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Setting Off Collection

"Setting off on a journey, embracing new horizons and adventures" Embarking on a new chapter of life, the view at St

Background imageSetting Off Collection: The Tube Station, c. 1932 (linocut printed in colours on tissue Japan)

The Tube Station, c. 1932 (linocut printed in colours on tissue Japan)
659543 The Tube Station, c.1932 (linocut printed in colours on tissue Japan) by Power, Cyril Edward (1874-1951); 25.5x29 cm; Private Collection; (add.info.: The Tube Station)

Background imageSetting Off Collection: View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Background imageSetting Off Collection: Goat and Hound (cut paper laid down on tissue)

Goat and Hound (cut paper laid down on tissue)
1767559 Goat and Hound (cut paper laid down on tissue) by Diederich, Wilhelm Hunt (1884-1953); 17.1x31.1 cm; Private Collection; Photo © Christie's Images.

Background imageSetting Off Collection: The Russian Emigres, c. 1900 (oil on canvas)

The Russian Emigres, c. 1900 (oil on canvas)
1197487 The Russian Emigres, c. 1900 (oil on canvas) by Levy-Dhurmer, Lucien (1865-1953); 92.7x73.8 cm; Private Collection; Photo © Christie's Images.

Background imageSetting Off Collection: In the Piazza San Marco, (gouache, chalk and pen and brown ink)

In the Piazza San Marco, (gouache, chalk and pen and brown ink)
827280 In the Piazza San Marco, (gouache, chalk and pen and brown ink) by Dulac, Edmund (1882-1953); 30.5x24.2 cm; Private Collection; (add.info.: In the Piazza San Marco. Edmund Dulac (1882-1953)

Background imageSetting Off Collection: The Boating Party, (oil on canvas)

The Boating Party, (oil on canvas)
989926 The Boating Party, (oil on canvas) by Miralles Galaup, Francesco (1848-1901); 73x91.5 cm; Private Collection; (add.info.: The Boating Party. Francisco Miralles y Galup (1848-1901)

Background imageSetting Off Collection: A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)

A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)
990551 A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 66x97.2 cm; Private Collection; (add.info)

Background imageSetting Off Collection: Shes Bound to Shine, c. 1885 (oil on canvas)

Shes Bound to Shine, c. 1885 (oil on canvas)
650411 Shes Bound to Shine, c.1885 (oil on canvas) by Henry, Edward Lamson (1841-1919); 34.3x41.2 cm; Private Collection; (add.info.: Shes Bound to Shine. Edward Lamson Henry (1841-1919)

Background imageSetting Off Collection: The Farewell, 1842 (oil on board)

The Farewell, 1842 (oil on board)
658764 The Farewell, 1842 (oil on board) by Becker, Jakob (1810-40); 92x73 cm; Private Collection; (add.info.: The Farewell. Jakob Becker (1810-1872). Oil on board. Signed and dated 1842

Background imageSetting Off Collection: Le Port d'Ostende, 1913 (oil on canvas)

Le Port d'Ostende, 1913 (oil on canvas)
653556 Le Port d'Ostende, 1913 (oil on canvas) by Permeke, Constant (1886-1952); 40.5x51 cm; Private Collection; (add.info.: Le Port d'Ostende. Constant Permeke (1886-1952). Oil on canvas

Background imageSetting Off Collection: Getting Ready, (oil on canvas)

Getting Ready, (oil on canvas)
657594 Getting Ready, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Getting Ready. William Lee Hankey (1869-1952). Oil on canvas

Background imageSetting Off Collection: Off to the Fishing Ground, Honfleur, (oil on canvas)

Off to the Fishing Ground, Honfleur, (oil on canvas)
657709 Off to the Fishing Ground, Honfleur, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Off to the Fishing Ground, Honfleur. William Lee Hankey (1869-1952)

Background imageSetting Off Collection: Two Women in an Arbor, (oil on canvas)

