Serlio Collection

SERLIO, Sebastiano (1475-1554). Italian Mannerist architect, who was part of the Italian team building the Palace of
CUL4853239 SERLIO, Sebastiano (1475-1554). Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Engraving. SPAIN. CASTILE AND LEON. Salamanca

Architecture and perspective work - SERLIO, Sebastiano (1475-1554). Italian Mannerist architect
CUL4853196 Architecture and perspective work - SERLIO, Sebastiano (1475-1554). Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau

Il terzo libro di Sabastiano Serlio Bolognese, 1540. Creator: Sebastiano Serlio
Il terzo libro di Sabastiano Serlio Bolognese, 1540. [From a book on ancient Roman architecture]

Tutte l opere d architettura, 1584. Creator: Sebastiano Serlio
Tutte l opere d architettura, 1584. [Rustic Gate from Libro Estraordinaria, p. 17]

Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553

Reigles generales de l architecture, sur les cincq manieres d edifices, 1545

Il secondo libro di prospettiva, 1566. Creator: Serlio, Sebastiano (1475-c. 1554)
Il secondo libro di prospettiva, 1566. Found in the Collection of Musee national de la Renaissance, Ecouen

Il secondo libro della perspettiva (Scena Tragica). Artist: Serlio, Sebastiano (1475-c. 1554)
Il secondo libro della perspettiva (Scena Tragica). Found in the collection of Bibliotheca Hertziana Rom

Van Der Perspectiven Reglen van metselrijen op
Van Der Perspectiven, Reglen van metselrijen op de vijue manieren van edificien, Serlio, Sebastiano, 1475-1554, Woodcut, 1549, Woodcut, pages, 25-26, displayed across two pages

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from " The buildings and views of Venice"

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series The buildings and views of Venice (Le fabriche e vedute di Venezia)

Compendium of Architectural Books by Sebastiano Serlio (Books I-V), 1544, 1545, 1547

SERLIO, Sebastiano (1475-1554). Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Tutte l opere d architettura et prospetiva. SPAIN

Book illustration of a Renaissance theatre stage
Renaissance theatre stage. Historical illustration of a Renaissance theatre stage. The set, designed by the stage builder Sebastiano Serlio

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Serlio, Sebastiano (1475-1554), an Italian Mannerist architect and theorist, left a lasting impact on the world of architecture through his numerous works. His contributions can be seen in various forms, from engravings to books that showcase his innovative designs. One notable example is the Bramante dome from Serlio's engraving at the Vatican and St Peter's Basilica in 1882. This masterpiece by Paul Marie Letarouilly captures Serlio's vision for this iconic structure, showcasing its grandeur and architectural brilliance. Another significant work by Serlio is "Il terzo libro di Sabastiano Serlio Bolognese" from 1540. In this book, he presents different designs for St Peter's Basilica, providing insights into his creative process and ideas for one of the most renowned religious buildings in history. His influence extends beyond Italy as well. "Den eersten (-vijfsten) boeck van architecturen, " published between 1546 and 1553, showcases his architectural principles and design concepts that were widely embraced across Europe during the Renaissance period. It also delved into perspective drawing with works like "Il secondo libro di prospettiva" from 1566. These books demonstrate his mastery of creating realistic scenes through precise techniques, further establishing him as a leading figure in architectural theory. Throughout his career, Serlio continued to push boundaries and challenge traditional norms with publications such as "Reigles generales de l'architecture sur les cincq manieres d'edifices" (1545). By exploring different styles of construction, he expanded the possibilities within architecture while maintaining a strong foundation in classical principles. His artistic talents are evident not only in his writings but also in visual representations like "Il secondo libro della perspettiva (Scena Tragica). " Through these illustrations, he brings to life dramatic scenes and showcases his ability to create depth and realism.