule seat, four praetors or judges in short-sleeved tunics. Urna Etrusca rappresentante alcuni magistrati

View of the Pyramid of Caius Cestius, from the Views of Rome series, c
XJF497229 View of the Pyramid of Caius Cestius, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

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"Exploring the Sepolcro: A Journey Through Art and History" Step into a world where art and history intertwine, as we delve into the captivating sepulchres that have stood the test of time. From the majestic Grand Mosque of Mecca to the intricate details of Michelangelo's final resting place, these sepulchres hold stories waiting to be discovered. In the 1800s, The Grand Mosque of Mecca showcased its grandeur with a breathtaking view of the Kaaba. This sacred site has been a symbol of unity for millions around the world. Michelangelo Buonarroti's sepulchre reveals his genius through sculptures personifying Sculpture itself and capturing his likeness in a remarkable bust, and is here that his legacy lives on, forever immortalized in stone. Gaze upon Galileo Galilei's sepulchre, nestled within left aisle walls adorned with beauty from 1734-37. This tribute pays homage to one who challenged conventional wisdom and expanded our understanding of the universe. The sepulchre dedicated to Leonardo Bruni beckons visitors with its intricate details found along the right aisle. Each element tells a story about this influential figure from centuries past. Witness Michelangelo Buonarroti's enduring impact on art as you explore his sepulchre adorned with three sculptures representing Painting, Sculpture, and Architecture respectively. These masterpieces stand as testament to his unparalleled talent. The Funeral Monument of Gastone della Torre transports us back to 1318-19 when white marble was meticulously carved into detailed relief work. This architectural marvel commemorates an esteemed Archbishop whose memory lingers through time. Take note of Galileo Galilei’s inscription etched onto his basement at left aisle - words that encapsulate his groundbreaking contributions during an era marked by scientific discovery (1734-37).