Two Women in an Arbor, (oil on canvas)
823059 Two Women in an Arbor, (oil on canvas) by Emmett, Lydia Field (1866-1952); 88.5x76.4 cm; Private Collection; (add.info.: Two Women in an Arbor. Lydia Field Emmett (1866-1952). Oil on canvas

Background imageSetting Off Collection: The Sartes, Turkestan (oil on canvas)

The Sartes, Turkestan (oil on canvas)
1195653 The Sartes, Turkestan (oil on canvas) by Kolesnikoff, Sergei (1889-1952); 52x71 cm; Private Collection; (add.info.: Kolesnikoff, Sergei (1889-1952)); Photo © Christie's Images

Background imageSetting Off Collection: Your Holidays! Travel by the White Star Line, a poster advertising travel to United States

Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c
1197961 Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c.1927 (colour litho) by Mills

Background imageSetting Off Collection: Weighing Anchor (oil on canvas)

Weighing Anchor (oil on canvas)
XIR71999 Weighing Anchor (oil on canvas) by Du Gardier, Raoul (1871-1952); Musee Antoine Lecuyer, Saint-Quentin, France; (add.info.: by Gardier Raoul Du)

Background imageSetting Off Collection: Cinderella (oil on panel)

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

Background imageSetting Off Collection: Little owl (Athene noctua) taking flight, NorthYorkshire, UK. June, 2021

Little owl (Athene noctua) taking flight, NorthYorkshire, UK. June, 2021

Background imageSetting Off Collection: On the Way to Church, 1904 (oil on canvas)

On the Way to Church, 1904 (oil on canvas)
823461 On the Way to Church, 1904 (oil on canvas) by Bieler, Ernest (1863-1948); 115x157 cm; Private Collection; (add.info.: On the Way to Church; Sur le Chemin de L Eglise)

Background imageSetting Off Collection: Outward Bound (oil on panel)

Outward Bound (oil on panel)
1767670 Outward Bound (oil on panel) by Wiles, Irving Ramsay (1861-1948); 24.8x35.6 cm; Private Collection; (add.info.: Outward Bound. Irving Ramsey Wiles (1861-1948). Oil on panel

Background imageSetting Off Collection: Boys Marching By, 1918 (oil on canvas)

Boys Marching By, 1918 (oil on canvas)
985252 Boys Marching By, 1918 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 81.4x72.2 cm; Private Collection; (add.info.: Boys Marching By. Frederick Childe Hassam (1859-1935)

Background imageSetting Off Collection: The Embarkment of a Roman Queen (oil on canvas)

The Embarkment of a Roman Queen (oil on canvas)
827139 The Embarkment of a Roman Queen (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 80x139.7 cm; Private Collection; (add.info.: The Embarkment of a Roman Queen. Ettore Forti (1850-1940)

Background imageSetting Off Collection: A poster advertising Michelin tyres, 1913 (colour lithograph)

A poster advertising Michelin tyres, 1913 (colour lithograph)
1198409 A poster advertising Michelin tyres, 1913 (colour lithograph) by Rossillon, Marius (O Galop) (1867-1946); 119x78 cm; Private Collection; Photo © Christies Images

Background imageSetting Off Collection: Two Girls Preparing to Enter a Carriage, (colour etching)

Two Girls Preparing to Enter a Carriage, (colour etching)
1194917 Two Girls Preparing to Enter a Carriage, (colour etching) by Icart, Louis (1888-1950); 63x90 cm; Private Collection; Photo © Christies Images

Background imageSetting Off Collection: Men o War: The Blake and The Boston, 1893 (oil on canvas)

Men o War: The Blake and The Boston, 1893 (oil on canvas)
1767570 Men o War: The Blake and The Boston, 1893 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 45.7x56.5 cm; Private Collection; (add.info.: Men o War: The Blake and The Boston)

Background imageSetting Off Collection: Departure, c. 1941 (etching and drypoint)

Departure, c. 1941 (etching and drypoint)
991015 Departure, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44.5x31 cm; Private Collection; (add.info.: Departure. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Background imageSetting Off Collection: The Departure of the Master of the House (oil on canvas)

The Departure of the Master of the House (oil on canvas)
989931 The Departure of the Master of the House (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 59x100 cm; Private Collection; (add.info)

Background imageSetting Off Collection: An Elegant Lady Entering a Coach, (oil on board)

An Elegant Lady Entering a Coach, (oil on board)
827243 An Elegant Lady Entering a Coach, (oil on board) by Rousseau, Marguerite (1888-1948); 33x45.8 cm; Private Collection; (add.info.: An Elegant Lady Entering a Coach)

Background imageSetting Off Collection: Cabinet de Toilette de Jacques Emile Blanch, 1888 (oil on canvas painted)

Cabinet de Toilette de Jacques Emile Blanch, 1888 (oil on canvas painted)
824059 Cabinet de Toilette de Jacques Emile Blanch, 1888 (oil on canvas painted) by Lobre, Maurice (1862-1951); 80x85 cm; Private Collection; (add.info.: Cabinet de Toilette de Jacques Emile Blanch)

Background imageSetting Off Collection: Sport on the S. S. Cedric, 1921 (oil on canvasboard)

Sport on the S. S. Cedric, 1921 (oil on canvasboard)
657477 Sport on the S.S. Cedric, 1921 (oil on canvasboard) by Nicholson, William (1872-1949); Private Collection; (add.info.: Sport on the S.S. Cedric. Sir William Nicholson (1872-1949)

Background imageSetting Off Collection: The Fort of Gwalior, Madhya Pradesh, (oil on canvas)

The Fort of Gwalior, Madhya Pradesh, (oil on canvas)
1197493 The Fort of Gwalior, Madhya Pradesh, (oil on canvas) by Weeks, Edwin Lord (1849-1903); 131.2x87.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageSetting Off Collection: The Promenade, c. 1882 (crayon on paper)

The Promenade, c. 1882 (crayon on paper)
1767882 The Promenade, c.1882 (crayon on paper) by Seurat, Georges Pierre (1859-91); 30x21 cm; Private Collection; (add.info.: The Promenade. Georges Seurat (1859-1891). Crayon on paper

Background imageSetting Off Collection: After the Ball, 1917 (oil on board)

After the Ball, 1917 (oil on board)
1767123 After the Ball, 1917 (oil on board) by Fischer, Paul (1860-1934); Private Collection; (add.info.: After the Ball. Paul Fischer (1860-1934). Oil on board

Background imageSetting Off Collection: A Sailing Ship, (pencil and oil on paper)

A Sailing Ship, (pencil and oil on paper)
1197320 A Sailing Ship, (pencil and oil on paper) by Wallis, Alfred (1855-1942); 21.5x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSetting Off Collection: Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from

Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from
1197060 Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from the Mastership of the South Down Foxhounds, 1881 (oil on canvas) by Earl

Background imageSetting Off Collection: Hussars Setting Out, 1913 (oil on canvas)

Hussars Setting Out, 1913 (oil on canvas)
1197023 Hussars Setting Out, 1913 (oil on canvas) by Macke, August (1887-1914); 37.5x56.1 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageSetting Off Collection: Gentleman and Flower Girl near Book Stalls by the Seine, (oil on panel)

Gentleman and Flower Girl near Book Stalls by the Seine, (oil on panel)
989607 Gentleman and Flower Girl near Book Stalls by the Seine, (oil on panel) by Lesur, Henri-Victor (1863-1937); 39.4x31.8 cm; Private Collection; (add.info)

Background imageSetting Off Collection: Study for the Prodigal Son in Modern Life: The Departure, c. 1881 (oil on panel)

Study for the Prodigal Son in Modern Life: The Departure, c. 1881 (oil on panel)
827068 Study for the Prodigal Son in Modern Life: The Departure, c.1881 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 22.6x34.5 cm; Private Collection; (add.info)

Background imageSetting Off Collection: Peasant on an alley by a House, Pontoise; Paysan dans une Ruelle a l Hermitage

Peasant on an alley by a House, Pontoise; Paysan dans une Ruelle a l Hermitage
826340 Peasant on an alley by a House, Pontoise; Paysan dans une Ruelle a l Hermitage, Pontoise, 1876 (oil on canvas) by Pissarro

Background imageSetting Off Collection: Schooners at Anchor, Key West, 1903 (watercolor and pencil on paper)

Schooners at Anchor, Key West, 1903 (watercolor and pencil on paper)
651117 Schooners at Anchor, Key West, 1903 (watercolor and pencil on paper) by Homer, Winslow (1836-1910); 35.4x55.3 cm; Private Collection; (add.info.: Schooners at Anchor, Key West)

Background imageSetting Off Collection: Rowing out of a Cove, 1878 (oil on canvas)

Rowing out of a Cove, 1878 (oil on canvas)
650675 Rowing out of a Cove, 1878 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 30.6x50.1 cm; Private Collection; (add.info.: Rowing out of a Cove. Jasper Francis Cropsey (1823-1900)

Background imageSetting Off Collection: On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)

On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)
650673 On the Wawayanda Lake, New Jersey, 1873 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 36x61 cm; Private Collection; (add.info.: On the Wawayanda Lake, New Jersey)

Background imageSetting Off Collection: The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

Background imageSetting Off Collection: The Parting of Lord William and Lady Rachel Russell in 1683

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Background imageSetting Off Collection: Napoleons Abdication, c. 1890-1899 (oil on canvas)

Napoleons Abdication, c. 1890-1899 (oil on canvas)
989884 Napoleons Abdication, c.1890-1899 (oil on canvas) by Cain, Georges Jules Auguste (1856-1914); 170.2x140.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageSetting Off Collection: Off to the Meet (oil on canvas)

Off to the Meet (oil on canvas)
990552 Off to the Meet (oil on canvas) by Watmough, G. (fl.19th century); 71.7x103 cm; Private Collection; (add.info.: Off to the Meet. G Watmough. Oil on canvas)

Background imageSetting Off Collection: The Embarkment of King Charles III from Naples, (oil on canvas)

The Embarkment of King Charles III from Naples, (oil on canvas)
990426 The Embarkment of King Charles III from Naples, (oil on canvas) by Joli, Antonio (1700-77); 76.2x170.8 cm; Private Collection; (add.info.: The Embarkment of King Charles III from Naples)

Background imageSetting Off Collection: The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)

The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)
659851 The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x132 cm; Private Collection; (add.info)



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"Setting off on a journey, embracing new horizons and adventures" Embarking on a new chapter of life, the view at St. Rollox Looking South East captures the excitement that comes with setting off towards unknown destinations. In Le Port d'Ostende, 1913 (oil on canvas), we witness the bustling activity as ships prepare to set sail, symbolizing the anticipation of departing for distant shores. The Boating Party (oil on canvas) portrays a group ready to embark on an idyllic voyage, their faces filled with joy and eagerness as they set out into open waters. A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas) showcases individuals preparing for an exhilarating hunting expedition. The scene exudes energy and determination as they gear up for their adventure. Shes Bound to Shine, c. 1885 (oil on canvas) depicts a woman getting ready to depart in style. Her confident demeanor hints at her readiness to shine wherever she goes. The Farewell, 1842 (oil on board) evokes bittersweet emotions as loved ones bid farewell before embarking on separate paths. The painting captures both sadness and hopefulness in this moment of departure. Getting Ready (oil on canvas) portrays people gathering their belongings and making final preparations before setting off. It highlights the meticulousness required when embarking upon any journey. Off to the Fishing Ground, Honfleur (oil on canvas) presents fishermen eagerly heading out into rough seas in search of their livelihoods. Their determination reflects not only their dedication but also their reliance upon nature's bounty. Two Women in an Arbor (oil on canvas) suggests two friends or sisters preparing for an outing together. Their laughter and shared secrets hint at joyful times ahead as they venture into nature's embrace.